Books to look out for this Spring

The freaky February weather is behind us, those treacherous early Spring storms seem to have passed, and there are signs of Spring – things are sprouting in my garden (apart from all those snowdrops I planted last Autumn – hmm!) and it is warm enough to take the thick down lining out of my winter coat. The London Book Fair has been taking place this week, with all those publishers deciding what we are going to be reading in the coming months, and there are some fantastic new books to look out for. With the Easter holidays coming up in the next month or so, you may be looking for something to read yourself. Here are some of the newly published or soon to be published books that have caught my eye

The FiveThe Five by Hallie Rubenhold

This book has been getting a lot of coverage and tells the stories of the women raped and murdered in Victorian London by Jack the Ripper. Reclaiming a space for these women, the author seeks to make them more than just victims.

 

 

 

 

BookwormBookworm: a memoir of childhood reading by Lucy Mangan

I have been reading Lucy Mangan’s columns in The Guardian for years and have always loved her writing style. I have also always identified with the passion for reading she found she had as an introverted child. This looks like a nice read and one that will take you back to characters and places you may also have loved as a child.

 

 

SpringSpring by Ali Smith

The third in Ali Smith’s seasonal quartet. Autumn was published in 2016 and was shortlisted for the Man Booker in that year. Winter was published in 2017 (still on my TBR list) and here we now have Spring, due for publication on 28 March. It concerns the lives of three people living in a time of war in a country facing a crisis of identity. Remind you of anywhere?

 

 

 

girl balancingGirl, Balancing by Helen Dunmore

Having just completed Birdcage Walk, I’m really keen to get into some more Helen Dunmore and this collection of short stories looks like a perfect one to take on holiday. I don’t read very many short stories so this will be a bit of a departure for me.

 

 

 

LannyLanny by Max Porter

Just read a review of this and it sounds so intriguing that I can’t wait to get hold of it. Set in a small village not far from London, this book is about the many residents past and present who have lived there, and about the culture, history and folklore of the place, embodied by the slumbering woodland spirit Dead Papa Toothwort.

 

 

 

That should keep me going for a while!

What books are you looking forward to reading this Spring?

If you have enjoyed this post, I would love for you to follow my blog. Let’s also connect on social media.

Book review – “If Beale Street Could Talk” by James Baldwin

A few weeks ago I blogged about the 2019 Oscars and identified If Beale Street Could Talk as one of the few literary connections amongst this year’s crop of nominees. It was in fact nominated in the Best Adapted Screenplay category but lost out to Spike Lee’s BlackKklansman on the night. The book is widely considered to be a classic of 20th century African-American writing.

It is a love story and concerns the relationship between 19 year-old Tish and her 22 year-old lover Fonny, whose baby she is expecting. The couple grew up in Harlem, but Fonny has ambitions of becoming a sculptor and the couple plan to move to Greenwich Village to be among other artists. The story of their love is told mainly through flashbacks, however, as, when the novel opens, Fonny is in jail awaiting trial for rape, having been accused and then identified in a line-up by the Peurto Rican victim.

if beale street could talk imgThe time span of the novel is the duration of Tish’s pregnancy, during which time the couple’s two families set about trying to free Fonny, liaising with his lawyer and pulling together all the money they can to pay Fonny’s legal costs. The lion’s share of this task falls to Tish’s family, who see it as their duty to support their daughter and the father of their grandchild. Fonny’s family, on the other hand is divided; his mother and sisters are deeply confused, ambivalent and disturbed by events effectively disown him. Fonny’s father does engage, supported by Tish’s father, but it is clear he is not really strong enough to cope with the pressure. It falls to Tish’s family to take charge and her mother, Sharon even goes to Peurto Rico, to where the raped woman has fled, to appeal to her to change her testimony, the suspicion being that Fonny was simply served up to her by corrupt police officers. As Tish’s pregnancy progresses, so we follow the legal machinations, the financial pressures faced by all concerned, the effect of prison on Fonny, the artistic soul tortured by his incarceration, and the toll that events take on both families.

It is a tragic story in many ways – no spoiler intended, but events don’t really resolve in the course of the novel – but has also been described as ultimately uplifting because it shows the power of love, not just between a man and a woman, but also within the community and within the family (notwithstanding the dysfunctional nature of Fonny’s family, although the inference here is that his mother’s religious fervour lies at the root of this).  I have not seen the film so I’m not sure how it handles the open nature of the ending.

The other main theme of the novel is, of course, the black experience, and Baldwin was a key figure in mid-20th century civil rights activism in New York. He counted Nina Simone, Maya Angelou, Marlon Brando, Josephine Baker, Allen Ginsberg and Miles Davis among his many high-profile friends. It is clear that Fonny has simply been set-up to take the blame for the rape – the woman identified her attacker only as black, and in the line-up that was assembled, Fonny was the only black man present. The cops are clearly out to get him, and any other black man. The judicial system, the penal system and the social and financial system are all stacked against Fonny, against them all, a reflection of how Baldwin saw society at the time.

Although I enjoyed the book, I didn’t find it a particularly easy read. The writing felt a little spiky, uncontrolled (the type that a determined editor might address!), but on the other hand it is spontaneous and vernacular, heart-felt and real. I found the timings difficult to follow at times and the supporting characters not as well-developed as I would have liked. It helps, however, when you understand more about Baldwin and his life. Firstly, he was an essayist, poet, playwright and activist as much as he was a novelist, if not more so, and whilst I do not know his other work, I can see that way of thinking in this novel. I think there are also significant influences from Baldwin’s personal life experience which feature strongly – his relationship with his father (actually his step-father), his sexuality, his struggle to express his art in his youth, growing up as he did in the tough neighbourhood of Harlem, and his religious ambivalence.

This is an intriguing and important book, even though it wasn’t always the easiest read. The love story is powerful and moving and it has certainly made me keen to see the film and to read more of Baldwin’s work, particularly his essays and his semi-autobiographical novel Go Tell It on the Mountain.

Recommended.

Have you read the book or seen the film? What did you think?

If you have enjoyed this post, I would love for you to follow my blog. Let’s also connect on social media.

The Reading Challenge for March: “Perfume” by Patrick Suskind

This month’s theme for my Facebook Reading Challenge is a European novel. I confess that I did have the “B-word” in mind when I set the theme, feeling the need to assert that there is more that unites us than divides us, to paraphrase the late Jo Cox. The B-word has at this stage, however, become synonymous with something altogether more sinister – something very worrying is happening to our concepts of democracy, statehood, nationality, political representation and society. No-one really knows where we are or where we’re going.

Photo 11-03-2019, 13 52 18
My thirty year-old copy of Perfume

However, that does not change my belief that we would all do well to push our personal horizons from time to time, literary and otherwise, and engaging with books originally written in other languages is one way of doing that, even if you have to read them in translation. So, the book I have chosen for this month, Perfume by Patrick Suskind, is an absolute classic, and one that I consider to be one of my all-time favourites.

Perfume was first published in 1985 in German, and then in English in 1987. This was also my first year at University, studying English, and I spent those three years reading continuously. Sounds great (it was!) but by the end of it I could hardly even lift a book! Perfume was one of the first books I read after my hiatus, and I was completely blown-away. The novel is set in 18th century Paris and concerns a perfumier Jean-Baptiste Grenouille, his talent for and obsession with all things olfactory, and his descent into a murderous lifestyle – the sub-title of the book is “the story of a murderer”.

I am excited to be reading the book again, although slightly apprehensive – what if I don’t love it as much as I did before? Context matters, so it will be an interesting experience either way.

If you would like to read the book and join the conversation, do pop over to the Facebook page. 

If you have enjoyed this post, I would love for you to follow my blog.

 

World Book Day…don’t you just love it!

world book day

I love World Book Day, truly I do, but I have to confess that by the time my third and youngest child was at the end of primary school I breathed a sigh of relief that no longer would I have to be knocking up a costume the night before. (Perhaps this says more about my approach to organisation than anything else!) One of my kids hated dressing up, another is highly imaginative and I’m afraid my sewing skills could never match up to expectations and another worried about their costume and how it would compare to others. It was SO stressful, and I began to feel, towards the end, that we were sort of missing the point.

Going along to the bookshop the following weekend clutching our tokens for a free mini-book was much more in my comfort zone, though, again, we would inevitably walk out with an additional book or two and I often wondered how parents for whom money was tight, or non-existent, managed this particular challenge and having to say no once again. Possibly avoid the bookshop altogether and quietly forget the token?

I saw a post on Facebook this morning suggesting that if the costume your child wants costs more than a book, don’t buy it and get a book instead. This is good advice! Children can be strong-willed little things, however, and it can be hard to hold the line. Schools could do more, I think, to reward and recognise ‘creative’ costumes, or perhaps set the challenge that a costume has to be assembled from a certain limited range of materials and take no more than an hour to put together. Most kids LOVE a set of parameters and this would reduce the peer pressure to turn to online sellers of fabulous ensembles.

My own take on this, as a parent of teenagers, is that books are for life and not a day, and we would all do well to try and incorporate books and reading into our children’s lives. I feel certain this would counter much of the anxiety around screen-time that so many parents experience. So, here are my alternative suggestions for celebrating World Book Day:

  1. Read a book yourself – model the behaviours you want in your children.
  2. Put down the phones, sit down and have a conversation with your child about a book they have read. Value their opinions and don’t judge.
  3. If they don’t like a book (that’s okay), as them why. This will encourage them to think about what they DO like.
  4. Make using their World Book Day token an occasion. Buy them an additional book if you can afford it.
  5. If you can’t, take them along to the charity shop where there will be hundreds of kids’ books.
  6. Get them a library ticket and visit regularly.
  7. Do all of the above. Again.

Nothing is better than reading to your child at bedtime. Yes, I know it can sometimes feel like a hassle, especially if you still have work to do, are tired or want to watch your favourite TV show, but, believe me, it stops and often sooner than you think. Even five minutes reading with your child is better than none.

There was some depressing research published this week showing that only around a third of children under thirteen are read to daily for pleasure by an adult, and the trend is downwards. This is not good. When we also hear about teenagers’ mental health issues, I’m afraid I can’t help thinking there is a link.

What are your thoughts on children’s reading habits?

If you have enjoyed this post, I would love for you to follow my blog. Let’s also connect on social media.

 

 

Book review – “Birdcage Walk” by Helen Dunmore

It has come to my notice in the last couple of years that I really enjoy historical fiction, yet if you’d asked me that ten years ago I might have been quite sniffy about it, thinking of it as a more poular rather than literary genre. Perhaps it’s because the book I have been birthing over the last year or so (almost ready to send out, yay!) is largely historical, so I’ve grown acutely aware of the additional challenges of research, of picturing a scene in my mind’s eye that doesn’t include all the day to day contemporary things we take for granted, as well as trying to create an authentic narrative voice, even getting the language right. It’s also something more basic than that though – many historical novels have really touched something quite deep in me. I’m thinking Sarah Dunant’s The Birth of Venus, Tracy Chevalier’s The Last Runaway, even Agatha Christie. And many of the books that I think of as my all-time favourites are also historical  – Deborah Moggach’s Tulip Fever, Hilary Mantel’s A Place of Greater Safety and Andrea Levy’s Small Island all look back as a way of making sense of the now. History can teach us a great deal.

Birdcage Walk imgA dear friend gave me Helen Dunmore’s final novel, published posthumously, Birdcage Walk, for my birthday last year and I have only just got around to reading it. I had read some quite mixed reactions, some feeling it wasn’t her best or that it had not been as well edited as it might have been, which is understandable. I am not familiar with Dunmore’s other novels so don’t have a view on how it compares. It meant I approached it with some trepidation, however.

The novel is set in 1792 in Bristol, with the aftermath of the French Revolution playing out across the Channel, and its effects beginning to be felt in England. The central character Lizzie is married to a builder John Diner Tredevant, known as Diner, who has invested heavily (financially and emotionally) in the construction of a grand terrace in the city. The couple’s future depends on the success of the project, but political unrest has created economic uncertainty and the half-built, never-to-be-completed terrace is a motif for the couple’s relationship. As financial pressure builds, stress begins to expose the fragile foundation of Diner’s personality, cracks are revealed in their marriage and questions begin to arise about the mysterious circumstances of Diner’s first wife who died suddenly in France.

Lizzie comes from a more middle-class intellectual background; her mother is a Radical writer and supporter of the insurgency against the monarchy in France, as is Lizzie’s stepfather Augustus. They were not fully in support of Lizzie’s marriage, and it is hinted that they feared Diner was her intellectual inferior, and that she would not thrive with him, as well as being of a different mind to them politically. It seems that Lizzie married him because he represented a solidity and security that she never had growing up; she clearly holds Augustus in some contempt at times, his intellectual pursuit seems ineffectual to her. When Lizzie’s mother dies in childbirth, becoming pregnant at a dangerously late stage in her life, everything in Lizzie’s world begins to break down.

I can see why some regard the novel as somehow ‘incomplete’ – some of the characters are not fully drawn, Diner, for example. For me, his behaviour was not entirely coherent and I did not fully ‘get’ what drew him and Lizzie together, they seem so un-alike, and this is slightly problematic as the entire plot turns on the dynamics of their relationship. A quote from the Daily Mail on the jacket describes it as a “psychological thriller”, but that’s not quite how it felt to me. If anything, it’s more a book about character than plot.

Like the book I am working on, it is also about a journey of discovery, of uncovering the past and of the fleeting part we all play in history and how individual stories are so easily lost.

Whether or not Birdcage Walk is Dunmore’s best (if I could write this well, I’d be happy!) it has made me want to explore her other work as I thoroughly enjoyed it.

Recommended reading.

How do you feel Birdcage Walk compares with Dunmore’s other novels?

If you have enjoyed this post, I would love for you to follow my blog – you can do so by clicking on the Follow button.

Book review – “Roll of Thunder, Hear My Cry” by Mildred D Taylor

I chose this book as February’s choice for my Facebook Reading Challenge 2019. The theme for the month was a YA novel. First published in 1976, this rather pre-dates the emergence of the YA genre, so it does not fit quite so comfortably. However, it is a classic and, in my view, essential teenage reading. My edition is published by Puffin and the narrator and main character is a child, but make, no mistake, the themes here are mature and heavyweight.

Roll of Thunder imgRoll of Thunder, Hear My Cry is the first of three novels by Mildred D Taylor about the Logan family, black farmers in Mississippi, set in the 1930s. They are poor, but they own their own small piece of land, Grandfather Logan having bought it in the 1880s from local landowner Harlan Granger, much to the chagrin of some of the white locals who still cannot accept the social changes giving black people greater autonomy and rights. Grandfather Logan is now dead and the central character, Cassie, lives on the farm with her parents, her grandmother and three brothers. Despite owning 400 acres, the family still struggles to make ends meet, which is why Cassie’s father works away much of the year, on the railroad construction, and her mother works as a teacher at the local (black) school. All the family contributes to the running of the farm and the income it generates.

The scene is set beautifully, mainly through the four children and in particular, Cassie’s narration. The children have the same worldview of any kids their age, but even at their young age they have a strong awareness of their low status compared to their white counterparts, for example, in the way most of the local white children treat them and how the white kid’s school seems so much better resourced (they even have a bus, while the Logan children have to walk several miles every day). The unfairness is not lost on the children and sometimes they express their sense of injustice in ways that worry the adults, who know that for their own safety they must just keep their heads down and accept the reality. The early chapters set all these conditions in place and the readers is aware of the underlying tensions in the community that might erupt at the slightest provocation.

And that provocation soon comes along. Little Man, the youngest of the Logan children and a very fastidious boy, rejects a book given out to him in class because it is shabby. The books, cast-off by the white’s school as too damaged to use any longer, have been bestowed upon the black children and they are expected to be grateful. Little Man’s rejection of the damaged book is considered an affront too far, even by his teacher (it is interesting how most of the black adults in the book have been rendered completely docile by conditioning and by the threat of retribution if they speak out). For appearance’s sake, the children’s mother has to mete out Little Man’s severe punishment (being beaten), even though it pains her to do so. She decides to cover all of the children’s books, to make them appear fresher, but when this is spotted by the local (white) inspector, it has severe consequences for her too.

A series of other events set off a cascade of problems for the Logan family. For example, when the owner of the local store, upon which they all depend, appears to be treating his black customers unfairly, Cassie’s parents try to set up an arrangement whereby they make collective bulk purchases from a store charging better prices in a neighbouring town and the Logans transport the goods on their wagon. This riles the white community (black people have no right to make such a stand and resist the control being exercised over them) and the family is threatened.

Events take increasingly grave turns and the threat of violence, even death and financial ruin are never very far away. As you would expect from a novel for this age group, crisis is averted when a disaster at the end manages to bring the community back together in the most unexpected way. However, the novel does not shy away from suggesting that a terrible confrontational denouement is merely averted and not truly eliminated. It is happy for now, not happy ever after, as we know from the civil rights history of the USA. By the end of the novel, one thing is for sure and that is that nine year-old Cassie will never see the world in quite the same way again. Events have forced her out of her naïve belief in fairness and into an awareness that life, for her ilk at least, is definitely not fair.

I found this novel really gripping. I loved the characters, the dialogue with and between the children felt very authentic and the writing flows beautifully. It is a packed novel for its 220 pages, dealing with some important issues that will help to illustrate the African-American experience during a dark period in America’s history.

Highly recommended.

If you have read this book, either recently or when you were younger, I would love to hear your thoughts.

If you have enjoyed this post, I’d love for you to follow my blog. Let’s also connect on social media.

Are you ready for The Oscars?

Well, if you’re like me and based in the UK you probably won’t be staying up until the wee small hours awaiting the big announcements, especially as it’s a school night!

Books are more my thing than films, for sure, but I do love a good movie and going to the cinema remains a treat, even with all the alternative options we have today, such as DVDs, television subscription channels and live streaming. The UK Academy Awards (the BAFTAs) have got bigger over the years, but still don’t match the glitz and the prestige of the Oscars, even though scandals and mishaps have tarnished the image of the US awards ceremony in recent times.

if beale street could talk imgI’m always looking for the films with literary links and they are particularly scarce this year. If Beale Street Could Talk is the only novel-based film, that I could spot, and is based on the Harlem-set love story by James Baldwin, first published in 1974. I’ve just started reading it. The Spike Lee film BlacKkKlansman and the comedy Can You Ever Forgive Me? are both based on memoirs, the former a true story of a young African-American detective who set out to infiltrate and bring down the KKK, and the latter, starring Melissa McCarthy and Richard E Grant, also a memoir, about a celebrity biographer who finds herself out of work and changes tack to become a forger. This one also has a female director (too rare). I haven’t yet seen any of these films, but all of them appeal.

The three films above all have chances of winning big and have been nominated in a number of categories, but I note that in the Best Adapted Screenplay category the Coen brothers have a nomination for The Ballad of Buster Scraggs, a film based partly on short stories, written by the Coen brothers themselves. I don’t know much about this one and I don’t think it’s on general release yet in the UK.

Traditionally, when the Oscars come around, many of the films are fairly new to the UK, so audiences here may not have seen some of them, for example, The Wife, which has not yet reached the north of England. Bohemian Rhapsody and A Star is Born seem to have been around forever. Neither really appeals to me, although friends who have seen them say both are great.

I have seen Roma, Vice and The Favourite and loved all three. Roma was probably the one I found most moving, although Olivia Colman as Queen Anne, manages to draw out the heartbreaking loneliness and isolation of the troubled monarch. Vice is just scary!

I don’t know enough about the film world to offer my top tips, but I will watch the highlights tomorrow with interest and hope that the script for the myriad presenters is less cringe-making than poor Joanna Lumley’s at the BAFTAs!

Which of the big Oscar-nominated movies have you seen and what are your favourites?

If you have enjoyed this post, I would love for you to follow my blog. You can also connect with me on social media.