Book review: “Educated” by Tara Westover

Educated imgThis book caused something of a sensation when it was published last year. It is the extraordinary memoir of a young woman who grew up in rural Idaho, as part of a large Mormon family. Nothing too outlandish there until the author begins telling you about the father’s survivalist beliefs (he hoards supplies of food and fuel in their bunker for when catastrophe strikes, as he believes it inevitably will), his Christian fundamentalism (quite extreme beliefs about, for example, what women should wear, that even their fellow Church members find uncomfortable) and the obsessive control he exerts over the rest of the family. The unconventional nature of the family would be enough to make this a fascinating read, but what makes it shocking is the level of violence, of almost sadistic cruelty. Some of is quite hard to read and at times I found myself gasping out loud.

Tara, the author, is the youngest of seven children. The family lives in an isolated area, below Buck’s Peak mountain in Idaho, far from town and the influence of ordinary society. Her father runs his own business making money from scrap metal. He is a powerful patriarchal figure whose word must be obeyed and who has strong conspiracy theory beliefs. He distrusts all figures of authority and all institutions, including the police, doctors and nurses, public officials, banks and school teachers. His children are “home-schooled” (in the loosest sense of the term, since he also believes there is little need for an academic education), have no official records (neither of her parents can be sure exactly how old Tara is or of her birthdate) and never attend a hospital. Tara’s mother becomes a “midwife”; more accurately she is self-educated and self-appointed to attend births in other families with similar distrust of conventional medicine. (Later in the book she begins to develop her own homeopathic remedies which will make the family’s fortune.)

The book is a largely chronological account of Tara’s growing up and her increasing scepticism about her family’s views. She is an intelligent and curious child and inevitably questions some of the beliefs and assumptions underpinning her parents’ beliefs. As she gets occasional glimpses into the lives of others she determines that what she desires most of all is an education in a proper school or college. When one of her brothers manages to achieve this, and encourages her to seek it out for herself also, she makes the necessary arrangements. What seems to me to fuel Tara’s gradual withdrawal from the family, however, is not the desire for an education but an increasing intolerance of the violence experienced by her brothers, at the hands of their father, and that meted out to Tara herself by her brother Shawn, a deeply disturbed individual. The terrible ‘accidents’ that they all endure (even Tara’s mother sustains a head injury in a car crash that leaves her with unspecified brain damage) are the direct result of wilful neglect of normal standards of safety (her father removes all the seatbelts from the family car). Make no mistake, this level of violence and cruelty is all about control and ruling through fear.

Slight spoiler alert: Tara does eventually break free from her family, though it is a difficult journey for her, and she finds herself torn many times between her attachment to her parents and siblings, in spite of everything she has had to endure from them, and her academic ambitions which see her winning scholarships to Cambridge and to Harvard. Her achievements are extraordinary given her background and her lack of formal education. She realises how sheltered her life has been when she stuns a lecture room into dumbstruck silence by asking the teacher what is meant by the term ‘Holocaust’. Adapting to life ‘in the outside world’ is extraordinarily difficult and she often wonders whether it might just have been easier to stay where she was.

I found this both a shocking and a moving read. There has been a great deal of controversy surrounding the book; the family has closed ranks around itself and some members have contradicted Tara’s account of events. The author alludes to some of these differences in the notes section and also states at several points throughout that her memory of an event is vague and she is relying on others’ recollections. I felt at times uncomfortable reading the book, it felt voyeuristic. At other times I found myself disbelieving – how could Tara even think about going back to her family after all they had done. It was hard to imagine how she could not see through the lies and the control. But then, on the other hand, this is an account, you could say, of abuse, and of how the victim can be drawn back to the perpetrator. Especially where those perpetrators are her closest family. Without them she has no-one.

Recommended, but not the easiest of reads.

How do you rate Educated?

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>>>STOP PRESS<<< Teenager goes on reading binge!

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Yes, it’s true – one of my children is currently reading at a rate of about one book per day! They are currently on Easter holidays so that helps, but this started a couple of weeks ago. I thought it would pass, a mere flash in the pan, but so far so good, more and more books are piling up. Instead of walking around with eyes firmly fixed on the phone, she is walking around with her nose in a book. I am even having to suggest she stop reading and turn off the light at a very late hour!

So, how has this magic occurred? Perhaps you would like to know. Don’t get me wrong, she has always been a good reader, but in recent years, as with most young people once they hit the teens, it has tailed off in favour of the mobile phone, social media and TV streaming services, plus of course homework and friends. Sound familiar? Even when she has wanted to read, the motivation to put down the phone and pick up a book has not always been there, and hours are suddenly lost.

I asked her what has brought about this change (I wish I could claim the credit for it!) First of all, we had a grown-up conversation (ie not a parent-child, I’m-telling-you-what-to-do-type conversation) about getting enough sleep and she realised (quietly) that perhaps being on the phone late into the evening was not a good idea. She was also seeing that friends and peers were posting on social media well into the early hours. These are the kids looking exhausted at school, under-performing and experiencing behaviour problems, so she made the connection herself.

Once the phone was off, she had to find something else to do. This coincided with her watching the film of The Book Thief , which she had read and loved a few years ago. Realising how much had been omitted from the film, she went back and re-read the book. This set her off re-reading other books she had enjoyed. Once she’d got through a good few, she decided to get some new titles, and watch some film adaptations as well. And thus, a virtuous circle of reading, re-reading and associated film watching ensued.

I hope it lasts. She seems to be finding genuine pleasure in reading and it seems the more she reads, the more it motivates her to continue. Keen adult readers will no doubt recognise this feeling. It has, I think, also made her realise the pointlessness of much social media activity. She is aware of the potential harms, both the large and the small, and has decided, off her own bat, not to put herself in a scenario that might impact on her in a negative way.

Naturally, I feel very proud, but I assure you I am not smug; much of parenting teenagers involves realising you have less effect than you’d like and just hoping things turn out okay – it’s not for the faint-hearted!  I would like to think that we adopt certain habits at home that are helpful – modelling both reading behavior and limiting our own phone use – but, frankly, who knows?

So, that’s my little bit of domestic wisdom. If there are young people in your life, I hope they too will see the light.

What are your top tips for getting teens reading?

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Book review – “Perfume” by Patrick Süskind

This book is without doubt one of the most extraordinary novels of the late twentieth century. It was first published in the original German in 1985, and published in English the following year. It has sold over twenty million copies worldwide and been translated into 49 different languages. It won numerous prizes, remained on the bestseller lists in Germany for many years and was universally acclaimed. Despite this, its author published only a handful of other works (Perfume was his second book) and virtually retired from literary life in the mid-1990s and now, in his seventies, lives as a recluse between Germany and France, shunning all publicity. None of this surprises me; this book has surely to be the product of a very unusual mind.

Photo 11-03-2019, 13 52 18The book begins in mid-eighteenth century Paris when the central character, Jean-Baptiste Grenouille, is born beneath a fish stall, to an indigent mother. She pauses her work briefly in order to give birth to him but then, believing or perhaps wishing him to be yet another of the many stillbirths she is said to have had, she leaves him for dead amongst the discarded fish guts. When he is discovered alive, his mother is tried for infanticide and executed. He is left to the mercy of the church, but proves a demanding and difficult baby, who, despite his unpromising start, appears to enjoy rude health. So much so that the wet-nurse hired to take care of him, returns him as he is drinking too much of her milk, making it impossible for her to take on any other infants and therefore make a living. The sense of his insatiable appetite and how he sucks the life out of those around him is established. As he goes through life, we learn that those who come into contact with him invariably meet a tragic end.

Once old enough he is apprenticed to a tanner and lives a brutal existence. He also begins to learn that he has an exceptional sense of smell – it’s almost painterly in its precision. An unscrupulous perfumer in the city, whose best days are behind him, discovers the boy’s skills and buys him from the tanner, obviously without revealing Grenouille’s gifts. The vain Baldini uses him to copy the successful scents produced by others and to create remarkable new fragrances which restore Baldini’s fame and fortune.

It is whilst working for Baldini that Grenouille commits his first murder, spontaneously and without any particular malice. He follows an enchanting smell only to find that it belongs to a young nubile girl. In its purity and its goodness, the smell is like nothing Grenouille has ever come across and he wishes to possess it. He kills the girl and remains with her body until he has absorbed every atom of her odour into himself. The curious thing about Grenouille is that despite his acute sense of smell her has no odour of his own and can pass through society virtually unnoticed. With this first murder he realises that he will never be found out.

Years pass and Grenouille moves out of Paris, including spending a number of years as a hermit, living in a mountain. He is constantly searching, for some essence of life that he lacks in himself and covets in others, for some sort of olfactory peace. He has the capacity to deceive others and, although he is cruel and unfeeling, by doing so he exposes the foolishness, vanity and greed of others. It is inevitable that Grenouille will become a prolific serial killer. His final act is a kind of aromatic climax, following which he is both spent (there is nothing left for him to do) and satisfied.

The opening chapters of the novel are an assault on the senses – eighteenth century Paris, with all its filth, poverty and physical and moral dereliction, is right there beneath your nostrils. Grenouille’s journey is narrated in the most extraordinary prose that you will ever read. The final scenes, with the baying crowd of thousands that gathers to witness his execution but which then, utterly transfixed by the hypnotic odour he has doused on himself, stolen from the bodies of his young female victims, descends into a wild orgy. It’s like the author presents a Hogarth painting on the page! (Hogarth was working at around the same time and I wonder if the author had him in mind?) It is quite extraordinary.

Perfume was one of the first books I read after graduating. I had a reading holiday after I’d finished my degree in English and this novel reminded me of my love for literature (at the time I was feeling pretty spent myself!). The other memorable book I read around this time was Donna Tartt’s The Secret History, and I count both among my favourite books of all time. I was nervous coming back to Perfume, concerned that I might not find it as good and therefore its memory may somehow be spoiled. I needn’t have worried – it was an even greater pleasure second time around. Parts of the book left me breathless they were so powerful.

Highly, highly recommended, whether as a first or subsequent read. Astonishing.

Have you read Perfume? If so, how do you rate it?

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Reading challenge April – travel writing

It’s the end of March and time to be thinking about the reading challenge for April. The theme this month is travel writing and I’ve picked Colin Thubron, who is said to be one of the finest living travel authors. It’s not a genre I am very familiar with, although I love and have read quite a few of Dervla Murphy’s books (her book On a Shoestring to Coorg featured on my reading challenge two years ago). So, I thought it would be good to aim high and go for one of the best!

To A Mountian in Tibet imgThe title I have chosen is To A Mountain in Tibet, partly, I’m afraid, because it is one of the slimmer volumes; I’m struggling to keep up with all my planned reading at the moment…where did March go? Ah yes, I know, I spent a lot of time with my mouth open glued to the news and political analysis programmes (the less said about that the better!). Reading the blurb and the reviews of this book, I also feel it encapsulates what I am looking for in a travel book, which is not only the author on a physical journey, but also on some kind of process of learning. In To A Mountain in Tibet Thubron is undertaking a pilgrimage well known to Hindus and Buddhists, but is also a story of him coming to terms with loss and bereavement.

 

It seems appropriate to be reading this book in April, when Easter falls, and when many people will be undertaking journeys of their own. I will be on a family holiday later in the month and this book will be in my suitcase.

I will be posting my review of the March reading challenge book next week, Perfume by Patrick Suskind, so look out for that. This was a re-read for me; I last read it nearly thirty years ago and it has been one of my all-time favourites – find out if I loved it as much second time around!

I would love for you to join the Facebook reading challenge. Do drop by the group’s page if you’d like to.

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Is there any point reading Shakespeare?

My book group decided a couple of months ago to have a go at reading a Shakespeare play. We decided on Much Ado About Nothing (the one with Beatrice and Benedick), possibly not the best choice we could have made, on reflection, but we fancied something light. We spent less time discussing it than any other book we have read in the three years or so we have been meeting. True, it was the same night we had scheduled in a viewing of The Children Act by Ian McEwan, a book we had all loved, so there was less discussion time than usual, but even if we had had the whole evening, I doubt we would have found much more to say. We were just rather underwhelmed. Now, don’t get me wrong, I’m a lover of Shakespeare, and have studied most of the plays, thanks to having done a degree in English literature. Many of the comedies don’t do much for me, but, even reading Much Ado About Nothing again, I could appreciate the cleverness and the writing. And it’s not even that it’s out of date – some of the shenanigans, yes, they stretch credibility to a modern audience, but, really, are they that different to what’s going on in Love Island or Friends, or any one of the countless melodramas teens watch?

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I’ve given this a lot of thought recently as my children go through their GCSE Shakespeare texts. Generally, they’re a bit more exciting than Much Ado; my son studied The Merchant of Venice, which he found interesting, but not much more, and currently, my elder daughter is studying Macbeth, my personal favourite because it was my first encounter with the Bard, at the same age as she is now, but which she is finding rather laborious. Perhaps I was just lucky I had a wonderful English teacher (Mrs P. I hope you are reading this!), but kids just seem to find the whole process a bit dull, just as my book group seemed to reading Much Ado! And it’s not ‘kids of today’ – relatively speaking, Shakespeare is just as old as it was when I was studying over thirty years ago. And can it really all be down to the teaching?

Part of me concludes that Shakespeare is just not meant to be read. It can be like wading through treacle when the language is complex or you have to look up words no longer in use. Teaching Shakespeare does still seem to involve reading it through line by line in the classroom, which can be deathly dull, especially when you are not the one reading. Shakespeare  was written to be performed and many of the nuances of direction and staging, (ie who might be hiding behind which arras) are simply lost in a straight reading. Actors are also paid to add something – they study their characters in depth so that they can interpret for the audience. They can also add tone of voice, facial expression, and body language which tells us much more about what is happening and has the potential to make the action and the themes much more relevant. Shakespeare’s themes are still relevant and we see his legacy in so much of what we read or watch – not least The Children Act. What about politicians’ behaviour around Brexit? The talk of Cabinet coups, challenges to leadership – it’s all so Shakespearean! And that is because Shakespeare’s themes come from his profound observations of the human condition – the scenery, the clothing, the words might change, but the events are essentially the same. And we lap it all up.

So, how to deal with Shakespeare going forward, for a younger readership. Yes, it’s a conundrum because you do need to sort of understand the language a bit before you can fully appreciate the play in performance. Bring back the travelling players, I say, to go around schools and perform that year’s GCSE text for the students, hold workshops with the kids, going through the more complex aspects. Not all children can afford to go to the theatre, but it’s essential they see it live in order to fully understand and appreciate it. And you never know, it might actually inspire a lifetime love of the man and his work, as it did for me, and a different perspective on what’s going on in the world today.

Would love to hear your thoughts – what has been your experience of either teaching or being taught Shakespeare?

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Keep Kids Reading Week – new books for children

Last week I posted a blog with suggestions for new books out this Spring that have caught my eye. This week, since it’s my Keep Kids Reading week for March, I’m doing the same for the children in your life. I’ve been scouring the publishing magazines, websites and newspapers for the new books that are around. The Easter holidays are coming up and with the best will in the world, and I speak from experience, budgetary and time constraints do not allow parents to fill every waking minute of their kids’ days. You probably wouldn’t want to either, frankly! Letting them have some down time away from their devices, getting lost in the pages of a book is an option. Better still, have some family reading time, model the behaviour you would like from your kids and get some reading down time yourself.

I tend to focus my suggestions on the 9-15 age group as I think this is the trickiest. Under 9s are usually a bit easier to please and you can guide their book access easily by reading with them. You also generally have a bit more control over screen time with this age group! Ages 10-13, I think, present the most challenging period in terms of keeping them reading, so here are my suggestions.

Scavengers by Darren Simpson

Spring 19 kids 2This sounds slightly like an up-to-date Stig of the Dump to me. Central character Landfill lives the life of a wild creature. He has contact only with animals and one other human, Babagoo, who says he has brought him up from a seed. Babagoo wants to protect Landfill from ‘Outside’ and from the unpredictable other humans about whom he paints a fearful picture. Landfill goes along with this until one day he spies a she-wolf giving birth to her cubs. He realises that animals do not come from seeds and wonders what else Babagoo may have lied to him about.

 

 

Spring 19 kids 1Kid Normal and the Shadow Machine by Greg James and Chris Smith

I have mixed feelings about recommending books by celebrities, fearing that more talented authors are being pushed out. I also accept, however, that a famous name may get a child reading a book they might not otherwise have done. At least in this, the third book in the Kid Normal series, the co-author gets equal billing on the front cover. With fun illustrations this might be a good choice for the more reluctant young reader.

 

Spring 19 kids 3Work It Girl: Boss the bestseller list like J K Rowling by Caroline Moss and Sinem Erkas

A non-fiction option with some fantastic female role models for young girls. Lots of inspirational quotes and tips from high achieving women to motivate and encourage young girls to aspire to success. Easy to dip in and out of, again, another one for those who might find a full-length novel is not quite their cup of tea.

 

 

When young people start secondary school they can go off reading. There are so many distractions, homework, friendship issues, devices and hormones going on in their lives that reading, when it’s not as structured as in primary school, often drops off their radars. Keep the faith, they often come back, but you might have to keep putting books under their noses in the meantime. Here are some that have caught my eye for the 12-15 age group.

Spring 19 kids 6Joe Quinn’s Poltergeist by David Almond, illustrated by Dave McKean

There is a growing selection of graphic novels available for this age group, in recognition of the fact that many young people just find pages and pages of text daunting and unappealing. Some also find it difficult to maintain concentration. And, let’s face it, their world is very visual. If that sounds like a young person you know, try them on this. It’s David Almond, so we know it’s quality writing and from what I have seen, the illustrations are vivid and stunning.

Spring 19 kids 5The Quiet at the End of the World by Lauren James

Described as a dystopian love story this one will suit younger teens who are looking for something more mature but are not quite ready for the YA genre yet, which can sometimes be a little too grown-up. A terrible virus has caused global infertility (climate change themes, Handmaid’s Tale-ish). Lowrie and Shen are the youngest people on the planet. They live in a small ageing community in London, living a largely feral life, until they discover a secret which will force them into making a choice between saving or potentially destroying what remains of the human race.

Spring 19 kids 4How Not to Lose It: Mental Health Sorted by Anna Williamson and Sophie Beer

Any bit of support that our young people can get to help them with the challenges of growing up in the 21st century should be grabbed with both hands. Teaching our children to look after their mental as well as their physical health is vital if we are to head off the epidemic of anxiety, stress and depression that seems to be afflicting the younger population, sometimes with devastating consequences. I like the look of this book and it seems to hit just the right note for the 11-14 age group.

 

I hope there is something here which appeals. Let me know how you get on.

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Book review – “The Storm Keeper’s Island” by Catherine Doyle

Regular followers of this blog will know that I am passionate about children’s literature and that I frequently post reviews of great kids’ books I have read. I have decided to make this a more regular feature and will devote one week a month to reviewing children’s books and discussing issues about kids reading habits, an issue which I know is of concern to many of you, parents or otherwise. After all, most keen adult readers would, I think, say that their love of reading was fostered in childhood. Just the other day, I recommended Lucy Mangan’s new book Bookworm: A memoir of childhood reading, one of the books on my TBR list this spring which I feel sure will take me back to my own childhood and the many nights I spent reading under the covers, not with a torch, worse, by the light from the landing. It’s a wonder my eyesight wasn’t ruined!

The Storm Keeper's Island imgThis month, I would like to recommend Catherine Doyle’s The Storm Keeper’s Island, published last year by Bloomsbury, as a fantastic choice for any young people you know who like modern adventure stories where the good guy wins. Catherine Doyle is a young writer (just 29 years old) and has published several YA novels already; The Storm Keeper’s Island is her first novel for what is called the “middle grade”, ie about 9-12 years, and it was a barn-storming debut, winning several prizes and accolades from established authors in this genre. A second novel, following the further adventures of the main character Fionn Boyle, is planned for this summer and I would expect it to feature heavily in recommended holiday reading lists in advance of the Summer Reading Challenge.

Fionn Boyle and his twin sister Tara are to spend the summer with their grandfather, Malachy Boyle, on the real-life island of Arranmore, just off the coast of Donegal in north-west Ireland. It is a sparsely-populated island where most of the inhabitants are native Irish speakers, but many tourists visit. It is an island the author knows well, her own grandparents having lived there, and her love of the place comes across strongly. The two children don’t seem to know their grandfather well; he is their paternal grandfather, and their own father died at sea before they were born. The children have been sent to their grandfather because their mother has had some sort of mental breakdown. We learn that she has never really recovered from her husband’s death.

Malachy Boyle soon proves to be a quirky character, about whom there is an air of mystery. His cottage is full of home-made candles with mysterious names, like “The Whispering Tree”, “Low Tide” and “Unexpected Tornado”. Malachy Boyle is in fact Arranmore’s ‘Storm Keeper’, a chosen one whose role is to preserve the memories and legends of the island and protect it from its ancient mythical enemy, Morrigan, and her foe, the good spirit, Dagda. Inevitably, Fionn, gets drawn into an adventure involving these mythical spirits; Tara’s island boyfriend (whom she met on a previous visit), the ghastly Bartley Beasley, a vain, self-centred, full-of-himself bully, is the grandson of Elizabeth Beasley, who wants her family to be the next in line for the storm-keeper role and hopes Bartley will be anointed when it becomes time for Malachy to pass the baton. The undercurrent of conflict between the Boyles and the Beasleys is a metaphor for the Morrigan/Dagda feud.

Led by Bartley, the children (ie him, Tara, and Bartley’s sister Shelby, but excluding Fionn) plan to search out the long-lost and mysterious Sea Cave, where it is said a wish can be made. Obviously, Bartley wants to use the wish to make himself the storm-keeper. They are warned away from it as it is said to be highly dangerous. Fionn wants to find it first, to prevent Bartley having his wish, but he is afraid. As time passes, his grandfather passes on to him the knowledge of the candles and how lighting one enables a kind of time travel, where those present can see, even be a part of, events of the past that have been captured in the candle. Using the candles, Fionn will eventually triumph and (spoiler alert!) become the new storm-keeper.

I am not normally a lover of fantasy fiction, and I fear the above makes it sound as if there is a lot of myth and legend here. There is, but there are also actually a lot of real-life issues, modern concerns that children will identify with – loneliness, bullying, sibling rivalry, grief and loss, emotional vulnerability, what is meant by fear and courage, and perseverance. Ultimately, the good triumphs over the bad, the bullies don’t win and they are be exposed and punished. All the kinds of messages we want kids to get from their reading. The island legends do underpin the novel but it is by no means the heart of the novel. Most of all the child characters are credible and human, and many kids will be able to identify with them.

There is excitement, adventure and mild peril here, but also a kind of escapism – the children are on their summer holidays in a remote island community, with freedom to roam and where candles are more useful than mobile phones. The book would suit a variety of young readers in the 9-12 year-old age group. Recommended.

What recently-published books would you recommend for the 9-12 age group?

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