Category: YA books

Regular readers of this blog will know that I am a huge fan of literature for children and young people and that I review such books on here from time to time, not just because I think it’s good for ‘grown-ups’ to delve into these genres (you’re missing out if you don’t), but also because I know many of you often want recommendations for the youngsters you live with.

I picked up The Hurting from my local library recently (most now have online catalogues with a ‘What’s New’ section so you can browse new titles) and libraries are great for young readers because, unlike me, they often make a quick decision about whether they like something or not and if a book is worth their time, so it can be frustrating when they toss something aside after half an hour that you’ve paid £6 plus for!

Lucy van Smit is a first-time author and the publisher, Chicken House Books, has a good reputation for quality fiction for young people. It’s a YA book, for 15+ I’d say, as there are sexual references, some swearing, quite a bit of peril, and some challenging themes – cancer, alcoholism, death of a parent – all high-grade emotional stuff that teens seem to love! For me, it’s not the best YA book I’ve read this year, but then I’m judging it against The Disappearances, which I think is a phenomenal book, and Just Fly Away, which had a more concise and coherent plot and was for me more enjoyable. There is a lot going on in this book, perhaps too much.

Nell is in her late teens and lives with her father, a very religious alcoholic, and her sister, Harper, who has cancer. They are from Manchester but moved to Norway, ostensibly for Harper’s medical treatment. The girls’ mother, we learn, left when they were young and they have had no contact since. Nell is a confused young woman; she is the primary carer for her sister, their father either working or incapable most of the time, and she wants to be a singer-songwriter back in Britain, but finds herself cut off from any possibility of making a career in that field. She attends a local school where she experiences bullying and isolation. She decides to go back to the UK, without her family’s knowledge, for an audition, but gets into a spot of bother en route and meets Lukas, a handsome but mysterious boy. At first it appears he rescues her but we learn later that he in fact engineered the whole episode in order to entrap her.

There is an instant attraction between Nell and Lukas and Nell quickly falls in love with him. Lukas pursues Nell (and yes, that is the right word), and she is drawn into what can only be described as an edgy relationship with him. It turns out that Lukas is the son of the late Harry Svad, a Norwegian minerals entrepreneur (and Nell’s father’s employer who, mysteriously, her Dad seems to hate). Svad, along with his wife Rosa, has recently been killed in a helicopter crash. Lukas was not his biological son, however; he was discovered as a very young child living in a wolf pack in an area of forest Svad wanted to mine. Svad ‘rescued’ and adopted him, but Lukas cannot forgive him for killing the wolves he loved, and says he was also treated cruelly. This draws Nell further into a web of sympathy. Lukas has a baby brother, Pup, who, now an orphan, is in the care of social services. Lukas wants to adopt him when he turns 18 (very soon) but feels he needs to get Pup back now before events spiral out of control, and he says that by the time they catch up with him, he’ll be 18 so he’ll be able to adopt without a problem. By this stage he is well able to coerce Nell into kidnapping Pup from the foster carer.

Still with me? Yes, I struggled to suspend my disbelief too, but I suspect some young people would not! Nell goes along with Lukas’s plan, they kidnap the baby and then run away, back to the grand, extraordinary but isolated Svad home, via stolen car and light aircraft. They are pursued of course, though Lukas is careful to shield Nell from too much contact with the outside world where CCTV images of her are being splashed across news screens.

Spoiler alert: once at the Svad home, Nell begins to realise that Lukas has tricked her, that he actually wants to kill Pup, and frame her, and yet she cannot reconcile these facts with her intense passion for Lukas, the only person who appears to have shown her any love. His behaviour frightens her sufficiently, however, that she decides to escape with Pup (who it turns out is her half-brother, his dead mother, Rosa Svad, having also been Nell’s estranged Mum) but this involves a perilous trek through dangerous wolf-inhabited forest. With a baby.

Yes, there is a lot going on here; rather too many events, strands and themes for my liking, and I felt a bit overwhelmed. It rather lost me in the last third of the book, I’m afraid. However, for teens who need a lot of stimulation to keep their interest, this may suit. As I said, I found it hard to believe in the events, but, again, teens who like a touch of fantasy may be able to lose themselves in it and be more forgiving about the lapses in credibility. There were, in my view, some editorial oversights which annoyed me (including a frustrating number of typographical errors, grrr!), but most teens will overlook these. I loved the evocation of place – Norway provides a great setting for the book – and the author does well to convey the sense of threat as well as beauty in the natural world. Nell is a great character and her vulnerability and confusion, her difficult life, and her thwarted dreams may have a resonance for young people. Also, her journey, her survival against the odds and her ability ultimately to overcome her fears, some seemingly insurmountable obstacles and the effects of her first-love blindness, make her a positive role-model.

Recommended for the young people in your life, even if it wasn’t quite for me.

Have you read any good YA titles recently?

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