Tom Hazard has an extremely rare condition called anageria which means he ages extremely slowly. He is one of a tiny group of people who live for many hundreds of years. Tom was born in London in 1581 and mixed with the likes of Shakespeare and Marlowe in his youth, worked for Captain Cook in the 1700s and was a jazz pianist in Paris in the 1920s where he met, among others, F Scott Fitzgerald and watched Josephine Baker dance. What an incredibly lucky guy, you might think, but his condition is a curse and does not go unnoticed. He is haunted by the fact that his mother was condemned as a witch in the small village in which they lived, because the locals suspected dark forces at play when her teenage son appeared never to age. In his ‘late teens’ he meets and falls in love with Rose, and they have a child, Marion. Rose is the love of Tom’s life and although they move around, trying to avoid staying in one place too long and attracting attention, he realises that his existence presents a danger to Rose and the child. He has no choice but to leave her. The last time Tom sees Rose is when she is in her 50s, on her death bed with the plague, while he still looks like the young man she fell in love with many years earlier.
Tom has to spend his long and eventful life dodging attention, changing location every eight years or so. He, and others with his condition, are part of a worldwide secret organisation known as Albatross, led by the slightly sinister now elderly Dutchman, Hendrick. ‘Albas’, as they are known, are committed to keeping their condition secret and thereby protecting themselves from scrutiny. They fear discovery by the scientific community and what this might mean. Superstition has treated them badly in the past. Hendrick rules the organisation and controls its members, cleverly maintaining their loyalty with a delicate balance of threat and the promise of protection.
But Tom is unhappy. His condition brings him nothing but pain and grief. He lost his mother in brutal circumstances and his wife and daughter, all because of anageria. Hendrick keeps him close by telling him that his daughter Marion has inherited the condition and assuring Tom that he will find her, but Tom becomes increasingly suspicious of Hendrick’s motives.
In the present day, Tom’s new role is as a history teacher in an east London secondary school. He is a success, bearing the uncanny ability to ‘bring history alive’ to even the most apathetic of his students. At the school Tom meets Camille, a young French teacher, to whom he is attracted. The feeling is mutual, but of course, Tom knows a relationship is impossible. Tom’s inconsistent behaviour towards Camille makes her suspicious.
Thus, the scene is set for a complex and fascinating plot. The novel jumps back and forth in time from present day east London to Shakespearean London, where Tom was a renowned lute player, to the 18th century where Tom sailed to the Indies with Cook, to more recent times when Tom has had to carry out certain international missions to serve the secret organisation.
Haig creates a huge range of interesting characters and it is quite an achievement that he gives them all a depth and uniqueness, which many writers could only achieve with a much smaller cast. The book was not at all difficult to follow, despite the frequent changes of era and setting. For me, my favourite sections were the present-day ones, though, as Tom explored with great poignancy the tragedy of his existence which means he cannot build intimate connection with anyone outside the organisation, for fear not only of exposing himself but of placing them in danger; bad things happen to people who find out about the Albas. Tom is lonely and alone. The people he has loved are all gone and so he fears love. The recounting of past events in Tom’s life help to create and augment the picture of his existence where an overly extended life is a curse not something to be striven for. The unnaturalness of Tom’s situation, the burden he must bear, is profoundly portrayed.
I listened to this book on audio and the narrator, Mark Meadows, was excellent, developing an impressive range of distinctive voices and accents to distinguish the different characters. He also conveyed well a sense of Tom’s building frustration and despair, so much so that his final actions in the book are not only plausible, but completely inevitable.
I recommend this book highly.
Have you read this or any of Matt Haig’s other books? He is everywhere at the moment!
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