YA book review – “The Hurting” by Lucy van Smit

Regular readers of this blog will know that I am a huge fan of literature for children and young people and that I review such books on here from time to time, not just because I think it’s good for ‘grown-ups’ to delve into these genres (you’re missing out if you don’t), but also because I know many of you often want recommendations for the youngsters you live with.

I picked up The Hurting from my local library recently (most now have online catalogues with a ‘What’s New’ section so you can browse new titles) and libraries are great for young readers because, unlike me, they often make a quick decision about whether they like something or not and if a book is worth their time, so it can be frustrating when they toss something aside after half an hour that you’ve paid £6 plus for!

Lucy van Smit is a first-time author and the publisher, Chicken House Books, has a good reputation for quality fiction for young people. It’s a YA book, for 15+ I’d say, as there are sexual references, some swearing, quite a bit of peril, and some challenging themes – cancer, alcoholism, death of a parent – all high-grade emotional stuff that teens seem to love! For me, it’s not the best YA book I’ve read this year, but then I’m judging it against The Disappearances, which I think is a phenomenal book, and Just Fly Away, which had a more concise and coherent plot and was for me more enjoyable. There is a lot going on in this book, perhaps too much.

The Hurting imgNell is in her late teens and lives with her father, a very religious alcoholic, and her sister, Harper, who has cancer. They are from Manchester but moved to Norway, ostensibly for Harper’s medical treatment. The girls’ mother, we learn, left when they were young and they have had no contact since. Nell is a confused young woman; she is the primary carer for her sister, their father either working or incapable most of the time, and she wants to be a singer-songwriter back in Britain, but finds herself cut off from any possibility of making a career in that field. She attends a local school where she experiences bullying and isolation. She decides to go back to the UK, without her family’s knowledge, for an audition, but gets into a spot of bother en route and meets Lukas, a handsome but mysterious boy. At first it appears he rescues her but we learn later that he in fact engineered the whole episode in order to entrap her.

There is an instant attraction between Nell and Lukas and Nell quickly falls in love with him. Lukas pursues Nell (and yes, that is the right word), and she is drawn into what can only be described as an edgy relationship with him. It turns out that Lukas is the son of the late Harry Svad, a Norwegian minerals entrepreneur (and Nell’s father’s employer who, mysteriously, her Dad seems to hate). Svad, along with his wife Rosa, has recently been killed in a helicopter crash. Lukas was not his biological son, however; he was discovered as a very young child living in a wolf pack in an area of forest Svad wanted to mine. Svad ‘rescued’ and adopted him, but Lukas cannot forgive him for killing the wolves he loved, and says he was also treated cruelly. This draws Nell further into a web of sympathy. Lukas has a baby brother, Pup, who, now an orphan, is in the care of social services. Lukas wants to adopt him when he turns 18 (very soon) but feels he needs to get Pup back now before events spiral out of control, and he says that by the time they catch up with him, he’ll be 18 so he’ll be able to adopt without a problem. By this stage he is well able to coerce Nell into kidnapping Pup from the foster carer.

Still with me? Yes, I struggled to suspend my disbelief too, but I suspect some young people would not! Nell goes along with Lukas’s plan, they kidnap the baby and then run away, back to the grand, extraordinary but isolated Svad home, via stolen car and light aircraft. They are pursued of course, though Lukas is careful to shield Nell from too much contact with the outside world where CCTV images of her are being splashed across news screens.

Spoiler alert: once at the Svad home, Nell begins to realise that Lukas has tricked her, that he actually wants to kill Pup, and frame her, and yet she cannot reconcile these facts with her intense passion for Lukas, the only person who appears to have shown her any love. His behaviour frightens her sufficiently, however, that she decides to escape with Pup (who it turns out is her half-brother, his dead mother, Rosa Svad, having also been Nell’s estranged Mum) but this involves a perilous trek through dangerous wolf-inhabited forest. With a baby.

Yes, there is a lot going on here; rather too many events, strands and themes for my liking, and I felt a bit overwhelmed. It rather lost me in the last third of the book, I’m afraid. However, for teens who need a lot of stimulation to keep their interest, this may suit. As I said, I found it hard to believe in the events, but, again, teens who like a touch of fantasy may be able to lose themselves in it and be more forgiving about the lapses in credibility. There were, in my view, some editorial oversights which annoyed me (including a frustrating number of typographical errors, grrr!), but most teens will overlook these. I loved the evocation of place – Norway provides a great setting for the book – and the author does well to convey the sense of threat as well as beauty in the natural world. Nell is a great character and her vulnerability and confusion, her difficult life, and her thwarted dreams may have a resonance for young people. Also, her journey, her survival against the odds and her ability ultimately to overcome her fears, some seemingly insurmountable obstacles and the effects of her first-love blindness, make her a positive role-model.

Recommended for the young people in your life, even if it wasn’t quite for me.

Have you read any good YA titles recently?

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7 ways that reading improves your mental health

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On World Mental Health Day, I would like to flag up the obvious – reading is good for you. If you need a reason, here are seven:

  1. Reading reduces stress – it can slow your heart rate and help you relax.
  2. It can help you sleep – reading before bed induces sleep much more effectively than any other activity. Switching off your mobile phone and picking up a book will promote good sleep hygiene.
  3. Reading stops you ruminating – many of us build up our anxiety levels by going over and over stressful experiences. Reading a book will take you out of that negative thought cycle.
  4. Books do not mess with your melatonin – unlike a phone. Young people in particular benefit from putting the phone, with its melatonin-suppressing blue light, away and picking up a book.
  5. Reading explands your mind – much more than YouTube or EastEnders ever will.
  6. Reading improves focus and concentration – and that can help you manage the demands of life more effectively, especially if you find it difficult to complete tasks, with all the consequent pressures that brings.
  7. You won’t be comparing yourself with perfection – most characters in good books are flawed…like the rest of us. Normal. You will not meet people living seemingly amazing lives, with perfect bodies and hundreds of friends, who are going to make you feel rubbish. You will meet characters like you. And others not like you. Life’s rich tapestry in fact.

So, celebrate World Mental Health Day by doing something for yourself and sitting down with a book.

YA book review: “The Nowhere Girls” by Amy Reed

The Nowhere Girls imgThis is a very hard-hitting YA novel for older teens. It is an important book, dealing with a very current issue, misogyny, sexual violence and rape, but as a parent I found it extremely challenging to read. The story is set in Prescott, Oregon, a medium sized-town in the northwest United States. It centres on a group of three girls in high school (so about 17 or 18 years old) Grace, Erin and Rosina. Grace has moved to Prescott after her mother (an evangelical preacher) was forced out of her position in their previous home in the southern US because of hostility from the congregation towards her views. Grace finds, in her bedroom in their new home, some cryptic words scratched into the woodwork. She discovers that the previous occupant of the room was a girl called Lucy who alleged that she was raped by fellow students. No charges were brought and Lucy and her family left the town.

Grace struggles to make friends in her new school, because of her southern accent and her newness, but eventually connects up with Erin and Rosina, relative misfits in the school community. Erin has Asperger’s and her mother is over-protective and a zealous moderator of various social media groups and forums. Her obsession with this activity and her over-anxious concern to do all the right things, inhibits her from having a truly meaningful relationship with her daughter. Rosina comes from a large extended South American immigrant family and has a tempestuous relationship with her mother and her other relatives for whom she has to work for little or no pay, babysitting and waitressing.

The three girls are thrown together and Grace learns about what happened to Lucy, the author of the words scratched into the woodwork. Like her mother, Grace is earnest and a campaigner and she vows to do something about this unresolved issue. She sets up a secret group, calling it The Nowhere Girls, with a view to the young women at the school sharing their experiences and, Grace hopes, banding together to do something about the widespread misogyny. The group takes off in ways that none of its three founders could have anticipated; their secret meetings, held after dark in abandoned or remote locations, are well-attended and the young women share stories of widespread rape, and violent or coercive sexual encounters. The girls decide to go on a sex strike, to teach the boys a lesson, and as news of this spreads, the school authorities become increasingly angered and concerned about the reputation of the school and about the effect it is having on the stability of the school community.

As the book progresses events take on increasingly sinister turns. As the meetings of the Nowhere Girls expand it becomes clear that whilst misogyny and taking girls’ sexual availability for granted are widespread, the worst offences seem to have been committed by a small group of boys. Also, the Principal of the school becomes ever more extreme in her determination to stamp out the disruption caused by the Nowhere Girls, engaging in the kinds of blackmail and threats and that are effectively colluding with the perpetrators of the sexual crimes. The book is hinting at a wider social acceptance of rape and sexual violence as inevitable and quietly endorsed by those with vested interests in a storm not being created.

Once I had got past my initial doubts about the book’s basic premise, I found it a real page-turner. As a parent of teenagers I also found it a useful insight into a world I no longer know, not the sexual violence side of things, but the feelings of young women about their relationships with their parents, their relationships with each other and their hopes and desires around romantic partners. Coming back to the book’s premise, that rape and sexual violence are pretty common in high schools, accuse me of living under a rock if you like, but I found this difficult to accept as a phenomenon. Remember this is set in the US, so things may be different over there, but it painted a much more extreme view of a middle class high school community than was familiar to me. Perhaps I’m out of touch, but…

There are some sub-plots in the book, which help to lighten the load, for example, the relationships all three central characters have with their mothers, and the rather nicer romantic attachments they develop, including, in Rosina’s case, an exploration of her burgeoning homosexuality. But there is no doubt the book is at times graphic and disturbing, and therefore, I would suggest, suitable for older teens only. I think there are many important issues handled here, and they are sensitively done, but I would suggest it should be read by parents first before handing to under 18s. It may also form a useful basis for discussing these sorts of issues with your teens.

Do you think parents should ‘vet’ books before their teens read them?

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Are ‘mature’ Mummies allowed to read YA (young adult) fiction?

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Well, this Mummy did and really enjoyed it! It wasn’t, like, really obvs. (sorry, can’t resist a bit of punctuation, which I fear may become extinct in my lifetime) since the book concerned was a) written by someone of my own generation, and b) the cover doesn’t give too much away, so not totes embarrassing to be seen reading in the company of my daughter and her BFFs.

(Enough teen-speak now, I think, especially since I’m rubbish at it.)

I got an advance copy of The One Memory of Flora Banks by Emily Barr from Net Galley. This is a website you can subscribe to, free of charge, and it gives you a chance to get electronic copies of books (so you need an e-reader device), usually ahead of publication. In return you are simply asked to leave a review of the book on the website. I guess it gives publishers an idea of how the book might be received, and informs their marketing. The books available are mostly by less well-known writers.

Emily Barr has written a number of novels, mostly in what is often called the “chick-lit” genre, though I think this is her first venture into YA fiction. I first came across her many years ago when she gained a bit of fame for being a very young journalist at The Guardian and for having a relationship with a senior MP. I remember enjoying her columns as she was a very witty and very clever writer. Here are my thoughts on the book, which was published earlier this month and I note is widely available, including in my local supermarket, so being heavily pushed.

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Seventeen year-old Flora Banks is the narrator and central character. At the age of 10, Flora developed anterograde amnesia. This condition means that Flora has no short-term memory; she cannot remember what happened even a few minutes ago. Her parents micro-manage her life and Flora has various techniques and strategies to help her. For example, she writes things on her arms and hands that she needs to remember and keeps detailed notebooks about past events in her life which enable her to contextualise the present.

Flora is at once a reliable and unreliable narrator: the former because she tells things directly as she sees and experiences them, but unreliable because she cannot give us any background to the story, apart from what she recites from her notebooks. For example, it is some time before we learn what caused Flora’s condition and this is an important key to the story because it helps to explain the motivations of other characters in the novel. It is an interesting narration: there is a great deal of repetition as Flora struggles to memorise events, which I found irritating at first, but then it also enables the reader to empathise with Flora and see how life might be from her perspective.

Flora leads a sheltered life in Penzance until two events shake up her mundane existence: first, she attends a going-away party at her best friend Paige’s house. Paige’s boyfriend, Drake, is moving to Norway to study. At the end of the party Flora finds herself on the beach in the company of Drake, who kisses her and expresses feelings for her. This has a profound effect on Flora and becomes the singular event of the book’s title that Flora can permanently remember.

“I kissed Drake on the beach. I am alive in that memory.”

The second event, is that Flora’s parents have to go to Paris to see her brother Jacob who is dangerously ill. They don’t reveal the details of the illness and promise to return home soon. They leave Flora at home, for what they say will be just a few days with all her meals and strict instructions, and arrange for Paige to stay at the house to take care of her. Paige, however, has found out about the kiss with Drake and in a fit of pique decides that she will not Flora-sit. Home alone, Flora’s highly ordered life begins to unravel. Most significantly, Flora fails to take her medication. Now obsessed with Drake and the kiss and the conviction that his love for her will somehow begin a rehabilitation process (because the kiss is such a powerful memory) Flora discovers a resourcefulness she never knew she had, and takes herself off to Arctic Norway to find Drake, all the while convincing her parents that she is still at home with Paige. Flora then has an epic adventure.

Once I got into it, I really enjoyed this book. It is a very cleverly-crafted piece of fiction. Flora is a fantastic creation and I can really see how both she and Paige would be appealing characters to YA readers. Whilst Flora’s problems are very rare and very specific, I think there is a wider theme here about parenting and how, in seeking to protect our teens from the dangers the world presents, we may in fact deny them the very experiences that will enrich their lives. Flora has no capacity to weigh up risk so she is an unusual case (or maybe not!!!???), but the people who aid and abet her (Paige and Jacob) do have that ability, which suggests we have to trust the decisions young people make.

So, a thought-provoking read, which I will be passing on to my youngsters, and recommend to a non-YA audience too, even mature Mummies and Daddies! It’s Zoella next for me – now that WILL be embarrassing! 😉

If you or any young people you know have read this, I’d love to hear your thoughts about it.

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