Reading challenge April – travel writing

It’s the end of March and time to be thinking about the reading challenge for April. The theme this month is travel writing and I’ve picked Colin Thubron, who is said to be one of the finest living travel authors. It’s not a genre I am very familiar with, although I love and have read quite a few of Dervla Murphy’s books (her book On a Shoestring to Coorg featured on my reading challenge two years ago). So, I thought it would be good to aim high and go for one of the best!

To A Mountian in Tibet imgThe title I have chosen is To A Mountain in Tibet, partly, I’m afraid, because it is one of the slimmer volumes; I’m struggling to keep up with all my planned reading at the moment…where did March go? Ah yes, I know, I spent a lot of time with my mouth open glued to the news and political analysis programmes (the less said about that the better!). Reading the blurb and the reviews of this book, I also feel it encapsulates what I am looking for in a travel book, which is not only the author on a physical journey, but also on some kind of process of learning. In To A Mountain in Tibet Thubron is undertaking a pilgrimage well known to Hindus and Buddhists, but is also a story of him coming to terms with loss and bereavement.

 

It seems appropriate to be reading this book in April, when Easter falls, and when many people will be undertaking journeys of their own. I will be on a family holiday later in the month and this book will be in my suitcase.

I will be posting my review of the March reading challenge book next week, Perfume by Patrick Suskind, so look out for that. This was a re-read for me; I last read it nearly thirty years ago and it has been one of my all-time favourites – find out if I loved it as much second time around!

I would love for you to join the Facebook reading challenge. Do drop by the group’s page if you’d like to.

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Is there any point reading Shakespeare?

My book group decided a couple of months ago to have a go at reading a Shakespeare play. We decided on Much Ado About Nothing (the one with Beatrice and Benedick), possibly not the best choice we could have made, on reflection, but we fancied something light. We spent less time discussing it than any other book we have read in the three years or so we have been meeting. True, it was the same night we had scheduled in a viewing of The Children Act by Ian McEwan, a book we had all loved, so there was less discussion time than usual, but even if we had had the whole evening, I doubt we would have found much more to say. We were just rather underwhelmed. Now, don’t get me wrong, I’m a lover of Shakespeare, and have studied most of the plays, thanks to having done a degree in English literature. Many of the comedies don’t do much for me, but, even reading Much Ado About Nothing again, I could appreciate the cleverness and the writing. And it’s not even that it’s out of date – some of the shenanigans, yes, they stretch credibility to a modern audience, but, really, are they that different to what’s going on in Love Island or Friends, or any one of the countless melodramas teens watch?

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I’ve given this a lot of thought recently as my children go through their GCSE Shakespeare texts. Generally, they’re a bit more exciting than Much Ado; my son studied The Merchant of Venice, which he found interesting, but not much more, and currently, my elder daughter is studying Macbeth, my personal favourite because it was my first encounter with the Bard, at the same age as she is now, but which she is finding rather laborious. Perhaps I was just lucky I had a wonderful English teacher (Mrs P. I hope you are reading this!), but kids just seem to find the whole process a bit dull, just as my book group seemed to reading Much Ado! And it’s not ‘kids of today’ – relatively speaking, Shakespeare is just as old as it was when I was studying over thirty years ago. And can it really all be down to the teaching?

Part of me concludes that Shakespeare is just not meant to be read. It can be like wading through treacle when the language is complex or you have to look up words no longer in use. Teaching Shakespeare does still seem to involve reading it through line by line in the classroom, which can be deathly dull, especially when you are not the one reading. Shakespeare  was written to be performed and many of the nuances of direction and staging, (ie who might be hiding behind which arras) are simply lost in a straight reading. Actors are also paid to add something – they study their characters in depth so that they can interpret for the audience. They can also add tone of voice, facial expression, and body language which tells us much more about what is happening and has the potential to make the action and the themes much more relevant. Shakespeare’s themes are still relevant and we see his legacy in so much of what we read or watch – not least The Children Act. What about politicians’ behaviour around Brexit? The talk of Cabinet coups, challenges to leadership – it’s all so Shakespearean! And that is because Shakespeare’s themes come from his profound observations of the human condition – the scenery, the clothing, the words might change, but the events are essentially the same. And we lap it all up.

So, how to deal with Shakespeare going forward, for a younger readership. Yes, it’s a conundrum because you do need to sort of understand the language a bit before you can fully appreciate the play in performance. Bring back the travelling players, I say, to go around schools and perform that year’s GCSE text for the students, hold workshops with the kids, going through the more complex aspects. Not all children can afford to go to the theatre, but it’s essential they see it live in order to fully understand and appreciate it. And you never know, it might actually inspire a lifetime love of the man and his work, as it did for me, and a different perspective on what’s going on in the world today.

Would love to hear your thoughts – what has been your experience of either teaching or being taught Shakespeare?

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Book review – “The Storm Keeper’s Island” by Catherine Doyle

Regular followers of this blog will know that I am passionate about children’s literature and that I frequently post reviews of great kids’ books I have read. I have decided to make this a more regular feature and will devote one week a month to reviewing children’s books and discussing issues about kids reading habits, an issue which I know is of concern to many of you, parents or otherwise. After all, most keen adult readers would, I think, say that their love of reading was fostered in childhood. Just the other day, I recommended Lucy Mangan’s new book Bookworm: A memoir of childhood reading, one of the books on my TBR list this spring which I feel sure will take me back to my own childhood and the many nights I spent reading under the covers, not with a torch, worse, by the light from the landing. It’s a wonder my eyesight wasn’t ruined!

The Storm Keeper's Island imgThis month, I would like to recommend Catherine Doyle’s The Storm Keeper’s Island, published last year by Bloomsbury, as a fantastic choice for any young people you know who like modern adventure stories where the good guy wins. Catherine Doyle is a young writer (just 29 years old) and has published several YA novels already; The Storm Keeper’s Island is her first novel for what is called the “middle grade”, ie about 9-12 years, and it was a barn-storming debut, winning several prizes and accolades from established authors in this genre. A second novel, following the further adventures of the main character Fionn Boyle, is planned for this summer and I would expect it to feature heavily in recommended holiday reading lists in advance of the Summer Reading Challenge.

Fionn Boyle and his twin sister Tara are to spend the summer with their grandfather, Malachy Boyle, on the real-life island of Arranmore, just off the coast of Donegal in north-west Ireland. It is a sparsely-populated island where most of the inhabitants are native Irish speakers, but many tourists visit. It is an island the author knows well, her own grandparents having lived there, and her love of the place comes across strongly. The two children don’t seem to know their grandfather well; he is their paternal grandfather, and their own father died at sea before they were born. The children have been sent to their grandfather because their mother has had some sort of mental breakdown. We learn that she has never really recovered from her husband’s death.

Malachy Boyle soon proves to be a quirky character, about whom there is an air of mystery. His cottage is full of home-made candles with mysterious names, like “The Whispering Tree”, “Low Tide” and “Unexpected Tornado”. Malachy Boyle is in fact Arranmore’s ‘Storm Keeper’, a chosen one whose role is to preserve the memories and legends of the island and protect it from its ancient mythical enemy, Morrigan, and her foe, the good spirit, Dagda. Inevitably, Fionn, gets drawn into an adventure involving these mythical spirits; Tara’s island boyfriend (whom she met on a previous visit), the ghastly Bartley Beasley, a vain, self-centred, full-of-himself bully, is the grandson of Elizabeth Beasley, who wants her family to be the next in line for the storm-keeper role and hopes Bartley will be anointed when it becomes time for Malachy to pass the baton. The undercurrent of conflict between the Boyles and the Beasleys is a metaphor for the Morrigan/Dagda feud.

Led by Bartley, the children (ie him, Tara, and Bartley’s sister Shelby, but excluding Fionn) plan to search out the long-lost and mysterious Sea Cave, where it is said a wish can be made. Obviously, Bartley wants to use the wish to make himself the storm-keeper. They are warned away from it as it is said to be highly dangerous. Fionn wants to find it first, to prevent Bartley having his wish, but he is afraid. As time passes, his grandfather passes on to him the knowledge of the candles and how lighting one enables a kind of time travel, where those present can see, even be a part of, events of the past that have been captured in the candle. Using the candles, Fionn will eventually triumph and (spoiler alert!) become the new storm-keeper.

I am not normally a lover of fantasy fiction, and I fear the above makes it sound as if there is a lot of myth and legend here. There is, but there are also actually a lot of real-life issues, modern concerns that children will identify with – loneliness, bullying, sibling rivalry, grief and loss, emotional vulnerability, what is meant by fear and courage, and perseverance. Ultimately, the good triumphs over the bad, the bullies don’t win and they are be exposed and punished. All the kinds of messages we want kids to get from their reading. The island legends do underpin the novel but it is by no means the heart of the novel. Most of all the child characters are credible and human, and many kids will be able to identify with them.

There is excitement, adventure and mild peril here, but also a kind of escapism – the children are on their summer holidays in a remote island community, with freedom to roam and where candles are more useful than mobile phones. The book would suit a variety of young readers in the 9-12 year-old age group. Recommended.

What recently-published books would you recommend for the 9-12 age group?

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Books to look out for this Spring

The freaky February weather is behind us, those treacherous early Spring storms seem to have passed, and there are signs of Spring – things are sprouting in my garden (apart from all those snowdrops I planted last Autumn – hmm!) and it is warm enough to take the thick down lining out of my winter coat. The London Book Fair has been taking place this week, with all those publishers deciding what we are going to be reading in the coming months, and there are some fantastic new books to look out for. With the Easter holidays coming up in the next month or so, you may be looking for something to read yourself. Here are some of the newly published or soon to be published books that have caught my eye

The FiveThe Five by Hallie Rubenhold

This book has been getting a lot of coverage and tells the stories of the women raped and murdered in Victorian London by Jack the Ripper. Reclaiming a space for these women, the author seeks to make them more than just victims.

 

 

 

 

BookwormBookworm: a memoir of childhood reading by Lucy Mangan

I have been reading Lucy Mangan’s columns in The Guardian for years and have always loved her writing style. I have also always identified with the passion for reading she found she had as an introverted child. This looks like a nice read and one that will take you back to characters and places you may also have loved as a child.

 

 

SpringSpring by Ali Smith

The third in Ali Smith’s seasonal quartet. Autumn was published in 2016 and was shortlisted for the Man Booker in that year. Winter was published in 2017 (still on my TBR list) and here we now have Spring, due for publication on 28 March. It concerns the lives of three people living in a time of war in a country facing a crisis of identity. Remind you of anywhere?

 

 

 

girl balancingGirl, Balancing by Helen Dunmore

Having just completed Birdcage Walk, I’m really keen to get into some more Helen Dunmore and this collection of short stories looks like a perfect one to take on holiday. I don’t read very many short stories so this will be a bit of a departure for me.

 

 

 

LannyLanny by Max Porter

Just read a review of this and it sounds so intriguing that I can’t wait to get hold of it. Set in a small village not far from London, this book is about the many residents past and present who have lived there, and about the culture, history and folklore of the place, embodied by the slumbering woodland spirit Dead Papa Toothwort.

 

 

 

That should keep me going for a while!

What books are you looking forward to reading this Spring?

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Book review – “If Beale Street Could Talk” by James Baldwin

A few weeks ago I blogged about the 2019 Oscars and identified If Beale Street Could Talk as one of the few literary connections amongst this year’s crop of nominees. It was in fact nominated in the Best Adapted Screenplay category but lost out to Spike Lee’s BlackKklansman on the night. The book is widely considered to be a classic of 20th century African-American writing.

It is a love story and concerns the relationship between 19 year-old Tish and her 22 year-old lover Fonny, whose baby she is expecting. The couple grew up in Harlem, but Fonny has ambitions of becoming a sculptor and the couple plan to move to Greenwich Village to be among other artists. The story of their love is told mainly through flashbacks, however, as, when the novel opens, Fonny is in jail awaiting trial for rape, having been accused and then identified in a line-up by the Peurto Rican victim.

if beale street could talk imgThe time span of the novel is the duration of Tish’s pregnancy, during which time the couple’s two families set about trying to free Fonny, liaising with his lawyer and pulling together all the money they can to pay Fonny’s legal costs. The lion’s share of this task falls to Tish’s family, who see it as their duty to support their daughter and the father of their grandchild. Fonny’s family, on the other hand is divided; his mother and sisters are deeply confused, ambivalent and disturbed by events effectively disown him. Fonny’s father does engage, supported by Tish’s father, but it is clear he is not really strong enough to cope with the pressure. It falls to Tish’s family to take charge and her mother, Sharon even goes to Peurto Rico, to where the raped woman has fled, to appeal to her to change her testimony, the suspicion being that Fonny was simply served up to her by corrupt police officers. As Tish’s pregnancy progresses, so we follow the legal machinations, the financial pressures faced by all concerned, the effect of prison on Fonny, the artistic soul tortured by his incarceration, and the toll that events take on both families.

It is a tragic story in many ways – no spoiler intended, but events don’t really resolve in the course of the novel – but has also been described as ultimately uplifting because it shows the power of love, not just between a man and a woman, but also within the community and within the family (notwithstanding the dysfunctional nature of Fonny’s family, although the inference here is that his mother’s religious fervour lies at the root of this).  I have not seen the film so I’m not sure how it handles the open nature of the ending.

The other main theme of the novel is, of course, the black experience, and Baldwin was a key figure in mid-20th century civil rights activism in New York. He counted Nina Simone, Maya Angelou, Marlon Brando, Josephine Baker, Allen Ginsberg and Miles Davis among his many high-profile friends. It is clear that Fonny has simply been set-up to take the blame for the rape – the woman identified her attacker only as black, and in the line-up that was assembled, Fonny was the only black man present. The cops are clearly out to get him, and any other black man. The judicial system, the penal system and the social and financial system are all stacked against Fonny, against them all, a reflection of how Baldwin saw society at the time.

Although I enjoyed the book, I didn’t find it a particularly easy read. The writing felt a little spiky, uncontrolled (the type that a determined editor might address!), but on the other hand it is spontaneous and vernacular, heart-felt and real. I found the timings difficult to follow at times and the supporting characters not as well-developed as I would have liked. It helps, however, when you understand more about Baldwin and his life. Firstly, he was an essayist, poet, playwright and activist as much as he was a novelist, if not more so, and whilst I do not know his other work, I can see that way of thinking in this novel. I think there are also significant influences from Baldwin’s personal life experience which feature strongly – his relationship with his father (actually his step-father), his sexuality, his struggle to express his art in his youth, growing up as he did in the tough neighbourhood of Harlem, and his religious ambivalence.

This is an intriguing and important book, even though it wasn’t always the easiest read. The love story is powerful and moving and it has certainly made me keen to see the film and to read more of Baldwin’s work, particularly his essays and his semi-autobiographical novel Go Tell It on the Mountain.

Recommended.

Have you read the book or seen the film? What did you think?

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The Reading Challenge for March: “Perfume” by Patrick Suskind

This month’s theme for my Facebook Reading Challenge is a European novel. I confess that I did have the “B-word” in mind when I set the theme, feeling the need to assert that there is more that unites us than divides us, to paraphrase the late Jo Cox. The B-word has at this stage, however, become synonymous with something altogether more sinister – something very worrying is happening to our concepts of democracy, statehood, nationality, political representation and society. No-one really knows where we are or where we’re going.

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My thirty year-old copy of Perfume

However, that does not change my belief that we would all do well to push our personal horizons from time to time, literary and otherwise, and engaging with books originally written in other languages is one way of doing that, even if you have to read them in translation. So, the book I have chosen for this month, Perfume by Patrick Suskind, is an absolute classic, and one that I consider to be one of my all-time favourites.

Perfume was first published in 1985 in German, and then in English in 1987. This was also my first year at University, studying English, and I spent those three years reading continuously. Sounds great (it was!) but by the end of it I could hardly even lift a book! Perfume was one of the first books I read after my hiatus, and I was completely blown-away. The novel is set in 18th century Paris and concerns a perfumier Jean-Baptiste Grenouille, his talent for and obsession with all things olfactory, and his descent into a murderous lifestyle – the sub-title of the book is “the story of a murderer”.

I am excited to be reading the book again, although slightly apprehensive – what if I don’t love it as much as I did before? Context matters, so it will be an interesting experience either way.

If you would like to read the book and join the conversation, do pop over to the Facebook page. 

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World Book Day…don’t you just love it!

world book day

I love World Book Day, truly I do, but I have to confess that by the time my third and youngest child was at the end of primary school I breathed a sigh of relief that no longer would I have to be knocking up a costume the night before. (Perhaps this says more about my approach to organisation than anything else!) One of my kids hated dressing up, another is highly imaginative and I’m afraid my sewing skills could never match up to expectations and another worried about their costume and how it would compare to others. It was SO stressful, and I began to feel, towards the end, that we were sort of missing the point.

Going along to the bookshop the following weekend clutching our tokens for a free mini-book was much more in my comfort zone, though, again, we would inevitably walk out with an additional book or two and I often wondered how parents for whom money was tight, or non-existent, managed this particular challenge and having to say no once again. Possibly avoid the bookshop altogether and quietly forget the token?

I saw a post on Facebook this morning suggesting that if the costume your child wants costs more than a book, don’t buy it and get a book instead. This is good advice! Children can be strong-willed little things, however, and it can be hard to hold the line. Schools could do more, I think, to reward and recognise ‘creative’ costumes, or perhaps set the challenge that a costume has to be assembled from a certain limited range of materials and take no more than an hour to put together. Most kids LOVE a set of parameters and this would reduce the peer pressure to turn to online sellers of fabulous ensembles.

My own take on this, as a parent of teenagers, is that books are for life and not a day, and we would all do well to try and incorporate books and reading into our children’s lives. I feel certain this would counter much of the anxiety around screen-time that so many parents experience. So, here are my alternative suggestions for celebrating World Book Day:

  1. Read a book yourself – model the behaviours you want in your children.
  2. Put down the phones, sit down and have a conversation with your child about a book they have read. Value their opinions and don’t judge.
  3. If they don’t like a book (that’s okay), as them why. This will encourage them to think about what they DO like.
  4. Make using their World Book Day token an occasion. Buy them an additional book if you can afford it.
  5. If you can’t, take them along to the charity shop where there will be hundreds of kids’ books.
  6. Get them a library ticket and visit regularly.
  7. Do all of the above. Again.

Nothing is better than reading to your child at bedtime. Yes, I know it can sometimes feel like a hassle, especially if you still have work to do, are tired or want to watch your favourite TV show, but, believe me, it stops and often sooner than you think. Even five minutes reading with your child is better than none.

There was some depressing research published this week showing that only around a third of children under thirteen are read to daily for pleasure by an adult, and the trend is downwards. This is not good. When we also hear about teenagers’ mental health issues, I’m afraid I can’t help thinking there is a link.

What are your thoughts on children’s reading habits?

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