Tag: fiction

3 non-fiction book reviews

A couple of weeks ago I posted about some of the books I had been reading during my unintended blogging sabbatical, three fiction titles I had enjoyed. I’ve also been reading quite a bit of non-fiction and here are three I’d like to share with you.

When the Dust Settles by Lucy Easthope

This was one of my book club reads. Published in 2022 it is a memoir from one of the country’s foremost disaster experts. This was a profession that I confess I had never really thought about or even knew existed, although after reading this book, that feels like a stupid thing to say. Easthope and her colleagues manage the clear-up after natural and man-made catastrophe, their primary focus being the retrieval, preservation, cataloguing and retention of human remains, from tiny fragments, such as pieces of bone where DNA testing can help to establish identity and ownership, to items of clothing or belongings. Easthope cares passionately about her work and empathises deeply with the loved ones of victims, for whom she sees her role as being part of the grieving process. Easthope writes candidly (and at times this can be challenging) about her role in many significant disasters such as 9/11 in New York city in 2001, to the Lac-Megantic rail disaster in Canada in 2013. She also has much to say about disaster planning in the UK, drawing from her experiences of working with flood victims in Yorkshire and the Covid-19 pandemic. It is fascinating reading. Easthope is a talented writer and also weaves in her personal story, the smaller tragedies in her own life, such as her husband’s near-death and her recurrent miscarriages. This is both a highly personal memoir but also a reflective piece of work about the lessons she has learned (and the many lessons governments fail to learn) about handling disaster. Whilst this is not a book for the faint-hearted, it is a highly-engaging and important read.

How They Broke Britain by James O’Brien

To say I enjoyed this book immensely is probably to come out about my political leanings (for which I make no apology, by the way, but not something I make a big deal about on this blog). I saw James O’Brien give a talk at this year’s Hay Festival (alongside the Financial Times journalist Peter Foster, who was also promoting his own book What Went Wrong with Brexit and What We Can Do About It) and bought both books. It is written in O’Brien’s trademark discursive style and each of the culprits in the tragi-comedy gets a chapter of their own. There are all the faces you would expect to see – Boris Johnson, Dominic Cummings, Nigel Farage and Liz Truss – plus a few you might not, and may not even have heard of such as Paul Dacre, Matthew Elliott (who?) and Jeremy Corbyn. O’Brien is excoriating about the role of each of his culprits in the dumbing-down of public discourse, on the commercialisation of thought, and how each has in their own unique way (sometimes wittingly, sometimes not) corrupted public life. His central thesis is “Shame on you!” which regardless of your politics, is hard to disagree with. I found one or two of his points stretched credulity for me, but only a little. When you see it all written down, page after page of it, it is deeply troubling and it is clear that a lot of painstaking cleaning-up work needs to be done (Lucy Easthope?)

Strong Female Character by Fern Brady

This was another of my book club reads and one that I had mixed feelings about. I should also say that I listened to it on audio, and it was read by the author and this may have affected my view. Fern Brady is a comedian and she is autistic. She did not receive a diagnosis until she was well into adulthood and this memoir is her account of growing up in Scotland with the condition. She writes about her difficult time at various schools, her struggles with her parents (who seem to have found her behaviour difficult to cope with) and the challenges of going to university. It is at times laugh out loud funny and at others deeply upsetting; she has clearly had some rough times. Her accounts of finding herself homeless, experiencing abuse and unable to navigate social relationships well are heartbreaking. This is hard to write but there were also parts where I found my sympathies did not lie with her. For example, her parents come out pretty badly and that felt unfair, especially when I did some research afterwards about her background and upbringing – it does not seem to have been as bleak as it came across to me. Also, the reading was sometimes vulnerable, sometimes bombastic, even boastful. It drew some general conclusions about ‘people with autism’ from the standpoint of her personal experience. From my own experience of the condition I don’t think it was always right.

All three were very good reads that I recommend highly. I’d love to hear what you thought if you have read any of them.

3 fiction book reviews

Having done so little blogging over the last few months I’ve built up quite a backlog of reviews, even though my reading rate has not been that impressive, if I’m honest. I’ve been listening to more audiobooks than I have been reading actual books and I’ve worked through quite a few on my travels and whilst running, so I’d like to tell you about three that I have particularly enjoyed.

The Shadows of London by Andrew Taylor

I love Andrew Taylor’s Marwood and Lovett books and have reviewed them all on here, from the very first Ashes of London to the most recent The Royal Secret. I get very excited each time I see there is a new one out and I listened to this, the sixth instalment, in the spring. For fans of the series, it has all the things you want and love – the courtly intrigue, the meticulous historical research, the same lovable and not so lovable characters, and a thread of continuity that makes you feel you are back with an old friend. This latest novel steps up to deal with sexual exploitation, by cruel and powerful men using powerless women to achieve their ambitions. In an afterword the author writes of how current scandals (referencing Harvey Weinstein, Jeffrey Epstein and others) gave him the inspiration to look back and explore the issue from a historical perspective. It is sobering to realise how little has changed. For fans of this series, the chemistry between the two leading characters is one of the main draws, and in this novel, the author rewards our patience!

Anxious People by Frederik Backman

This was another audiobook I thoroughly enjoyed. It is hard to say too much about it because the joy of it is in the twisty plot, the serial revelations and the about-turns that catch the reader on the hop. This is a book which is not at all what it seems. The novel opens with the police trying to solve a hostage drama. Six strangers who have all come to view an apartment are thrown together when a failed bank robber holds them captive. We first encounter them when the police are interviewing each of them to ascertain the sequence of events that led to the robber evading capture, despite the building being surrounded. Each of the hostages appears unhelpful, irritating and deeply frustrating and I must admit that in the first few chapters I fell into the trap of thinking that the book was going to be long-winded with poorly-drawn characters. Oh how wrong I was! As well as having a fiendishly clever plot the book is a wonderful study of six (plus!) fragile adults, none of whom is quite what they seem. Brilliant! And I will definitely be going back to this author for more.

Lessons in Chemistry by Bonnie Garmus

This book was heavily marketed when it was published in 2022 – it had a profile in almost every bookshop I entered and was widely advertised in the print media. Its author also gained a lot of attention for publishing her first novel in middle age. She deserves credit – it’s a good read and has been made into a film starring Brie Larson. Set in the 1960s its central character is Elizabeth Zott, mother to Madeline and presenter of a popular television cookery show, Supper at Six. The show is unusual in that it emphasises the chemistry involved in cooking and the labour and skills required in running a home. This soon gets Elizabeth into trouble, however, as the last thing TV executives want is a show that inspires female viewers to self-actualise! The novel tells us how Elizabeth got to this point. Highly intelligent and driven she was denied the chance to do a PhD, exploited by her male colleagues at the research institute where she worked and sexually assaulted. She falls in love with her colleague Calvin Evans, a brilliant and highly-regarded academic, despite herself and her life looks to be heading in a certain direction. But then events turn her world upside down. This is a great read, sure it’s cliched in parts, but it’s fantastic entertainment and exposes some of the very real hardships talented women faced not so very long ago.

Looking at the above reviews I am struck at how my reading seems to have involved some escapism – perhaps the challenges of my work and domestic life meant that I fell back onto modern popular fiction as a bit of nourishment for the soul! And if that’s not what reading is for, then I don’t know what is.

I’d love to hear if you have read any of the above and if so what you thought of them.

Audiobook review – “Misery” by Stephen King

Whether or not you have read any of his work, most people will have heard of Stephen King and could probably name one or two of his books. And anyone who dabbles in writing, whether or not they have actually read any of his books, will have some admiration for the American author, a man committed to his craft, who shares his insights humbly and widely, and who is both prolific and highly regarded. Surely a giant of American letters.

In a writing career spanning half a century, King has published more than sixty-five novels (that’s more than one a year!), several non-fiction books, hundreds of short stories, screenplays, and even graphic novels. His first novel, Carrie (published in 1974), sold a million copies in paperback and became a bestseller when it was adapted for the screen in 1976, launching the career of Sissy Spacek in the title role. His next two novels, published in 1975 and 1977 are also seminal works – Salem’s Lot and The Shining. Both won awards and both were made into highly successful screen adaptations, the latter starring Jack Nicholson, of course, in what is arguably one of his finest performances. 

All of this and I have never picked up a Stephen King book. My first boyfriend when I was a teenager was a huge Stephen King fan and I never much cared for his literary tastes, being much more into the classics at that stage in my life! I’ve also largely avoided the horror genre, disliking the films (I can barely watch most of them) and therefore assuming the books would not be for me. There is however, horror, and there is horror. So, I was open-minded when I suggested to my book club that we tackle a Stephen King. We picked Misery because we could watch the film as well, and it secured an Oscar in 1990 for Kathy Bates in the role of Annie Wilkes – its funny how I have a memory of her acceptance speech. We listened on audio, because that is our thing, and we all agreed it was read brilliantly by Lindsay Crouse. 

The plot of the novel is simple: Paul Sheldon is a successful author who, after completing the draft of his latest, and what he believes to be his best, novel, Fast Cars, decides to drive from the remote hotel where he normally likes to write, to Los Angeles. It is winter, the weather is poor and he has a serious accident, crashing his car in Colorado near the small town of Sidewinder. His upturned vehicle is discovered by local woman Annie Wilkes, who lives alone on her small isolated farm. Annie retrieves the badly injured Paul from the wreckage of his car and takes him to her house. She is a qualified nurse and keeps a wide range of medications at home. Paul wakes up to find himself in her spare bedroom, his broken legs splinted and his wounds treated. He is initially grateful to her for saving his life, a fact which she reminds him of frequently, and is only slightly curious as to why she has not taken him to hospital or brought in a doctor.

During his unconscious phase, it is clear that Annie searched his belongings and discovered his identity. She knows him well because she is his “number one fan” – an avid reader of the historical novels featuring a Victorian orphan Misery Chastain, which have been responsible for bringing Paul fame and fortune, but which he has grown to loathe because of their lack of literary merit. The latest novel in the series is about to be published, which means Annie is in an excited frenzy, and it will be the last because Misery dies, although Annie does not yet know this.

As the days pass and Paul’s condition improves he becomes increasingly concerned as to why Annie will not let him notify his friends and family and his agent of his whereabouts, or why she will not let him see a doctor. He begins to doubt her excuses about the severity of the weather. Things take a dramatic turn for the worse when Annie gets hold of the newly-published book Misery’s Child. She is enraged to find that her heroine dies, accusing Paul of murdering her. To make matters worse, she reads the manuscript of Fast Cars and considers it worthless filth. Her reaction finally convinces Paul that he is her prisoner and Annie’s behaviour becomes increasingly unpredictable and violent. Annie acquires an ancient typewriter from the thrift shop in town and sets Paul the task of writing another manuscript in which Misery is restored to life, though she insists that the story must be “fair” – credible and not by magic. Most distressingly, she also makes Paul burn the manuscript (the only one) of Fast Cars, page by page on a barbecue. 

The rest of the novel concerns the psychological battle of wills going on between Annie and Paul. He is vulnerable, weak and disabled and she exercises power over him, not least actually locking him up. She also gets him hooked on opiate painkillers, effectively enslaving him. Annie is prone to bouts of deep depression, perhaps she is bipolar, and occasionally disappears for days at a time, sometimes leaving him without food or pain relief. Paul plots escape and sabotage but his efforts are mostly unsuccessful and simply make Annie worse. There are moments of extreme violence in the book, but not as much as you would expect for a horror novel – the horror here is mainly psychological. But the threat of horror is ever-present. King gets us into the mind of the prisoner, not knowing from one day to the next whether his captor will kill or torture him, or whether today she might be nice and bring him ice cream. The reader is kept in a constant state of alert. In some ways it is exhausting, but is definitely utterly compelling. 

I was surprised at just how much I enjoyed this book. We enjoyed the film less, although it is a very good effort and well-acted, mainly I think because it is just too short, leaves out too much, and brings in additional characters who do not feature in the novel. I fear I might have started with the best of King by reading Misery, but I will definitely read more. 

Highly recommended. 

Booker shortlist review #6 – “Prophet Song” by Paul Lynch

January has turned into a bit of a rest and recuperate month for me. As I write, there is exactly one week left of the month and after some pretty wild weather in the UK over the last few days, I can report that the sun is shining in Manchester. I have been in my garden this morning assessing the storm damage and putting the covers back over the furniture after the wind had blown them off, and can report that green shoots are peeking out of the ground. I have an ancient nesting box on a wall that was put there by previous owners of our house and I have noticed from my kitchen window that some blue tits have been busy fluttering around it. The afternoons are definitely getting a bit longer and I do feel a slight sense of spring in the air. It feels like the long dark winter is starting to give way. Hmm, does that mean I have to stop resting and recuperating and start doing?!

For me, this month has also been about catching up. On all the things I did not manage to get done in the hectic weeks leading up to Christmas, and on all the unfinished books that have languished in piles for far too long. Perhaps that’s a sign of spring too, wanting to get rid of the old and usher in the new, draw some lines under what has passed. My most delayed unfinished task, certainly as far as this blog is concerned, is completing reviews of the 2023 Booker shortlisted titles. My final review is of the book that actually won, Prophet Song by Paul Lynch. It was widely welcomed as a good winner and the author has certainly done his time as a hard-working writer, so a good choice from the judges in that respect. It wasn’t my favourite book of the six (The Bee Sting was the outstanding one for me), but it was certainly imaginative, well-crafted and had important things to say. 

Set in Dublin in an apparently near-future, Prophet Song  is a story told from the perspective of Eilish Stack, a scientist and mother of four children, her youngest just a baby. Eilish’s husband Larry is a trade unionist, a senior officer in the Teacher’s Union of Ireland, not exactly a militant group, and when he is arrested on vague charges of seditious behaviour and subversive activity, Eilish’s world begins to fall apart. What also falls apart is the society she has known, normal social order, and most frighteningly, the family’s future suddenly seems very unclear. 

Larry is detained indefinitely and neither Eilish nor a lawyer are able to get access to him or any clarity from the authorities on why he remains in detention and what might happen to him. Eilish has to cope alone as a busy mother of three teenagers and a baby, carer for her elderly father whose dementia is beginning to impact significantly on his ability to live safely alone, and working full-time at the lab, the only breadwinner now. There is the sense of her gradually losing her hold on day to day life as well as the emotional and psychological strain of both personal and social events. 

Civil war effectively breaks out in the country. The government becomes increasingly totalitarian and, as is usually the case when democratic society breaks down in this way, for reasons that are quite baffling, a proportion of the society gets brought along, becomes complicit in the crackdowns and persecution. Eventually, Eilish feels she has no choice but to flee the country, to try and cross the border to the north (Northern Ireland), perhaps even try and get to the British mainland on a boat (anyone spot the irony?). Her sister lives in Canada and wants her and the family, including their father, to go there. Eilish’s father won’t, can’t, leave the country of his birth, and where he wants to die. Eilish has to make some terrible choices. 

I was reading this book at the time when hysteria in Britain about refugees crossing the channel in small boats was reaching boiling point. Nothing there is resolved and we seem unable to have a reasoned debate in this country about immigration or about human rights. In 2024, it is said that a staggering forty per cent of the world’s population live in countries that will hold general elections (how many participate is quite a different question), including in the UK of course. Some of these will take place in countries where it is democratic in name only, Russia for example (hmm, who do we think will win?). In others, like the US, the world is frankly holding its breath. The media in many of these countries cannot be said to be unbiassed, objective, representative or fair, and bad actors are capable of de-stabilising democracy through sophisticated technological tools, social media and deep-fakes. Some governments are also destabilising democracy themselves and implementing laws that favour the outcomes they and their supporters desire. By making Eilish so real, so relatable, her life so like ours, Paul Lynch, shows us how close all of us are to the seemingly unthinkable. It is a wake-up call and we all need to pay attention. 

Highly recommended.

Happy new year and book review – “Yellowface” by RF Kuang

I have been reading and liking a lot of posts from fellow bloggers about their reading year in 2023. I often do such a post myself except that my reading and blogging last year was pretty woeful and I don’t want to depress myself – comparison is never good for self-esteem! Life just got in the way in 2023, but no matter. I’ve also been reading a lot of blogs about, and been receiving a lot of emails from various newsletters and platforms I subscribe to, exhorting me to set my reading goals for the year. I still have a very busy six months ahead of me with education and family commitments so I’m not going to do anything that might make me feel like I’m somehow falling short. Last year, I set myself a challenge to read one long-neglected book from my shelves per month. I was doing pretty well up until the summer…

So, this year, I am going to set myself the same challenge, because I think it’s a good one. Plus my husband has started making noises about thinning out our book collection, not a bad idea in itself, but it does make my blood run a little cold. It is hard to justify buying more books however, when you have very many unread ones lying around. For January, I’m just going to set myself the task of finishing all the books I currently have on the go! If you glance at my Goodreads profile you will note that there are currently SIX(!), and at least three of them have been there for a very long time. So, I am going to try and get these read by the end of the month. A kind of clearing the decks before signs of spring and feelings of fresh starts commence in February. Did you know that in Ireland spring begins officially on the 1st of February? I don’t think it’s any warmer there or anything, but I visited my in-laws in Dublin for new year and I can confirm that daffodils were indeed blooming in their garden! The government has even instituted a new bank holiday in 2023 for St Brigid’s Day, to mark this traditional Gaelic festival welcoming the spring.

So, in the spirit of catching up and clearing out before spring, I want to start my reviewing year with a book that I read some months ago and which I have been meaning to write about ever since, but haven’t quite got around to. Yellowface was one of a few much-hyped novels of last year and I listened to it on audio over the summer. As well as being a great read, it is a complex and brilliantly constructed novel which explores many themes and ideas. 

The central character is June Hayward, a writer who is struggling to make her mark and whose agent and publisher are losing patience with her (lack of) output. June has a friend, Athena Liu, whose fortunes are very much in the ascendant. The two women were at Yale together and in her writing career, Athena has achieved everything that June desires, both commercial success and literary acclaim, making her a wealthy writer, a rare thing. To make matters worse (for June), Athena is beautiful, popular and socially skilled. June and Athena do not have a close relationship, rather they share some mutual friends, but on a night out to celebrate Athena having sold the television rights for her latest book, the two women find themselves drunk at Athena’s luxury New York apartment. On a whim, Athena decides to cook pancakes, but in a freak accident, chokes to death in front of June’s very eyes. In the chaotic aftermath of the incident, June finds herself alone in Athena’s apartment. Looking around her study she comes across the completed first draft of another novel, which Athena has produced in her trademark fashion – on a manual typewriter. Thus, no traceable digital copy. 

The temptation is too much for June and after reading it she decides that fate has decreed that she will be the one to knock it into shape, to turn it into a publishable piece. June works on the draft day and night for several weeks and by the end of the process feels the novel is as much hers as Athena’s. She sends it to her agent and the book is eventually published to great acclaim under the pen-name, Juniper Song, distancing it from June’s previous (mediocre) work, and adding an air of authenticity to the subject-matter – the unsung contribution of Chinese prisoners to the first world war effort in Europe. With her Asian heritage this would have been a natural choice of subject for Athena, but less so for June.

June revels in the success of the book and all appears to be going well until she begins to be trolled on social media by someone masquerading as the ghost of Athena Liu claiming that June stole the work, accusing her of cultural appropriation and even suggesting June may have had a hand in Athena’s death. Events quickly spiral out of control and the rest of the novel proceeds at pace as June tries to uncover who is behind the fake social media account. As doubts about her spread she must face into some very public challenges as well as private demons. At first, the accusations against June about cultural appropriation (the ‘yellowface’ of the title) seem pretty clear-cut, but the author is also unafraid of challenging the publishing industry’s fickleness and the rank hypocrisy that can play out in social media.    

There is only really one way this story can end and yet the author still manages to make it quite shocking and twisty. It is a genuine  page-turner and I was on the edge of my metaphorical seat throughout. Rebecca Kuang is an extraordinary young talent; she left China with her parents when she was just four years old, and the family moved to America. She won a scholarship to Cambridge, did an MSc at Oxford, has a PhD from Yale and had already published four novels before Yellowface. She is only 27. Reading her bio you can sort of empathise with June Hayward!

Highly recommended.

Booker shortlist review #5 – “Study for Obedience” by Sarah Bernstein

Study for Obedience was the shortest book on this year’s Booker Prize shortlist. It is an exquisite little piece in many ways, but I have to confess I remain ambivalent about it.

There is not much in the way of a plot. The central character and narrator is a female about which we know very little, apart from what she reveals through the course of the book. She may not be young, but she has certainly led a fairly sheltered, quiet life. We meet her when she is brought by her older brother to his home in order to look after him. He is a fairly dominant and not very pleasant individual whose wife has just left him and taken their children with her. Our narrator provides care and attention to him, keeping the house, feeding him, even reading to him and massaging him while he bathes. 

The place where the narrator and her brother live is unnamed but it is clear they are considered outsiders. The brother, however, has been able to achieve a degree of acceptance, through his wealth, his social status and the self-confident way he puts himself about. The narrator, however, his younger sister, is more timid, prefers to remain below the radar. The townspeople become suspicious of her, particularly when a series of strange events coincides with her arrival – a local dog experiences a phantom pregnancy; a sow crushes her litter of piglets; a herd of normally docile retired dairy cattle goes mad and all have to be destroyed. Our narrator attempts to ingratiate herself with the townspeople but her efforts go unrewarded. 

There are hints of antisemitism in the novel, the prejudice that never seems to go away. The brother and sister seem to be Jewish, different to the townspeople, but even though they are not overt in their faith, the narrator in particular arouses suspicion, hostility and is demonised. Reading the book, I was also reminded of the Salem Witch Trials, where femaleness is distrusted, almost pathologised, something to be held in check. How “obedient” is our narrator really?

What cannot be denied about this book is the quality of the writing and of providing a highly distinctive character perspective. What I am less sure about is, frankly, what the book is about! Perhaps it merits another read – it is certainly short enough to do that quite easily. My first response to it however, has been very much one of “and…?” 

It’s certainly unusual and perhaps that is how it ascended to the shortlist of the prestigious Booker, but I’m afraid it wasn’t a winner for me (or the judges, it seems).

Booker Prize announced tonight

As I write, the announcement of the 2023 Booker Prize is just a few hours away. You can follow proceedings live on the Booker YouTube channel here.

I have completed five out of the six shortlisted titles and am halfway through my final book Prophet Song. I have published reviews of four of the titles. I only finished Sarah Bernstein’s Study for Obedience today and I’m still not quite sure how I feel about it so I’m going to need to do a bit more processing before posting a review on that one.

Prophet Song? Hmm, I’m not sure. I’m about halfway through but I don’t think it’s going to turn out to be my favourite. I’m hoping to finish it in the coming days and to post a review later this week.

Cards on the table – The Bee Sting is the winner for me!

So, who do I think is going to win? Without a moment’s hesitation my favourite book was The Bee Sting and I also think it was the highest achievement. For me, If I Survive You comes second, and I have a sneaking feeling that one might win. It seems a little more “zeitgeisty”? Western Lane is, for me, just not quite in the same league, quietly moving though it is. This Other Eden is good, it tells a great story, but not as good as Murray or Escoffery for me.

Anyway, just a couple of hours to go. The Booker always throws up surprises, so I’m not expecting to have called it right!

Booker shortlist review #4 – “The Bee Sting” by Paul Murray

The Bee Sting is by some measure the longest book on this year’s Booker shortlist and the one I have enjoyed the most so far. I do think I actually prefer a long book. Murray is an Irish novelist and this is his fourth novel. He is no stranger to the Booker as his second novel, Skippy Dies, was longlisted in 2010. He is also no stranger to prizes, his debut, An Evening of Long Goodbyes, having won the Whitbread First Novel Award in 2003. So, he comes with something of a pedigree. 

The Bee Sting is a novel about a modern family living in an unnamed town in the Midlands in Ireland. Dickie Barnes runs the family business, a car dealership in the town, which was established by his father Maurice, an outgoing entrepreneurial type, who now lives in Portugal. Under Dickie’s stewardship however, and following a series of unfortunate events, including an economic downturn and a devastating flood, the business is now under threat. Dickie’s wife Imelda is introduced to us as superficial and glamorous and it is clear there are tensions in the marriage, worsened by the decline in the family’s fortunes.

But the novel opens with Cass, Dickie and Imelda’s teenage daughter, whose main preoccupations in life are social media and fantasising about a future life as a bohemian living in the city with her best friend Elaine. There is also PJ, her younger brother, who lives for computer games, his friends and the woods at the back of the family home which form part of their land and in which there is a brick outhouse they call the bunker.

Each member of the family gets a long section of the book to tell their story and gradually we learn more about their internal dilemmas. Imelda, for example, is far from the vacuous character her daughter believes her to be. We learn that she grew up in a violent, deprived and socially outcast family. She was the only girl in the family and her mother died when she was a teenager. She is a renowned beauty though, which is both her gift and a curse. When she meets and falls in love with the charismatic Frank Barnes, son of local businessman Maurice and a gifted football player, it looks as if she will finally escape her violent and vulgar father and brothers. But then Frank is killed in a car accident. 

Frank’s family is devastated by grief. Dickie comes home from Trinity (having had a mixed experience there himself) and decides that he will step in to run the garage with his father and marry Imelda, look after her the way Frank would have wanted. On their wedding day, Imelda arrives at church and refuses to lift her veil for the whole day – a bee became trapped in the fabric inside the car on the way to the church, she says, and stung her face. (When Cass learns of this story via a newspaper clipping on the internet it only confirms her perception of her mother as vain and superficial.) For Imelda and Dickie, we are invited to consider whether this was a dark omen overshadowing their future.

This the basic story of the novel and as we hear each character’s perspective on both past and present events, layers of the onion are gradually peeled away to reveal a set of four people wrestling with deep insecurities, questioning themselves and their decisions, and yet curiously unable to meet each other in their place of need. There is love, but they are hamstrung and unable to express it. Overshadowing the novel is the threat of climate change. As an escape from his problems, Dickie develops a strange friendship with handyman Victor, a single, lonely bachelor obsessed with wiping out the grey squirrel population and ‘prepping’ for the end of civilisation as we know it. This thread of the story provides some light relief (yes, really!) at times

This novel is darkly comic in places – you may feel guilty at some of the laugh out loud moments – and deeply affecting in others. The characters are brilliantly drawn, particularly the young people I felt. I listened to it on audio and was very impressed by all the performances. Its scope is relatively small, a single family of four, surprising for such a long novel, but it explores great depths and is thoroughly engaging. If I have any criticism, I think, for me, it was the ending, which obviously I’m not going to reveal here. I felt built up to a pitch of tension and then badly let down. So, I’m a little bit cross about that! 

Still highly recommended though.

Booker shortlist review #3 – “Western Lane” by Chetna Maroo

Western Lane is one of two very short books on this year’s Booker Prize shortlist. Chetna Maroo is a British Indian novelist who lives in the UK and Western Lane is her debut novel. It feels like a brave and unusual work – it is not what you would expect a first novel to be and this suggests a certain confidence on the part of the author and, gratifyingly and even more unusually, a willingness to take a risk on the part of the publisher. A risk that appears to have paid off!

The main character in the novel is Gopi, but it is about a family, a father and his three daughters, trying to rebuild their lives in the aftermath of the devastating death of their mother. Set in Luton, the family comprises Gopi and her two older sisters, Khush and Mona. When their mother dies, their father, ‘Pa’, decides that they need a focus and decides sport is the answer. He takes them to the leisure centre at Western Lane for frequent training, but it is only really Gopi who shows any significant aptitude or enthusiasm. Visiting Western Lane so regularly means Gopi gets to know one of the other young and talented players, Ged, to whom she is clearly attracted. Pa also seems to enjoy a connection with Ged’s mother. 

Gradually, Khushi and Mona give up their squash, but Gopi’s progress becomes almost the family’s project. When the opportunity arises for Gopi to take part in a competition in Durham and Cleveland, this provides a goal for them to work towards. Pa and the coach at Western Lane draw on the strong tradition of successful Pakistani and Indian players, watching videos and studying their tactics, to both motivate and instruct Gopi.

Against the backdrop of Gopi’s developing prowess in squash there is the deterioration in the family home. Pa has focused so intensely on his daughters that he neglects his own mental and physical health. Monai, the eldest of the three girls nearly becomes the little mother in the household, even using the small wages she gets from her part-time jobs to buy food. It comes to a head when Pa has a near-breakdown. At around the same time, Gopi injures Ged when the pair are practicing together and Ged’s mother will no longer let him play her. The girls’ auntie and uncle who live in Edinburgh, come to visit and are appalled by the state of the home and how the girls are being brought up. Something must be done.

This is a story about grief and about coming of age, and particularly for young girls trying to navigate that process without a mother. The book is also about the healing power of sport, which is an interesting and novel way to approach the issue of grief. It is a small, quiet, gentle novel, but no less powerful for that. Is it Booker-shortlist-worthy? I’m not sure. I enjoyed it and would recommend it but I can’t say it is a great book. 

Booker shortlist review #2 – “This Other Eden” by Paul Harding

I’ve been a bit quiet on the blogging front recently. I’ve started a new training course, adding a qualification for my day job, so time has been a bit pressured to say the least. I am delighted to say that I HAVE been reading though, and keeping on track with the Booker shortlist, so I have a few banked and ready for review. I wrote about If I Survive You a couple of weeks ago, a book I enjoyed, but can’t say I was wowed by. The next book on my list was This Other Eden by American author Paul Harding. This is Harding’s third novel in thirteen years, so he is not as prolific as some, but his debut novel, Tinkers, won the Pulitzer Prize in 2010. 

This Other Eden is set on the fictional Apple Island, just off the coast of Maine, during the late nineteenth/early twentieth century. Apple Island is home to a small and quite insular community. Most are of mixed ethnic origins. The islanders are marginalised and keep themselves very much to themselves and there exists a mutual suspicion between them and the authorities on the mainland. Although financially poor and living without modern conveniences, there is a kind of purity to the way of life on the island. The people live modestly but are relatively self-sufficient and are untroubled by “normal” social conventions and behaviour.

The sense of ‘idyll’ comes under threat, however, when community and religious leaders on the mainland begin to express concern about what they perceive as the uncivillised way of life on Apple Island. At first they dispatch a young teacher, Matthew Diamond, to the island to educate the children in basic reading, writing, arithmetic and, most importantly, religious instruction. Over time, Matthew Diamond finds he grows fond of the children and finds a few of them to be unexpectedly talented, in art, mathematics and literature. 

The mainland authorities are not satisfied by simply sending a teacher to support the children; it is as if they feel their own way of life, the social standards they are attempting to uphold, are gravely threatened by the islanders whom they see as little better than savages in their midst, particularly the adults. Soon enough, a party of experts is sent to examine the island’s inhabitants, take physical measurements and so on, as if this will indeed determine (confirm?) the extent of moral decrepitude present in the population. There is indeed some inbreeding, the history of the community is troubled, but the treatment of the islanders by the authorities, juxtaposed with their gentleness and love, invites the reader to question who is the more savage. Needless to say, it does not end well for the islanders, there is a certain inevitability building throughout the book.

This is a powerful and affecting novel and is based on real historical events which took place on Malaga Island in 1911 when an entire community was evicted from its settlement. I thoroughly enjoyed this book and listened to it on audio. 

Recommended.