Reading challenge book review – “All Quiet on the Western Front” by Erich Maria Remarque

The April book in my ‘Trying not to be too challenging’ Reading Challenge for this year was All Quiet on the Western Front, the best-known novel by Erich Maria Remarque which draws on his experience as a German soldier in the First World War. First published in 1929, only ten years after the end of that war, it has become one of the most iconic novels about war, all the more poignant because it is written from the perspective of an ‘enemy’ fighter. The book was banned in Germany, where the National Socialists were capitalising on the villification of their country in defeat and felt the book made Germany appear weak. 

My copy is a well-thumbed 1977 reprint that came from my husband’s collection when we got together. I did try reading once before years ago, but as a mother of young children at the time it was just too much for me to bear. I suppose the horrors of yet another senseless and destructive war in Europe appearing in the daily news bulletins, plus the release of a film adaptation that did very well at the Oscars recently, meant the book caught my eye as I was browsing the TBR shelves this time. 

The central character and narrator of All Quiet on the Western Front is Paul Baumer, a young soldier at the Front, serving with other young men who, only weeks earlier, were his friends at the school they attended in a quiet German town. They were persuaded to sign up by their fervently patriotic schoolmaster Kantorek, who told them of glory to be had in serving their nation; their illusions are quickly shattered once they are posted to the Front. Parts of this book are very difficult to read. The vivid accounts of hideous deaths, of gruesome injuries, and of the trauma of enduring such terror, fear and physical pain are stomach-churning, but one is compelled to read almost from a sense of guilt that young men had to, often still have to, endure the horror while the rest of us sit at home in comfort or mourning. One cannot help but think of Ukrainian and Russian soldiers at this point.

Besides the accounts of trench warfare, what is equally shocking is how little progress either side seems to make in exchange for their losses. You have to ask how any of it could be called a victory. The pace of the book is also extraordinary: the periods of fierce and brutal conflict are short episodes of violent action amidst a wider tedium. Most of the soldiers’ time (those that survive the battles) seems to be spent doing very little, just trying to survive. Or in Paul’s case, thinking. The rations are poor and the food is often rank, the conditions are appalling – the descriptions of the ongoing battle to keep rats at bay at night is particularly awful – and no detail is spared in describing toilet habits, for example. 

When Paul returns home for a period of leave, the contrast between his life on the Front and that of civillians is stark. Distressingly, Paul feels that he can no longer relate to his family, that he must spare them the reality of war, but that in doing so he is a co-conspirator in concealing the truth. He cannot wait to get back to the Front, to be with those who can understand him, who share his experience. 

Paul survives almost the whole war, dying only weeks before its end, on a relatively calm day when the single line report from the military authorities read simply “In westen nichts neues” (translated as “All quiet on the Western Front”) from which the book takes its title. In reality, Paul could never have returned to his old life and his family, not after what he had seen and experienced. 

We are not youth any longer. We don’t want to take the world by storm. We are fleeing. We fly from ourselves. From our lives. We were eighteen and had begun to love life and the world; and we had to shoot it to pieces. The first bomb, the first explosion, burst in our hearts. We are cut off from activity, from striving, from progress. We believe in such things no longer, we believe in the war.

Paul, in All Quiet on the Western Front, Chapter 5

There have been two translations of the book into English; my edition will be the original by Arthur Wesley Wheen. The second was by Brian Murdoch in 1993. It is interesting that my edition does not include any credit to the translator. Nowadays, translation is considered almost an art in itself, bringing the out the intention and talent of the author to those unable to read books in their original language. 

I recommend this book highly. It is practically essential reading, though it is not an easy one. 


The next book for this challenge from my TBR shelf is The Bloody Chamber by the late great feminist author Angela Carter. I think I got this as part of a set of three books by her (along with Nights at the Circus and Black Venus) back in the day when I used to subscribe to a postal book club (remember those?) It’s another of those books I’ve been ‘meaning to read’ for years – at last an excuse!

Reading challenge book review – “The Italian Girl” by Iris Murdoch

I chose this for my 2023 reading challenge that is not a challenge (I am not setting myself targets, just picking a neglected title off one of my book shelves). This is another book I appear to have bought in 1990, the year that I graduated from university. A fairly short little book that has been hanging around for 33 years! I am ashamed to say that I don’t think I have read anything at all by Iris Murdoch. I am sure she is one of those authors you think you know, or whose work you think you are familiar with until you try and remember which books of theirs you have read. 

Murdoch is considered one of the finest writers of the post-war generation. She was born in Ireland in 1919 to protestant British-Irish parents but moved to London when she was a baby. She attended both Oxford and Cambridge universities and was a philosopher as well as a writer of fiction and poetry. Her first novel, Under the Net, was published in 1953, and her nineteenth, The Sea, the Sea, won the Booker Prize in 1978. She died in 1999, two years after being diagnosed with Alzheimer’s disease. Her husband of more than forty years, John Bayley, cared for her and wrote a book about their life together, Iris: A Memoir of Iris Murdoch, which was made into a film in 2001 starring Jim Broadbent and Judi Dench. 

I’m afraid I cannot say that I much enjoyed The Italian Girl; reading a little more about Murdoch’s philosophy and about her writing in the style of novelists who explore their characters’ inner worlds and show them on a journey of transformation and redemption, I can ‘appreciate’ the work, much as a student of English literature might, but it was not an especially engaging experience. Perhaps I should have read it back in 1990 when I was fresh out of university! Perhaps I bought it because it was recommended to me by a lecturer, or something.

So what is wrong with The Italian Girl for the 21st century reader? Well, the most difficult thing was the sense of datedness. The writing style is  not actually showing its age too badly, so it is easy to forget that it is of a similar vintage to The Bell Jar, which I reviewed on here a couple of weeks ago. When one considers the events of the novel, it also feels remarkably modern: various extra-marital affairs, homosexuality, teenage pregnancy, and a rather bohemian setting. Perhaps that is why the staid conservatism seen particularly in the central character Edmund jars so much.

There is little in the way of a plot. Middle-aged Edmund returns to his mother Lydia’s home after her death, having been somewhat estranged from his family for some years. There he finds his brother Otto much declined – overweight, drinking heavily and having an affair with the young sister of his apprentice worker. Otto and his wife Isabel, who lived in the house with Lydia, live separate lives. Isabel keeps largely to her room. The Italian girl of the title is the maid, Maggie, the last in a long line of Italian housemaids that Lydia employed to care for her sons when they were little. Initially, Edmund gets them all  mixed up; Maggie barely has a distinct personality of her own. Edmund intends to escape what he sees as the suffocating atmosphere of the house as soon as he possibly can, once his mother’s funeral is over, but he gets sucked into the family’s drama – Flora (Isabel and  Otto’s daughter) announcing her pregnancy to him, and her intention to have an abortion, an idea that appalls him, then catching Otto and Elsa (the apprentice’s sister) in flagrante

It becomes clear that Edmund cannot escape, that he will need to go through some kind of transformation of his own, to leave behind his po-faced denial of his family’s reality, and, finally, to acknowledge that ‘the Italian girl’ is a real person, whose existence and influence cannot be denied.

I only had to make myself a little bit familiar with Murdoch’s philosophy to understand this book in a different way, but had I not done so, I think I might have thought the book somewhat tedious, the characters two-dimensional and the plot unremarkable. I fear I have become desensitised to subtle novels exploring the human condition. It is more akin to Virginia  Woolf than it is to, say, the story-telling of Isabel Allende.

I tend to feel that short books should be read slowly, and I certainly did that with The Italian Girl. I’m glad, because I have been able to absorb it and to reflect on it more than if I had read it in one speed-reading sitting. I have almost enjoyed it more in retrospect than I did whilst reading it.

I would like to read more of Iris Murdoch’s work, including her non-fiction and her poetry, but perhaps with an awareness that it could almost be classed as historical fiction now. I picked up a copy of The Severed Head recently in my wonderful local secondhand bookshop, Abacus Books in Altrincham, so perhaps I’ll give Iris Murdoch another go soon.

The next book in my reading challenge really is historical fiction – All Quiet on the Western Front by Erich Maria Remarque. Certainly no lack of action in this one.

2023 Reading Not-Challenge review – “Fludd” by Hilary Mantel

A few weeks ago, I posted on here about not setting myself anything too challenging in the way of a reading challenge this year. Challenges can be a two-edged sword – they can certainly push you to achieve things you might not have done otherwise (or in the case of reading challenges, to read things you might once have overlooked), but they can also make you feel like a terrible failure – reading challenges are of course, uniquely time-consuming, and sometimes life just gets in the way.

Hence, this year I’m doing a reading ‘not-challenge’ – reading a book that has been sitting around on my shelves for a while but without being too hard on myself if I don’t get through very many. Such books, lying unread and perhaps unloved, either deserves some attention or should be passed on. The first book that I selected for 2023, Fludd, the second novel by the late great Hilary Mantel, was first published in 1989 and has definitely been languishing for a while.

It is a slim volume, more a novella, and set in northern England in the 1950s, not the territory we have become used to from this author. Mantel was born in a village in Derbyshire, of course, and the setting of the novel, the fictional town on Fetherhoughton, undoubtedly bears some resemblance to that part of the country at that time, though it is very much a caricature. The other striking thing about this novel is its comedy; this is very clever satire that, far from being about the bleakness of a northern moorland town and its inhabitants, as you might at first assume, is an expose of what Mantel sees as religious hypocrisy. 

The novel opens with Father Angwin, the priest at Fetherhoughton, being told by the bishop that he is to be sent a young curate, Father Fludd. It seems the bishop thinks things need shaking up a bit and that some fresh blood will bring renewed energy and dynamism to the parish. He also wants the gloomy statues dotted about St Thomas Aquinas church to be removed, describing them as idolatry, doing nothing to improve the minds of the parishioners. The statues come to represent a kind of resistance – Father Angwin will at first go along with the bishop’s wishes. (He more or less admits to Father Fludd that he has lost his faith, and is simply going along with his role because he hasn’t anything better to do.) The statues are removed, buried in fact, but in an act of defiance, Angwin will later ‘resurrect’ them! This is just one of the events occurring in the second half of the book, which will symbolically challenge the authority of the church in the town. In doing so, Mantel breathes life into the characters, into the town, as if it has somehow broken free of the yoke of the church.

Father Fludd is a mysterious presence. Angwin finds himself warming to him in ways that he did not expect, and on long evenings over whisky and firelight, he opens up to him. Fludd seems to have this effect on people. The local school is run by nuns at the convent, a comical bunch, led by the vicious Mother Perpetua. One of her charges is a young Irish girl, Sister Philomena, practically forced into the Order by her mother. Accounts of the food, the clothing, and the regime at the convent make it feel more like a prison than a place of faith and worship. Fludd will have an effect here too, which will feel dangerous to the church authorities but which will in fact be personally liberating.

Who is Fludd? This question is left hanging at the end of the book, Mantel is not making it that easy for us. There is a note at the beginning of the book telling us that the real Fludd was in fact a sixteenth century physician, scholar and alchemist, and that is perhaps the key to understanding the character she has created here; that he has brought about change in form through the application of mysterious powers. It is about finding magic, where it seemed there was only darkness. 

The author’s wit, her creativity and her eye for the comic are on display here in ways that are not as present in her epic historical fiction, for which she is much better known. In a sense, this novel feels playful, it’s a dark comedy and shows her lighter side. It is also confirmation, if we needed any, of the breadth of her talent, alas, gone far too soon.

So, I am delighted with this first pick of mine and am only sorry that it took me so long to get around to reading this book. Highly recommended.


My second ‘off the shelf’ pick was Susanna Bailey’s Raven Winter which I reviewed on here last week as part of my #KeepKidsReading week. So, I’m on to my third pick and it’s still only mid-March. Yay! I’ve discovered I have a copy of Iris Murdoch’s The Italian Girl which I think I might have acquired secondhand sometime in the 1990s!

On reading challenges

Every year there are very many interesting reading challenges that bloggers and others set themselves. I have done one every year since I started this blog more than six years ago and I have participated in others, some successfully, some not. For a while there my challenge was to pick a genre or theme for each month and select a title. The aim was to expand my reading horizons and delve into things that would not normally attract my attention, such as science fiction or autobiography. It worked and I read some amazing things. Some stand-out discoveries for me were Emily Bain Murphy’s The Disappearances, the very first choice in my very first reading challenge in 2018, classic crime fiction (I never imagined I’d become a fan of Agatha Christie) and Gillian Flynn’s Gone Girl, which I confess I had been a bit snooty about when it was published.

Last year, I decided I wanted to read more non-fiction. I only managed about four books! And, another confession, Margaret Atwood’s Burning Questions, which I think I started last summer, remains in my bedside pile, only half-read! Don’t get me wrong, I’m really enjoying it, but it’s a chunky volume and is a series of essays, some only a few pages long, so it’s the kind of book you dip in and out of. Definitely not one to speed read. It was a tricky year between one thing and another and I neither read nor blogged as much as I have done in previous years.

So, as the end of January draws near (noticeably longer days, hurray!) I find myself reading about other people’s reading challenges and wondering should I be doing one? And the conclusion I have come to, is perhaps not. Having failed (and I’m using that word with a degree or irony) last year to achieve quite a number of the goals I had set myself, due to a mixture of over-estimating my time and abilities, and under-estimating the other demands that would be placed upon me by life, I have concluded that perhaps the overall goal of expanding my reading horizons has been met, and I don’t need to do that any more. That particular habit has been well and truly established and neither do I need encouragement to read.

What I am going to do, however, is aim to pull an unread book off one of my shelves each month to read. If you are reading this you will no doubt be familiar with the particular compulsion that we book lovers have to just keeping on buying new ones, despite the many dozens of unread ones we already own! This is both a waste of money and a source of unnecessary guilt. I’m going to aim for one a month but be kind to myself if I don’t manage it.

First title to be dusted off the ‘unread’ shelf!

There’s less than a week left of the current month, so I’ve been looking for something shortish, and I’ve landed on Hilary Mantel’s Fludd, published in 1989. I have no idea how long I have had my copy, but I vividly remember reading her 1992 novel A Place of Greater Safety. It was one of the first books I read after completing my English degree (at which point my head was too saturated to read anything substantial for a long time) and it reignited my passion for literature, so I’m guessing I bought this book around that time. Hmm. I make that about thirty years. It’s time to give it the attention it deserves, don’t you think?

#KeepKidsReading

Summer is here and school is almost out so it must be time for another #KeepKidsReading week. Many parents and teachers know all about the phenomenon of ‘learning loss’ and after two years of disruption to school this may be a very acute problem this year more than ever. The rigours of school life can also bring pressures so many children need and deserve a break from formal studying.

The long summer holiday can be an opportunity for many kids to discover the joy of reading for pleasure. Choosing a book because they like the look of it and not because their teacher tells them to. I have long been a fan of the summer reading challenge for children that is run every year by council libraries. When they were young my children always loved the weekly visit to the library to choose a new book, getting stickers and tracking their progress on a chart. Oh for the simple pleasures! A visit to the library is free and therefore even more attractive with pressures on family budgets as they are at the moment.

The theme of this year’s summer reading challenge is ‘Gadgeteers’, which will appeal to youngsters with an interest in science and technology, who may perhaps think they are less interested in books! Kids can sign up at their local library, which may also be running tandem events, and if they have internet access there are various online activities they can do too.

If you are looking for ideas for books, I have a couple of reviews for you to look out for this week. On Friday I will post a review of Anna Fargher’s new book The Fire Cats of London. My review will be part of the book tour this week.

At the weekend I’ll have another suggestion for you, the latest from one of my favourite children’s authors writing at the moment, Ross Welford.

So, if you have any children in your care this summer, do get them along to the local library (they need our support, use them or lose them, not everyone can afford to buy books), get them signed up and #KeepKidsReading.

Non-fiction book review – “Lebanon: A Country in Fragments” by Andrew Arsan

At the start of the year I set myself a non-fiction reading challenge. I realised that although I loved non-fiction, it was a genre I had neglected a bit. I set myself the goal to read one non-fiction title a month. It has not been going well! My January book, BJ Fogg’s Tiny Habits, took a while to get through. My February book was Lebanon by Andrew Arsan, which I spotted in my local bookshop at the end of last year and bought on impulse. It was big and not cheap, so not the usual kind of book I would buy, so it was very much a treat to myself – I know, most people would go for a new lipstick or something!

There is a story to this. I had the privilege of visiting Lebanon about twenty five years ago. My closest friend at university was half-Lebanese and lived most of her life between Lebanon and the UK. Some of the time she was forced back to the UK due to civil unrest in Lebanon, but she always had a foot in each camp. At the time (the second half of the 1990s), Lebanon was relatively stable and I spend a wonderful few weeks there. The people I met could not have been warmer or more welcoming and I loved every minute of my trip. The history of the region is the history of civilisation and it is heartbreaking to see that that part of the world endures so much suffering and destruction today.

The ancient Roman ruins at Baalbek – a UNESCO World Heritage site

Lebanon is a tiny country, one of the smallest states in the world, but its strategic importance means it has a higher profile on the international stage than its size might suggest. Its population is though to be close to seven million now, but well over 1.5 million of these are thought to be refugees from the various conflicts going on nearby. Over a million refugees from the war in Syria are thought to be living in Lebanon.

I always knew that the country was comprised of a fragile balance of different religious interests, known as confessionalism. I also always knew that much of its political system was characterised by corruption and vested interest. I also always knew that it was a country whose people have endured the worst effects of that corruption and the factionalism. Who could forget the terrible explosion of out of date and highly combustible fertiliser at the Port of Beirut in 2020, which killed in over 200 people, and for which no-one has yet been held fully accountable? Lebanon is also a country that its other more powerful neighbours, particularly Israel and Syria, have sought at times to control. The story of Lebanon is fascinating if also rather tragic.

The aftermath of the explosion at the Port of Beirut (Copyright ABC news)

What I was expecting from Andrew Arsan’s book was a history of the country which would give me a more detailed perspective of its present conditions. I was expecting a textural narrative which would tell me more about the Lebanese people, their nature and character, and about the culture. That’s not quite what I got!

Andrew Arsan is a Cambridge scholar of Middle Eastern history, with Lebanese origins. This book is a work of great scholarship that focuses on the period 2005-2019 – the references alone run to almost fifty pages. The book begins with the assassination of Rafiq Hariri, the great political hope of the Lebanese people at the time. The Syrian government are thought to have been behind his killing. It triggered a period of political turmoil in the country that the author describes in great detail. I found much of this very difficult to follow. I suspect, however, that anyone with some prior knowledge of the country and its politics, or who was from Lebanon, would be able to appreciate this account more. The overwhelming impression that I was left with, however, was that the government is corrupt; it’s about who owes what to whom, is influenced by outside interests, and is more interested in itself than improving the lot of the population.

The second half of the book was more interesting to me as it followed many of the social developments in the period, the cultural changes, how corruption has compromised the basic rights of Lebanese people, for example, the extensive privatisation of beach areas, previously unowned public goods, to the exclusion of all but the wealthiest citizens. The very basics of life have become increasingly difficult – there are frequent power cuts, intermittent access to the internet, and there is a whole chapter on how government incompetence and corruption led to a months-long failure in refuse collection services, with predictable consequences.

The book is extensively researched – I don’t think I have ever read anything quite like it. It looks like the kind of book you would dip into, but in fact it is a book that is meant to be read as a single narrative work. It is extremely well-written, with dark humour as well as profound irony. It is a shame that it is unlikely to be read widely.

I could only read this book about ten pages at a time, so it took me almost two months to work through. It is not bedtime reading and it won’t be top of many wish lists, but it is the kind of book that deserves to be read and understood, because Lebanon is a country that deserves more of our attention and to be better understood.

The next book I read in my non-fiction challenge was Haruki Murakami’s What I Talk About When I Talk About Running – much longer title, much shorter book. I listened to it on audio over the course of about three runs. Look out for my review next week.

Reading Challenge – December choice

And so, the final month of the year begins and it’s time for the last book in my 2021 reading challenge. I usually choose a theme for each month, but this year I picked a very specific book for December- A Christmas Carol by Charles Dickens. I almost always select something short for December because it is such a busy month, and this novella fits the bill perfectly at less than 100 pages, which should be easily achievable. I have an almost complete collection of vintage Dickens editions, bought in secondhand bookshops in the 1980s, as I did a special study of the author for my English literature degree. Strangely, A Christmas Carol is not in my library so I will have to acquire a copy. I quite fancy one of those lovely clothbound editions, even though they are quite pricey, to match all my other Dickens hardbacks.

We all know the story but how many of us have actually read this 1843 Dickens novella?

I love Dickens and A Christmas Carol might be one of the only books of his that I have not read. Honestly, I cannot remember if I have because of course most of us will know the story and all the main characters – Ebenezer Scrooge, Jacob Marley and Tiny Tim. Published in December 1843 it was an instant best-seller. It has never been out of print and has been adapted for stage and screen many times. It was Dickens’s sixth work to be published; his well-known classics Oliver Twist, Nicholas Nickleby and The Old Curiosity Shop had already been serialised to great acclaim. My own personal Dickens favourite, Barnaby Rudge, came out just before A Christmas Carol.

November was a very busy month for me so after my Booker Prize reading marathon, I have not actually managed to read very much this last month and have only just started my reading challenge choice (Erica Jong’s Fear of Flying). I don’t expect it to take me very long, however; it’s quite a page-turner! My day job has kept me very busy, my kitchen renovation drags on and my youngest child had an operation (a routine procedure) so life has been pretty hectic. I am expecting December to be quieter and I am looking forward to a gentle build-up to Christmas. With the Covid Omicron variant threatening to alter everyone’s plans in the coming weeks, I will most likely be hunkering down at home with the family and not doing too much in the way of partying. My Christmas shopping will be largely local and outdoors, no bad thing, as I await my booster jab.

So, I hope to be able to get back to regular posting in the coming weeks and will be sharing my usual thoughts on bookish Christmas gift ideas, so look out for those.

Happy reading!

Book review – “Dark Matter” by Michelle Paver

I chose this book for October in my Reading Challenge, the theme for which was a ghost story. There were quite a few that I fancied, including many classics that I have long wanted to get around to, but I liked the sound of this one and Paver is an author I have always wanted to try, having read some great reviews of her work. She mostly writes stories for young people and this novel was one of her early ventures into writing for adults, although I am loathe to make that distinction.

The book has a tantalising opening; it is a letter from one Algernon Carlisle (‘Algie’) in response to an enquiry from a Dr Murchison, who is researching ‘phobic disorders’, applying for information on an Arctic expedition he was part of. Algie’s reply is cool; he seems somewhat affronted by the suggestion that the events of the Arctic expedition were a result of a ‘phobic disorder’ and writes that, since one of his friend’s died and the other was deeply damaged by the experience, he therefore does not wish to be reminded of it.

Set in 1937, the book’s narrator is Jack Miller, an educated but lower class civil servant who is bored with his job and rather bitter about his situation in life. He meets a group of upper class Oxbridge-educated young men who are setting up a year-long expedition to the Arctic and are seeking a wireless operator. After meeting Jack they invite him to join them and it seems like the opportunity of a lifetime, as well as taking Jack away from his repetitive and uninteresting existence. He has mixed feelings about the group but he gradually develops a close friendship with one of them, Gus.

When they set off on the trip in midsummer, they are full of enthusiasm, but the first alarm bells ring when the captain of the ship commissioned to take them to the abandoned mining settlement known as Gruhuken in Spitsbergen (which sits between Greenland and Norway in the Arctic Ocean), is anxious about travelling to the place. He is unspecific about his reservations but it is clear that something deeply untoward happened there at the time when the place was populated by miners.

When the three arrive at this strange and desolate place they are initially energetic and keen. They have their team of huskies and even though it is challenging coping with the 24 hour daylight they manage well enough. Jack finds ALgie trivial and annoying but his friendship with Gus deepens. After a few weeks, Gus becomes very ill and appendicitis is suspected. He must be removed to the mainland and it is agreed that Algie will accompany him. Jack will be left alone, although it is hoped for no longer than two to three weeks. It soon becomes clear that this is unrealistic and Jack finds his situation increasingly difficult. This is especially so when the daylight gives way to constant night and the disturbance to his body clock begins to have mental repercussions. He begins to see and hear things. Jack is visited by a trapper who also lives in Spitsbergen, though far too distant to be any sort of regular companion. Jack welcomes the company, but the trapper tells him the story of what happened years previously in Gruhuken, when a man was killed. It is said that his ghost stalks the area. Jack wants not to believe the story and declines the trapper’s invitation to join him at his own settlement. Jack is determined that he will get through this period, and prove his worth to Gus.

The rest of the book is about Jack’s mental decline as he loses all sense of time and the physical isolation leads him to become increasingly fearful and desperate. He becomes close to one of the huskies in particular, but this is also indicative of a kind of decline in his essential human-ness. The weather deteriorates, equipment breaks, the physical environment begins to collapse. The degeneration of the fragile physical set-up is a metaphor for the mental and emotional breakdown.

What is so clever about this book, and with all really good ghost stories is that the author lets the reader decide whether there really is a ghost or whether it is a ‘phobic disorder’. Algie’s view is clear from the opening of the book.

This was a real page-turner and I loved the Arctic setting which is brilliantly evoked. Paver apparently has a deep affection for this part of the world but it is clear from the book that she is also aware of its treachery and its power.

I really enjoyed this book. Recommended.

Facebook reading challenge – November’s choice

Three days after Hallowe’en and I still haven’t quite finished last month’s book!

The beginning of each new month seems to come around ever more quickly, and I can’t believe that I’m on the second last book of this year’s reading challenge. I’ve been reading my way through the Booker Prize shortlist these last few weeks so I am still not quite finished with October’s book, Michelle Paver’s Dark Matter. It’s a quick read so I am looking forward to its conclusion in the coming days. Look out for my review next week.

This month’s theme is going to be interesting – classic erotic fiction! There are some great titles to choose from, much of it a century or two old, surprisingly enough. There are some French options, of course, but the book I have chosen is Erica Jong’s Fear of Flying. Its central character and narrator is poet Isadora Wing who accompanies her academic husband on a trip to Europe where she decides to act out her sexual fantasies in encounters with other men.

Published in 1973, the novel was highly controversial and caused a storm. It is also credited with setting off the second wave of feminism. The book has sold over 20 million copies worldwide and I believe we have a copy in the house on a shelf somewhere. I did not buy it so I think it must have been my husband’s – that should provide for some interesting conversations!

Fear of Flying was Erica Jong’s first novel, published when she was 29 years old

At the time I wrote Fear of Flying there was not a book that said women are romantic, women are sexual, women are intellectual and that brought all those parts together.

Erica Jong, 2011

So, I am hoping this one will be a page-turner after all the highbrow Booker shortlist reading. I’ll let you know in about four weeks time!

Book review – “Aristotle and Dante Discover the Secrets of the Universe” by Benjamin Alire Sáenz

This was the September choice for my Facebook Reading Challenge, the theme of which was a YA novel. I had not heard of either the author or the book despite the fact it has become an international best-seller since its publication in 2012. It’s always nice to discover an author for the first time and I am certainly glad I read this. It is a heartwarming story and covers some very interesting topics.

THIS REVIEW CONTAINS SPOILERS

I don’t usually have spoilers in my reviews, but when I review children’s or YA books, I do include them as I am assuming that any adult readers of this blog who might want to get hold of the book for a child they know, will also want to know what’s in it. So, you are hereby warned – there be spoilers!

Dante Quintana and Aristotle (Ari) Mendoza are two Mexican-American teenage boys who meet at a swimming pool where they live in El Paso, Texas. Ari cannot swim so Dante offers to teach him. The two are very different characters: Dante is the only child of academic parents. He is bright, quirky, bookish and artistic. Ari is the fourth and youngest child of somewhat more troubled parents. Ari has an older brother whom he has not seen since he was four years old because he is in prison, for reasons he does not know and which his family never discusses. Also, Ari’s father is a Vietnam veteran, a closed man, unable to talk about his war experiences. The novel is set in the 1980s.

Continue reading “Book review – “Aristotle and Dante Discover the Secrets of the Universe” by Benjamin Alire Sáenz”
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