Tag: Reading

Book review: “Post-truth: Why we have reached peak bullshit and what we can do about it” by Evan Davis

I love Evan Davis; I think he is probably the cleverest journalist on telly at the moment. I marvel at his ability to cut to the core of an issue and his mastery of material across a broad range of topics. His analytical ability, tenacity and eloquence made Newsnight unmissable during the UK election campaign earlier this year. I actually felt a bit sorry for some of the second and third-rate politicians he had to interview at times because he was clearly so much cleverer and in command of the brief than they were! He never goes for the jugular though, as Paxman used to, it’s just more like watching a grown-up talking to a child.

Post truthThis is actually my July reading challenge book, which was to borrow something from the library. I read it in virtually one sitting on a train journey to London. For a weighty non-fiction book it’s very readable and the writing is resonant of Evan’s relaxed and articulate presenting style. There were parts where I could almost hear him reading it out. There are many references to the help and support he has had in the acknowledgements, so I’m sure he had plenty of research assistance (how could he not – with Newsnight, The Bottom Line and Dragon’s Den he is a very busy fellow!), but the authorial voice is definitely authentic, and I would bet it isn’t ghost-written, which just makes me love him all the more!

The central premise of the book, and indeed which lends him his title, is the concept of “post-truth”, which was the Oxford Dictionaries word of the year in 2016 and is defined as:

“Relating to or denoting circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief.”

For Westerners, key events which have lent prominence to this concept are, of course, the UK referendum on membership of the EU and the election of Donald Trump to the US presidency. More latterly, for those of us in the UK, the British election campaign is pertinent to the discussion, though the book was written before it was announced.

The book is divided into three sections: What, Why and How. In the first part “What” Evan (is it okay to call him that? I spend most weekday evenings with him, after all!) deconstructs his subject, looking at the various forms BS takes in our society today. His starting point is the professionalization of the information industry and the increasing desire to ‘sell’ rather than ‘tell’ in order to further a cause. In spite of (or perhaps because of) the unprecedented amount of information that we as citizens and consumers have access to, our weak ability to navigate it makes us vulnerable to those who would convince us that their particular interpretation of the facts is the one and only truth.

If you were unhappy with the UK European referendum campaign (regardless of which side you were on) or opposed the election of Donald Trump, there are times in the first section where you will be screaming “Yes, yes, yes”, but the second part is more sobering as it looks at the social forces that have enabled BS to become the new norm. Basically, we are all at least a little bit guilty. Haven’t we all, at some point, slightly misrepresented ourselves, or exaggerated our strengths in order to achieve something? Have you ever overstated an achievement on a CV, pushed up a price estimate of a job, in the knowledge you’ll be negotiated down by a percentage, been a willing accomplice in overpaying for desirable commercial goods (mobile phone, car, clothing, etc) simply to get a bit of the status that rubs off from owning it? We’re all at it. And as for those of us (irony alert) who might look down on the poor unfortunates misled into voting for the ‘wrong side’ Evan simply says the

“Disposition to accept bullshit probably derives from a sense of tribalism fuelled by feelings of grievance. The bullshit becomes more than just a signal of tribal allegiance; it becomes a way of strengthening a sense of membership of the tribe.”

In the final section of the book, Evan flags up a number of ways that we can all halt the rise of the post-truth tendency. He acknowledges that, basically, we get the BS we deserve, so the power lies with us to change it. Firstly, he says

“Where you have a craving for something to be true, apply a double dose of scepticism to anybody telling you that it is?”

We all have to do more research to ensure we are given the full facts and hold professional communicators to account rather than be complicit in the deception, what he refers to as “information hygiene”. (Using product X will prevent condition Y – show me the evidence?)

This book is quite an accomplishment which made me think very hard about the world we live in and what I am teaching my children. Undoubtedly, we all need to improve our skills when it comes to challenging what we are being told. A fascinating and engaging read on a very current issue.

My life with Jane Austen

Today marks the 200 year anniversary of the death of Jane Austen. She died at the age of 41 in Winchester, having moved there whilst ill to spend her final days with her beloved sister Cassandra. She lived almost all of her too-short life in Hampshire. She first lived in the village of Steventon, where her father was the local vicar. After her father’s death she spent some time in Southampton, but it is Chawton near Alton with which she is most closely associated and where, between 1809 and 1817, she wrote most of her great works. Her former home is now the Jane Austen museum and provides a centre for scholarship of her work as well as a place of pilgrimage for her many millions of fans across the globe.

Like many women writers of her time, Jane did not achieve fame and fortune for her work in her lifetime. It was only in the second half of the 19th century, many decades after her death, that she grew in renown, although many at the time still did not favour her writing. It was considered too subtle for Victorian tastes, lacking in powerful sentiment and extravagant prose. It was only really as literary taste evolved that she was more widely appreciated in the 20th century as being way ahead of her time.

2017-07-18 12.56.38I fell in love with Jane Austen in my teens, and I have never fallen out of love with her. The first book I read was Pride and Prejudice, and I remember I much preferred this colourful collection of sisters to Louisa May Alcott’s in Little Women! But it wasn’t until I read Emma for my English Literature A level that I really ‘got’ Jane Austen and I was blown away. Even now when I read Austen I still see her writing as impossibly brilliant. And then when you think about the life she led, her modest rural upbringing, her insight into human character is barely plausible. After Emma I quickly gobbled up all of Austen’s work (sadly, there is too little of it) and my favourite is probably Mansfield Park.

At times, I have felt rather unfashionable saying that Austen is in my top three favourite authors (another being Emily Bronte, who only wrote one book, and was said not to be a fan of Austen). Many people, who have not read Austen deeply, assume she is rather staid and formal and for the middle-class and middle-aged. But to me she is an icon, a woman doing what she was good at in an era when women writers were virtually non-existent and if they were published it was under a masculine pseudonym. Yes, you can argue the range of her subject matter is limited, but she is so much more than that. She tells truth.

In this bicentenary year, there are many celebrations planned, many of them in Hampshire, unfortunately for me! You can find out about the various events planned here. She will also grace the new British £10 note to be issued by the Bank of England in September:

Austen note

The anniversary of Jane Austen’s death provides an opportunity to celebrate her great achievements as a writer. For me, she deserves to stand alongside Shakespeare as one of the literary greats at the heart of British arts and culture.

What is your favourite Austen novel?

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Children’s Summer Reading Challenge – Animal Agents

Last week I posted here about my July reading challenge, which was to go along to your local library and select a book. I couldn’t resist the appeal of three titles (as usual!) and found myself uncertain about which to tackle first (I decided on Evan Davis’s Post-truth: Why we have reached peak bullshit and what we can do about it in the end and I’m loving it!) This month’s challenge is linked with the annual Summer Reading Challenge aimed at  primary-age children, which is launched in libraries this weekend. So, if you have children or grandchildren it’s a cheap, rewarding and wholesome activity you can do with them.

Animal AgentsChildren these days have so many distractions which can take them away from reading; they seem to be so busy with out of school activities, have more homework than ever before and, of course, there are the digital distractions…don’t even get me started. But reading is such an important activity for them:

  • it supports their ability to sustain concentration, which, in a world of instant gratification and over-stimulation, is a crucial skill,
  • it is an aid to relaxation, by providing downtime, taking them away from social pressures,
  • it can help with their imaginative and creative development – good writers are usually good readers, and
  • it helps their literacy skills – time spent reading may be just as if not more valuable then learning about the rules of grammar and sentence structure (IMHO!). And is far more interesting.

Reading takes kids into new worlds, it helps them learn to be alone, another important skill in building their mental health resislience, and it gives them access to experiences that they don’t have in real life. The beauty of the Summer Reading Challenge is that all books count, so if you have a reluctant reader, they can still get rewards for non-fiction, reference books, science books, there is no judgement of their chosen material. This year, there is also an online link where kids can sign up, create a profile, review the books they’ve read, and generally share their thoughts. They can do it all here.

If you are reading this you are probably a keen reader yourself, so I don’t need to tell you about the benefits, of course. The trick is getting the reading habit embedded in our children’s lives from the outset, and that is where the Summer Reading Challenge is so good. This year’s theme is Animal Agents,  a group of crime-busting creatures, beautifully illustrated by Tony Ross (of Little Princess fame). The idea is that for each book children read they get a smelly sticker and a clue that will help them solve a mystery.

So, if you’re kids have or are about to break up for the summer holidays and you’re looking for something to fill in the gaps, get along to the local library and sign up. This is my last year at primary school so I hope my 11 year-old will embrace it, even if it’s just for old time’s sake!

 

How easy do you find it to keep your children reading as they get older?

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Book review: The Essex Serpent by Sarah Perry

This book was everywhere when it first came out last year, surprising since it was written by a little known author and published by a relatively small independent publisher. It became a bestseller, was shortlisted for the 2016 Costa Novel Award and was the Waterstones Book of the Year. I was very keen to read it but it seemed to take a long time to be issued in paperback, so I’ve been hanging on for a while.

The Essex Serpent imgThe book is set mostly in the fictional Essex village of Aldwinter in the 1890s and the action takes place over the course of a year. The central dynamic of the plot is the relationship between Cora Seaborne, a woman approximately in her late 30s, who at the start of the novel is newly widowed, and William (Will) Ransome, the local minister. Will is happily married to Stella and they have three children, while Cora is happily widowed! It seems hers was a fairly loveless marriage in which she felt constrained and imprisoned and her husband appears to have been somewhat older than her. The lack of intimacy in the marriage is indicated by the fact they had only one child, Francis, and that he is an unusual boy (for Cora “nothing shamed her as much as her son”), who is almost certainly autistic.

Once she becomes widowed, Cora is able to follow her passion for natural science, and she moves out of London to Essex. There she becomes captivated by a local myth, a mysterious serpent that villagers feel is responsible for unnatural happenings, including unexplained deaths, crop failures, madness and distressed livestock. Cora first encounters Will on one of her forest walks, when the two rescue a sheep from a bog. They later meet socially and thereafter strike up an increasingly intimate friendship. The book becomes about the development of their relationship against a backdrop of events connected with the serpent, with the illness of Will’s wife, and Cora’s relationships with other friends, including that of Luke Garrett, a brilliant surgeon who is clearly in love with her.

Whilst the book is essentially about relationships and the nature of love (it is explored in many forms) it is also about a clash of worlds. Firstly, the old versus the modern – it is no coincidence the book is set on the eve of the 20th century – and science versus religion, where Cora and Will have some of their most passionate debates. There is also reason versus superstition; the villagers fear the Essex Serpent, whereas Will finds his parishioners’ fears almost pagan in tone, and Cora wants to prove the existence of the serpent, as some sort of lost creature.

Perry also explores the position of women, from Cora, the scientist, for whom marriage had “so degraded her expectations of happiness” and for whom widowhood and thus the single life had “freed her from the obligation to be beautiful”, to Stella the model dutiful Victorian wife and mother, afflicted by a quintessentially 19th century illness. There is also Martha, Cora’s maid (although her exact position in the household slightly defies definition!), also a political activist who utilises the connections she has made through Cora to further her Marxist leanings. In many ways the themes of the novel are very modern indeed – Martha’s campaigning for suitable social housing for the poor of London is resonant of a very 21st century problem. It’s also a very erotic novel, in the Gothic sense, without being explicit; there are many tensions below the surface and some of these do not get fully resolved, which is actually quite true to life when you think about it.

I thoroughly enjoyed this book and would recommend it highly. It gripped me to the end. It’s a novel rich in themes, rich in its descriptive power and rich in its evocation of time and place.

If you have read this much talked-about book, I’d love to know what you thought of it.

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July reading challenge – something from the library

You know summer is on its way when the local library announces the annual Summer Reading Challenge! Aimed at children of primary school age in the UK it is a great way of getting kids engaged in books (any books!) and giving them rewards for achieving certain reading goals. I love the way the organisers come up with different themes each year, and interesting activity packs that provide a surprising amount of diversion. This year the theme is Animal Agents and it’s being launched next week, so do look out for it if you have primary age children. I’ll be writing more about it once it’s launched so look out for a future blog on the topic.

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In the meantime, it’s the beginning of the month so it must be time for this month’s reading challenge! With the holiday season upon us, June’s challenge was to read a literary travel book. I chose On a Shoestring to Coorg by Dervla Murphy, and posted my review earlier this week, which you can read here.

This month’s challenge is to go to the local library and pick out a book (the challenge will be to keep it to just one!) and to read it before its due date. I have had a deep passion for libraries since I was a child (I was lucky that my mother took me regularly) and believe firmly that they provide an essential service. I am a compulsive book-buyer, but there is no doubt books can be expensive and what if you’re not sure whether you’re going to like the book? For the old and the young and for those on fixed or low incomes, libraries may be the only viable source of books. Not only that, but libraries provide a host of other services: librarians are information specialists and can help you find things out, they are often at the centre of a community providing reading groups, children’s book clubs, places to sit when it’s cold, places to study where it’s quiet, access to computers (not everyone has one at home) and of course reference books which you may not necessarily want to buy. Need I go on?

You will gain much from a visit to your local library. I came away with a whole bunch of leaflets about things to do over the summer, theatre guides, etc, a couple of guidebooks on Portugal (where I’ll be heading in August) as well as three books:

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The Lowland by Jhumpa Lahiri was shortlisted for the Man Booker in 2013, and caught my eye as I love Indian literature, and having just read about Devla Murphy’s travels in the south of the country, my interest was piqued anew. It’s set in Calcutta in the 1960s and ’70s and is about two brothers, very close as children, whose lives take dramatically different paths as historical events unfold around them. I was also drawn to The Art of Flight by Frederik Sjoberg which I think is a kind of memoir, structured as a number of short essays and prose pieces about the natural world. Sjoberg is a Swedish writer I’ve never heard of, but the book looks interesting. Finally, I had reserved a copy of Evan Davis’s newly-published book Post-truth: why we have reached peak bullshit and what we can do about it, after spotting it in the bookshop recently. Evan Davis has for years been one of my favourite journalists because he is warm, watchable, connects well with the viewer and is fantastically clever. He has an ability to cut to the essence of an issue and frequently outsmarts even the most nimble interviewees, so I’m interested in his take on this cultural shift we seem to be experiencing in politics.

I want to read all of these now, so I’m not sure which I will take on for the July challenge. I’m off on a train journey to London tomorrow, so it might well be the one which weighs least!

Have you picked up anything interesting from the library recently?

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Book review: “On a Shoestring to Coorg” by Dervla Murphy

I selected this book for my June reading challenge. June was a slow month for reading for me – half term, plus running my son to and from school for exams ate into my time. So, it took me a while to get through this book. That said, I think it’s genuinely a slow book to read, rather like the unhurried travelling that takes place within the pages. I was very specific in my challenge for the month, which was to read a literary travel book, not a guidebook. I am somewhat perturbed by the preponderance of ‘pack as much into as little as possible’-type travel guides that I see all over the bookshops: the 48 Hours in… series is popular, but the New York Times now has a range of 36 hours in… various European capitals! I’ve spent longer than that in the railway stations and airports of various European cities on my travels in the past! Art imitates life, it is true, and that is the nature of life these days. I feel sure this will be to our detriment, ultimately, but perhaps the pendulum will swing the other way at some point.

On a Shoestring to Coorg imgIf, like me, you find yourself a little nostalgic for an era when travel meant slowing down, getting to know a place and its people  (rather than just taking a selfie with a local and posting to Instagram), and immersing yourself in the new environment, then Dervla Murphy could be the travel writer for you. In On a Shoestring to Coorg, Murphy travels for the first time with her five-year old daughter, Rachel. They travel scarily light (I would take more stuff on a day out when my kids were younger!) with very little money and are dependent on the kindness and hospitality of people they meet, including a number of British ex-pats, who have made India their home in the post-colonial era.

Murphy confesses at the outset to being not especially enamoured of India generally, and openly expresses what she sees as the hypocrisy implicit in Hinduism and the caste system which she feels keeps so many in poverty and destitution. (You have to remember this was written in 1976). However, she and Rachel fall in love with the tiny region of Coorg (in southern India), with its continued observance of many traditions (which she sees as an indicator of the society’s wellbeing), the warmth of its people and the beauty of the landscape.

“Seldom in the 1970s is folk-dancing performed for fun – not self-consciously, to preserve customs, or cunningly, to please tourists. But my pleasure can never be unalloyed when I chance upon such fragile and doomed links with the past. One knows that before Rachel is grown even Coorg will have opted for that pseudo-culture which ‘kills time’ (grimly significant phrase) but leaves the sprit starving.”

They travel further south to Kerala, which Murphy also loves. As the book progresses you get the sense of Murphy settling into the journey more, as she adapts to travelling with her young companion where, previously, this very unusual and idiosyncratic traveller was accustomed to being alone and not having anyone depend upon her. She writes more and more of the landscape:

“Beyond the palmy islands across the bay the sun was sinking in a red-gold sky and when it had gone – so swiftly – a strange amber sheen lay on the water and I felt very aware of the drama of day and night: something that passes us by in the twilit north.”

On a Shoestring to Coorg img 2

It is a meandering but engaging read, where you very much travel with the author and her daughter and feel the pace of their journey. This is a way of travelling that most of us no longer do. It feels very much like a bygone era and yet is only 40 years ago. The pace of change in all our lives all across the globe has altered so dramatically in that relatively short time. It felt good to slow right down with this book. If you fantasise about long slow travelling (with or without your children) you will find this an interesting read and after reading it you will definitely want to go to Coorg!

Do you have any travel writers to recommend? Are there any young contemporary travel  writers you enjoy who take the ‘slow’ approach?

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#IBW 2017 – Independent Bookshop Week 24 June – 1 July

IBW 2017We’re all on a budget and we’re all busy, so why would you make the effort to go to an independent bookshop when, with a couple of clicks, you can get what you want from the comfort of your armchair and have it delivered, and probably for a discount on the jacket price? Well, as they say, use it or lose it!

The bigger they get the more powerful they become

Most of us would be uncomfortable with the idea of only one major supermarket or only one petrol station. We all recognise that competition means consumers get the best deal. If there were only one supermarket around, you would not see the BOGOFs, the price reductions, the CHOICE. Don’t get me wrong, I use A****n along with everyone else, but I try to spread my spending. And when you work it out, it usually is not that much cheaper. As for choice, well, I am plagued by daily emails recommending heavily-marketed titles to me, but what about the books that are not pushed my way, and the authors that have written them? There’s nothing qute like discovering something new, a title you haven’t heard about. Bookshops can give you those surprises.

If it’s cheap you value it less

Anything that is cheap and plentiful we tend to treat with less respect than something that is scarce or more expensive. In my household, cheap food is much more likely to go to waste or pass its ‘use by’, whereas we are undoubtedly more disciplined about expensive organic or free range products. I think the same is true of other items we consume in our households; if we’ve paid more for a book, we may be more inclined to value it.

You don’t get much buzz with a ‘click’

For me, there is nothing quite like the smell of a bookshop, or the pleasure of browsing the shelves, spending time properly choosing, reading the first couple of pages, feeling the weight of a book in may hands. An online purchase just does not give me that same experience. I know some people like to choose in the shop and then go home and buy online, to get the discount, but, really, for a book? If you’re there in the shop, you’ve made the effort to go there, is it really worth the one or two pounds you might save by buying  it online? And then you’ve to wait until it’s delivered!

Real-life independent bookshops provide an experience, and the good ones (and it’s mainly the good ones that have survived) often provide spaces for you to sit and read, or to hang out with your kids. A Saturday afternoon activity that will cost you less than a tenner! For a child this is exciting, and will encourage them to read much more than a brown package arriving through the post, two or three days later.

You are dealing with people who are passionate

It’s hard running a small shop in today’s often under-crowded high streets, but it’s even harder running an indie bookshop when you consider what they’re up against. Bookshop owners definitely don’t do it for the money! If you love books you have to love indie bookshops and for my money their passion, expertise and sheer tenacity deserve our support.

So, check out your nearest indie bookshop here and make an effort to take yourself along some time this week. You won’t regret it.

Do you live near a great indie bookshop? If so, give them a shout out here.

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New books this summer

Summer is an important time of the year in the publishing calendar; it’s when a lot of us are starting to think about what we might be packing in our suitcases as our thoughts start to turn to holidays. I recognise that this might be a distant dream for those of you with small children as they will need to be constantly watched, managed or entertained. This was certainly the case for me when mine were small, but now that they are older I really savour the selection process – I make a ritual visit to the bookshops (as if I needed an excuse!), peruse the new titles, consider the special offers and try to work out how much each book weighs and how  many I can afford to pack!

So, if you recognise this sort of behaviour, I thought you might like to know what’s new and what’s hot in publishing this season. Arundhati Roy has been given a lot of attention in recent weeks as she publishes what is only her second novel, The Ministry of Utmost Happiness. (She was speaking here in Manchester last week and I’m so cross because I wasn’t very well and couldn’t go!) Her first novel The God of Small Things won the Man Booker Prize twenty years ago. Since then, she has been best known for her activism and writings on various causes both domestic and international . So, there is a great deal of excitement about this novel and I’m looking forward to reading it.

Recent terrorist incidents in the UK have made many Brits aware of the need to build the community cohesion, which I think many of us had taken for granted. Last week saw the first year anniversary of the murder of Jo Cox MP by a far-right extremist. Her husband, the ever-dignified Brendan Cox has published a book Jo Cox: More in Common, the title of which recalls her now famous House of Commons maiden speech where she reminded us that as human beings we have more in common than that which divides us. I expect this to be a very emotional but ultimately uplifting read.

You might not want to take a hardback on holiday, so I’m delighted that The Essex Serpent, the debut novel from Sarah Perry, is now available in paperback. It was first published last year, and has had fantastic reviews. The paperback has been a long time coming, but this is a must-read.

I posted here last week about my ambivalence towards thrillers, but they dominate the bestseller lists week in, week out, so clearly many people love them. One of the most popular of recent years is Paula Hawkins’s The Girl on the Train (which I’m currently listening to on Audio). Paula has just published her latest book Into the Water which has had some solid reviews and is selling well in mainstream retailers. It strikes me as the obvious beach read!

Tracy Chevalier’s Girl with a Pearl Earring (published in 1999) is one of my favourite books of all time. Her latest novel New Boy is part of an intriguing project whereby a number of authors have retold a Shakespearean story in a contemporary setting. New Boy is about Osei, an 11-year old Ghanaian boy, son of a diplomat posted to Washington DC, and his relationship with a girl in his class, Dee. Osei is the only black child in the school and his friendship with Dee makes another boy, Ian, extremely jealous…

Finally, for now (I’m not sure your TBR piles can take much more!) The Good Immigrant by Nikesh Shukla (ed.) caught my eye on a recent trip to London as it had a prominent display in the window of a smart bookshop. It’s a collection of essays exploring the theme of immigration to the UK. The writers are all emerging black, Asian and minority ethnic, looking at why people come to Britain, why they stay and and what life is like for them. It could well be essential reading.

Looking at what I’ve picked out in the above list, it strikes me that there is a bit of a theme there too. I’m sure it has a lot to do with the horrors and tragedies we have been witnessing in the UK in the last few weeks and months. It preys on the minds of many of us, I suspect.

What new publications have caught your eye?

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“Everything Everything” by Nicola Yoon

Everything Everything, first published in 2015 to great acclaim, was reissued in 2017, after the novel was made into a film, and my edition shows a still from the movie with our two main protagonists, Maddy and Olly, gorgeously pictured on the front cover. It’s a YA novel which I selected for my May reading challenge, having bought it for my teenage daughter a few weeks ago (she hasn’t read it yet!), and I absolutely loved it. I didn’t expect to enjoy it as much as I did, especially when, leafing through, the chapters looked a bit short and I saw that there were several pages with line-drawn illustrations of, for example, diary entries, notes from an exercise book, emails, set out as if they were on a screen, text conversations, etc. Hmm, I thought, all designed to sustain the digital native’s interest! Well, as is so often the case when I stray off my well-beaten literary track, I was truly humbled.

2017-06-21 11.08.32The novel opens with our central character Maddy’s eighteenth birthday. She celebrates this with her mother and her nurse, Carla; Maddy suffers from severe allergies and lives an isolated existence in her hermetically sealed home, which she has not left for many years, so these two women provide the only relationships she really has. Maddy is home schooled, receiving almost all her tuition over Skype from various tutors. Occasionally, they are allowed to tutor her in person, but only after they spend a period of time in a decontamination unit in the house, to ensure Maddy does not come into contact with any pathogens or foreign particles which might harm her. Maddy’s father and older brother were killed in an accident when Maddy was a baby and she and her mother are therefore incredibly close.

Maddy is a voracious reader and in the absence of a lived experience of the world she has framed all her perception of life outside the bubble of her home, and her tiny circle of human contact, from the books she has read. Whilst she is initially reasonably content with her life, accepting its limitations and appreciating the love of her mother and Carla, her love of books is an early hint of her desire to embrace the world. Early on, we learn that she has taught herself not to want things she cannot have:

“Wanting just leads to more wanting. There’s no end to desire.”

But then she meets Olly, when he moves into the house next door with his parents and sister, and everything (everything) changes:

“Maddy knows that this pale half-life is not really living.”

Olly has his own troubles: his father is a violent alcoholic who terrorises the rest of the family. Olly and Maddy begin to communicate by text and email, and it is clear that not only are they deeply attracted but that each fulfils an unmet need in the other. A cascade of events follows which will expose the inexorable pull of the world to the young and vulnerable Maddy, and the pointlessness of an anxious parent’s attempts to protect her child from all risk.

It is a coming-of-age novel, in that we see a young woman separating from her mother, but it is also a great novel for a parent coming to terms with the coming of age of their kids! To that extent, it is an instructive read for parties on both sides of the debate: the older generation can see how important it is for our youngsters to live, love and to learn for themselves, but the young can also see the parent’s perspective, Maddy’s mother’s fear of losing something (everything) so precious to her when she has already experienced so much loss in her life (her husband and son).

It’s a cracking story, with some clever plotting, and great themes which are beautifully handled for a younger readership. It’s well-written and well-crafted and the line drawings do add to the experience! There’s a little bit of sex, but it’s very subtly and sensitively done. Recommended for parents and teenagers alike.

If you have read this book or watched the movie, would you recommend it for teenagers? Could boys and girls alike enjoy it?

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‘North and South’ by Elizabeth Gaskell

I last read this book when I was doing my English degree at University. At that time, the classics were my ‘thing’, indeed I’d spent my teenage years devouring the classics and, such was my love of them, it’s mostly why I went on to study English. By the time I graduated, I was so full of books that I shunned reading anything for quite a long time. When I got back into the habit, I turned my attention more to contemporary fiction as I realised there was a huge gap in my knowledge. One of the satisfying things about favouring the classics is that they are a largely finite resource; in a few years of effort you could basically read most of them! With contemporary fiction, on the other hand, you never get caught up. So, almost all my reading in recent years has been a desperate endeavour to keep up with all the amazing books published today, and as a result I have not turned back to my beloved classics very much. So, April’s reading challenge was to re-read a classic.

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I’ve been wanting to read this novel again ever since I moved to Manchester 5 years ago and even more so after visiting Elizabeth Gaskell’s house in Plymouth Grove last year. (If you haven’t been and you’re an admirer of the Victorian novel, you really must pay a visit). I have to confess I was a little intimidated to be picking up the book – my edition is innocuous-looking enough, but, oh my goodness, paper was thinner back then and the type face is miniscule! 530 pages of closely-written text. BUT, what a joy!!!  It took me a few chapters to get back into the style, and the Victorian atmosphere, but once I did, I got totally lost, and, truly, I re-entered the world I first discovered as a young girl. I can’t remember when I last got lost in a long book, became totally absorbed by the sense of place, or was able to step into the shoes of the characters and feel their pain, their happiness, their grief their longings. Hanya Yanagihara’s A Little Life, which I read last year, has probably been the closest I have come in recent years.

In North and South, our central character, Margaret Hale, finds herself on an emotional and physical journey. When we first meet her she is living with her wealthy aunt and spoiled young cousin Edith in London; she was sent to them as a child to improve her chances in society. Margaret’s parents live humbly in rural Hampshire where her father is a country curate. Margaret has a brother, Frederick, who lives as a fugitive abroad; he is wanted in England, accused of leading a mutiny whilst serving in the navy.

When Margaret’s cousin marries, she returns to her parents only to find that her father intends to resign his post due to his religious doubt. He decides to move the family north to the city of Milton in Darkshire (for which read Manchester). There he plans to make a living from tutoring and they will rent a house from an old Oxford acquaintance of Mr Hale’s. The move comes as devastating news to Margaret and her mother, for whom the move is the last straw in her social degradation.

When the family first moves to Milton the contrast between their old and new lives is stark – their physical surroundings are completely different, the people they meet are different, and the activities that absorb their time are different. As the months pass, Margaret accepts her new life and as she is forced to confront her prejudices, so it exposes the vacuous existence she enjoyed in London. Gaskell sets about using her characters, their conversations and their confrontations to reveal certain ‘truths’ and challenge certain preconceptions held by many of the protagonists, whether it is Mrs Hale’s bias towards the south, the gentry and all the things with which she is familiar and about which she is nostalgic, or factory owner Mr Thornton’s intolerance of his workers’ strike. All the characters in this novel are in some way flawed by their prejudice (even the lowly workers at the factory despise the Irish labourers brought in to do their work when they strike). To that extent, the novel still has great relevance today, over 150 years later, as the north-south divide in England continues to have social, political and economic consequences.

Some of the characters in the book are two-dimensional, for example, the lowly Bessy Higgins, with whom Margaret develops a rather implausible friendship. It has to be remembered that these characters are merely devices through which the author is seeking simply to illustrate a point, although Gaskell’s readers at the time probably thought this was actually how poor people lived and talked. Margaret, on the other hand, is, for me, a well-rounded, credible and fully-developed character. She goes through a transformation in this novel which is both sincere and believable.

The ending of the book is entirely predictable, of course, but this is fine because the joy of this book is in the journey. Although some may find the language a barrier, for me it was sublime. Again, it took me a little while to get back into it and it made reading a little slow at first, but it was beautiful and oh so clever!

I thoroughly enjoyed re-reading North and South and I would definitely recommend picking up a classic from time to time.

Have you re-read any old favourites recently?

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