I chose this novel for my Facebook Reading Challenge in April, the theme of which was a children’s book. I was delighted to have this as a theme; regular readers of this blog will know that I am a huge fan of children’s literature and regularly post reviews of books for young readers. It has unfortunately been some time since I read a children’s book, however, so I was keen to get started on this one. Splinters of Scarlet is Emily Bain Murphy’s second novel. Her first, The Disappearances, was a huge success, both critically and commercially, and so her follow-up was hugely anticipated. I read The Disappearances as part of this very reading challenge in January 2018 and absolutely loved it. My elder daughter who I insisted read the book, rates it as one of her favourite novels of all time and has re-read it several times. Every music fan will be familiar with the concept of the ‘difficult second album’, and the same may be said of books, except that books are produced and marketed somewhat differently, and first-time authors rarely achieve huge first-time success in the same way that certain pop performers do. I fear, however, that Emily Bain Murphy has not quite pulled off the ‘difficult second novel’. Don’t get me wrong, it is good, but my expectations were perhaps a bit too high.
The novel is set in Copenhagen in 1866-67, initially in an orphanage and then in the home of a wealthy mining widow Helene Verstergaard. The central character is Marit Olsen, an orphan seamstress. Her closest friend is Eve, a younger fellow orphan with a precocious talent for ballet, who is about to be adopted by the famed former ballerina Mrs Vertergaard. Marit adores Eve, loves her friend like a sister, even as a mother might, and has mixed feelings about the likely adoption. She is happy that her friend is happy, but it will be a poignant outcome for her since her father was killed in a Vestergaard mine and she remains bitter at the callous way she and her sister were treated; Helene Vestergaard’s late husband was the owner of the family mining dynasty and Marit blames him for her father’s death. When her father died, Marit’s older sister suddenly became responsible for the two of them, and Marit believes this burden, in turn, killed her.
What we also learn in the opening chapters is that certain people in the country have magical powers. Marit does for example and uses these in her job as a seamstress, and especially in the costumes she makes for Eve. Marit’s sister did too and ‘over-used’ her magic in trying to provide for the family. The over-use of magic is dangerous for its owner as it can lead to that person’s death if they are overtaken by ‘the firn’.
Eve is adopted and Helene Vestergaard decides that in addition to a daughter she would like a talented seamstress and so decides to take Marit from the orphanage too. Despite her mixed feelings Marit agrees so that she can be with Eve. Her lifestyle will be very different to her friend’s, however, for she will be a servant and live among the staff.
Marit becomes close to a number of the servants, most of whom it seems possess magical powers – Marit realises this is no accident; Helene has chosen her household carefully. A foreboding presence in the Vestergaard household is Helene’s brother-in-law Philip. Marit quickly begins to suspect something sinister is going on in the Vestergaard mines and that Philip is linked to it. She also begins to suspect a link with her father’s death and her quest for the truth drives risk-taking investigations.
Marit shares her suspicions with the servants she has become close to and they agree to help her. Thus they set about various surveillance operations to try and find out what is going on in the mines and what exactly Philip Vestergaard has to do with it. The remainder of the book concerns Marit’s activities, for which she uses her magical powers extensively, as well as her increasing concerns about ‘the firn’ and whether she will fall victim to it. Philip Vestergaard senses Marit’s interest and begins to see that she and some of the others are a threat. He sets about silencing them, even killing one of the servants. The scene is set for the denouement – a showdown between the two opposing forces in the novel – truth and lies.
This novel has quite a complex plot and wide cast of characters, some of whom I found it hard to distinguish. The Disappearances also has a complex plot and a wide cast of characters and yet the author, in my view, handles it more deftly in that book and with greater imagination and coherence. For me, this novel is sometimes confused, and there are some non-credible twists which seem to be made to serve the plot. It is perhaps unfair to compare this novel to the earlier book, which was so good. If Splinters of Scarlet had been the first novel I would possibly be looking upon it more favourably. As it is, I’m afraid I didn’t enjoy it anywhere near as much. I suspect this book would suit a younger reader, perhaps 11-13 year olds, whereas The Disappearances is more suitable for 12-14 year olds. However, I think it is less good than other books in this age group.
Competent and her fans will love it, but for me it was not as engaging or brilliant as this author’s first novel.
The book is set in Connecticut in 1942-43. Aila, is 16 years old when we first meet her and she has a younger brother Miles. Their mother, Juliet, has just died and their father has been called away to fight in the war. Aila and Miles are sent to live in Sterling (their mother’s birthplace) with Matilda Cliffton and her family; Matilda was Juliet’s childhood best friend. Aila is keen to take something of her mother’s with her and she finds a volume of Shakespeare’s complete works, much scribbled in, into the back of which has been placed an envelope, containing a ring Juliet always wore, and a mysterious note to an unknown person, Stefen, at the end of which Juliet signs herself ‘Viola’.
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