Facebook Reading Challenge – March choice

Has another 1st of the month come and gone already? It certainly has! Meteorological spring has sprung, though I’m struggling to believe it here in my very damp corner of north west England. It must be time for a new book in my Facebook Reading Challenge 2020. Last month’s choice was a non-fiction title, and I chose Man’s Search for Meaning by Viktor E Frankl, a short book for a short month (though we had Leap Day of course), but one which I read slowly and deliberately, such was the importance and impact of the subject matter. I’ll be posting my review of this very powerful little book next week, so look out for that.

This year, I am scanning the globe with my reading themes, conscious that my reading is generally quite western and written in English, so this month’s choice is “Something from Asia”. In truth, it’s hard to quite know what that means these days – must the author live in Asia? Should the book be first published in an Asian language? Asia is also pretty big and covers a vast range of cultures and languages, so it is, I admit, a massive generalisation. However, choices must be made.

Please Look After MotherI was tempted to go for Haruki Murakami – after reading Norwegian Wood a couple of years ago, I am really keen to discover more of his work – but that would be a but too easy. So, I have put a pin in the haystack also known as the internet and come up with Please Look After Mother by Korean author Kyung-Sook Shin. This book won the Man Asian Literary Prize in 2011.

Its central character is So-nyo, an ageing matriarch who has lived a life of nurturing and self-sacrifice, caring for her husband and children. She becomes separated from her husband on a train journey. So-nyo’s family undertake a desperate search for her and as they do so, they recall the influence she has had on them all. It is said to be about family, about mothering in particular, and about what it means to love.

This book has been an international bestseller, though I’m ashamed to say I had not heard of it, or its author.

Please feel free to join me on my reading challenge this month.

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Book review – “The Reader” by Bernhard Schlink

This was a recent choice for my book club. It was not a title I was familiar with although I had a vague recollection about a film adaptation coming out a few years ago. It was adapted for the screen in 2008, starring Kate Winslet and Ralph Fiennes. I had high hopes for the book and was excited at the prospect of reading it, especially since the comments on the cover of my edition were extremely enthusiastic. I’m afraid we were all slightly disappointed. The following review contains some spoilers.

2019-06-26 20.31.04The story begins when 15 year-old Michael, off school for many months after contracting hepatitis, seeks out Hanna Schmitz, a woman who had been passing when he found himself being sick in the street and who had helped him. Once he is well again, Michael’s mother sends him off to find the mystery good Samaritan in order that he can thank her. Hanna is twenty years Michael’s senior and employed as a bus conductor, but despite the social and age gap between them, they begin a passionate affair, both parties equally consenting. One of the more intimate aspects of their relationship is that Michael reads aloud to Hanna, after sex and in the bath mainly, although never the other way around. Michael never questions Hanna’s desire to have him read to her, he just accepts it. This makes up the first part of the book and perhaps it is a testament to events that have occurred since the time of its writing that all of us (mothers of teenagers!) found the prose rather discomfiting, and not a little implausible. Hanna disappears mysteriously out of Michael’s life, leaving him heartbroken and perhaps also rather damaged.

In part two, Michael is older, now at law school, when, as part of his studies, he is sent off to observe the trials of a number of former female guards of a concentration camp who are being charged with allowing the deaths of dozens of Jews, locked in a church when it was hit by a bomb and destroyed by fire. Michael is horrified to discover that Hanna is one of those on trial. There is a detailed report of the events that Hanna is accused of writing, thereby implicating her as the main guard responsible for the atrocity, a charge she does not deny. Michael observes the trial in horror unable to come to terms with the back-story of the woman he once loved. Only at the end of the trial, does he realise Hanna’s secret, that she is illiterate (and therefore could not have written the report), and he finds himself with the dilemma of whether to intervene and tell the judge, with all the implications that would have. He elects not to, realising that Hanna confessed in order to conceal her illiteracy and for him to expose her would breach her autonomy, even if it means there has been a miscarriage of justice.

The final part of the book is about Michael’s life after the trial, his failed marriage, and his eventual decision to make contact with Hanna in prison. He sends her cassette tapes of himself reading aloud although he never includes any personal messages or letters. Eventually, he sees Hanna again, as she is about to be released at the end of her sentence, and helps to set her up with work and accommodation for when she is released. Hanna never gets out though as she hangs herself in her cell on the night before her release.

Set in the late 1950s and 1960s, the novel is said to be about Germany coming to terms with its wartime past; there is Hanna’s trial, the account of the events in which she was involved, the opportunity for the survivors of the camps to give an account of their experiences, and for the German judiciary to rightfully punish those responsible and be seen to dispense justice. On the cover of the book, the late Sir Peter Hall is quoted as saying “[This] is the German novel I have been waiting for: it objectifies the Holocaust and legitimately makes all mankind responsible.” I’m afraid, I just don’t think it reaches these heights. Yes, it is quite well-written and is arguably an interesting story, though one which my fellow book club members and I found deeply uncomfortable since we saw the relationship between Michael and Hanna as borderline child sexual abuse. The fact that this is in no way acknowledged is a problem. The story for me, though, just didn’t go anywhere; I reached the end and had nothing to say, no great realisation or revelation, or even closure. I just don’t think the book really knew what it was about.

So, a disappointing read, I’m afraid and not one I can recommend. I’d quite like to see the film, to see what Director Stephen Daldry (of Billy Elliot fame) made of it.

I’d love to know what you thought, if you have read it – did something different come out for you? And how are we to view works of literature written at times when societal norms, or our understanding of them, are different?

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