Listening versus reading

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I loved listening to Matt Haig read his wonderful book Notes on a Nervous Planet. I downloaded the audiobook in the Summer and blogged about it here in October. I decided that it was definitely a book I wanted to have on my bookshelves, to dip into occasionally, to read certain chapters at specific times, and to be able to jot notes down. I also decided that it would make a great gift for a few people I know.

I set it as the November book for my Facebook Reading Challenge and so far the feedback seems to be positive. Apart from a handful of my very favourite books (eg Wuthering Heights) I seldom re-read books. I always feel I should; my husband is a great re-reader and says he gets different things out of a book each time he returns to it, and he is right of course. For me, though, there seem to be just too many books to read first time around!

Notes on a Nervous Planet imgI have made an exception and decided to read Notes on a Nervous Planet again. I’m surprised at how different the reading experience is versus listening. Firstly, the author has a wonderful reading voice and I suppose because it is non-fiction and is very much about his experiences of anxiety and depression, you can sense that it comes straight from the heart. I really think that the narrator of an audiobook plays such an important role in the experience. For example, I loved Hilary Huber’s narration of Elena Ferrante’s Neapolitan Novels, but I struggled with the reading of 1984 by Andrew Wincott…who is Adam in The Archers. I just couldn’t get Adam out of my head!

The second interesting difference is the speed. I read quite fast, and I am aware that this means I don’t always take in every detail. With listening, however, I listen at the natural pace (I dislike the 1.25 and 1.5 speeds). It does mean that you absorb a lot more of the text. I was surprised reading Notes on a Nervous Planet how many passages I remembered virtually word for word.

The third difference for me may be a very subjective one, but it’s about the way the content of the book organises itself in my head. Here, my preference is for the tangible book. Listening to this book I found it more of a continuous narrative, but reading it is more useful to me in terms of taking forward some of the ‘recommended’ actions – I use the term loosely as it’s not a smug, instructional just do as I say and your life will be perfect, sort of book! For others who are more aurally oriented the experience may be different.

Audiobooks are great, especially for long car journeys (if you have the appropriate technology), or, my particular preference, walks into town. I have found with this book, though, that reading again has brought me some extra insight, and that can’t be bad.

Are you a fan of audiobooks? Have you ever both read and listened to a particular title?

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Audiobooks can be a great way to access books if you’re time-poor

I know so many people who love reading, but find it hard to find the time to do so – when you have a family, work and find yourself under pressure to provide taxi services, help with homework, cook interesting and nutritious meals, check emails….the list goes on. Reading often drops off the list. And how many of you do your reading at bedtime and find you fall asleep before you’ve even finished a chapter?

It’s a common problem. I am a great believer in two things, however. First, if you want your kids to read they have to see you doing it too – so you’re actually being a good parent by finding time to read. Second, reading can be a wonderful way of escaping all the chores and pressures of life, so you will benefit from even 10-15 minutes here and there.

glass-2557577_1920I’m a big fan of audiobooks as a way of passing otherwise dead time in a more constructive way  – for me it’s car journeys, or whilst exercising. It might also be while you’re waiting for swimming lessons to finish or at the supermarket. You have to choose your titles carefully though, because it’s not just about what you listen to, but the narrator is really key to the enjoyment. For example, audiobooks I have enjoyed have been Holding, narrated brilliantly by the author Graham Norton, Frankenstein, narrated by Derek Jacobi and 1984, narrated by Andrew Wincott (Adam from The Archers). Their reading styles enhanced my enjoyment. A title I enjoyed less because of the narration was The Girl on the Train, where I felt the male voices were not done well.

the story of a new nameI have recently finished listening to The Story of a New Name by Elena Ferrante, Book Two in her Neapolitan Novels series. I have listened to and reviewed here, Book One, My Brilliant Friend, and the narration by American actor Hilary Huber is sublime. The Story of a New Name continues where Book One left off, with Lila marrying the grocery-store owner Stefano Caracci. Lila acquires a new social standing and some material wealth, but it is a loveless affair, and the marriage soon deteriorates into violence and enmity.

Lila’s childhood friend Elena, chooses a different path; she continues her education and though at first she barely scrapes through with adequate grades, she eventually graduates and is accepted at the university in Pisa. While Lila’s life is coming apart (despite her many talents, her beauty and her magnetic appeal), Elena’s eventually triumphant academic trajectory comes as a surprise to many as her abilities and potential were not thought to be as great (especially by herself).

This book has the same wonderful setting, 1960s Naples, the same cast of fascinating characters, mostly sinister and flawed, and develops the themes of friendship, and its many complex facets, jealousy, family feuds, conflict, love, hatred and the position of women in society.

The book is long (over eighteen hours worth of listening, or nearly 500 pages in paperback), but it is epic in scale and epic in achievement. On my audiobook app you can select a faster reading speed; I tried listening at 1.25 speed, but I went back to standard speed, because Hilary Huber’s American drawl is a treat for the ears and brilliantly suited to the story.

I would highly recommend this audiobook – the cast of characters is complicated and sometimes I forgot who was who, especially when shortened or ‘pet’ names are used in the dialogue. I found it helpful to look up a cast of characters online so I could keep track. There are two more books in the series – Those Who Leave and Those Who Stay and The Story of the Lost Child. I will certainly stick with the series and get both of these – even though it might take another year to get through listening to them!

Does the narration style affect your enjoyment of an audiobook?

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“May you live in interesting times” – two political classics and why we need them more than ever

‘May you live in interesting times’  is an English expression which is said to be translated from an ancient Chinese curse. Laced with irony, it conveys the danger and the associated anxiety when national or international events  seem to go through periods of intense change or activity. I don’t know about you, but it certainly feels to me that we are living in interesting times at the moment! It’s not so much the political turmoil (British, European, global) that bothers me, I suspect every generation experiences times when world events seem dangerously unpredictable. No, it’s more the way that power is exercised by a small group over a large group and how the small group gets the large group to behave in particular ways that benefit the small group. I’m talking about lying with impunity, inequality and abuse, distorting evidence (especially about climate change) and stirring up hatred. These things frighten me more and have the potential to damage more of us than the ‘threats’ others would have us fear, for example, North Korea, terrorism or immigration.

In recent weeks I have turned to two very important books which have sharpened my understanding of our present situation. Whilst on holiday in the Summer I read A Clockwork Orange by Anthony Burgess, and I have been listening to 1984 by George Orwell, a book that I last read whilst at University.

2017-11-12-21-46-11.jpgI read A Clockwork Orange on my husband’s recommendation, straight after he’d completed it – it’s one of his favourite films, which we have watched many times, but neither of us had read the book. It’s quite short, but also quite hard-going as it is narrated by the central character, Alex, who speaks in ‘nadsat’ a kind of teenage vocabulary of the future, based loosely on Slav languages. I read it with a glossary (though Burgess intended that it should not be), but after while I found I did not consult it, and it flowed better just to read it and understand the sense, if not every word.

It is a book about violence and hatred, between generations, between genders, between different social groups. It is also about social isolation, about fractured communities and about a violent experimental penal system where punishment is presented by the author as nearly as vile as the original offence. Parts of it are difficult to read because of the violence (there is a terrible rape scene at the beginning when Alex and his ‘droogies’ (friends) go on a drink and drug-fuelled rampage through the town), but mostly because it is profoundly disturbing as an example of how a society, or parts of society, can be persuaded to act in the most vicious ways, and how this is driven by collective approval, the power of the group. It is a book about collective moral failure and the breakdown of the social contract which maintains order.

I listened to 1984 on audiobook over a period of several weeks in my car. There were moments when I had to pull over, aghast at what I was hearing. It was written in 1949 and I first read it lazily and only partially in the late ’80s, when I was 19 or 20. At that time the book was only 40 years old, and it was amusing that it described a future society in a year that had already passed (just as Space:1999 became ironic at the start of the 21st century!) The book is now over 70 years old and, frankly, parts of it could describe the world we live in today, our ‘interesting times’. The book describes a totalitarian state, Oceania, said to be based on Stalinist Russia, led by an omnipotent strongman Big Brother. The world is divided into three power blocs – in addition to Oceania there is Eurasia and Eastasia – who are perpetually at war. The constant state of war justifies the indefinite suspension of human liberties and the permanent control not only of human action, but of human thought. Offenders are eliminated, cruelly, and power is exercised through fear.

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Ministry of Truth? A new statue of George Orwell was unveiled at the BBC headquarters in central London this week. The author worked at the BBC for a short time during WW2.

In the context of our own ‘interesting times’ the themes which disturbed me most were, firstly, the ‘cult of personality’ – Big Brother is all powerful and his power is conferred by an artificially inspired devotion. I’ve decided you can have too much personality in a leader and it is overrated. Secondly, ‘historical revisionism’ – populations are manipulated all the time by being told subjective versions of events, both past and present, that suit the teller and are politically expedient. Extremists and the seemingly not-so extreme, are guilty of this, it seems to me. And finally, “2+2=5” – we all believe we think for ourselves, but human beings can be persuaded to think the unthinkable, or believe what is objectively untrue. From big business marketing (corporations who deliberately befuddle our notions of ‘want’ and ‘need’) to political spin (like the numbers attending a political rally, or how happy they are to be there) to selling whole populations a pup, it seems they will dare to persuade us of anything. I fear 1984 could be renamed The 20-teens.

Do you think we are living in ‘interesting times’?

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Reading hack #2 – audiobooks

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A few years ago, when I had a proper job, I used to commute 100 miles a day, three days a week, by car. Seven and a half hours a week driving alone.  I did this for nearly three years. Seems crazy now, but the two things that kept me sane were Radio 4 and audiobooks. One of the frustrations of car travel for me is the amount of dead time. I enjoy listening to music of course, but audiobooks make me feel that I am doing something for my brain whilst sitting in traffic or on cruise control on the motorway (wasn’t there a report published just this week saying that Britain has the most congested roads in Europe – I can well believe it).

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Most of my journeys now are shorter ones so I’ve fallen out of the audiobook habit. I subscribed to an audiobook provider recently, however, to get a copy of one of my teenage son’s English Literature set texts, and it has renewed my interest. What is more, with a smartphone or tablet I can listen not just in the car, but whilst doing mundane tasks, during exercise, etc. I’m currently listening to Elena Ferrante’s My Brilliant Friend, so I look forward to reviewing it here in due course.

 

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My kids have always enjoyed audiobooks too; for years now, it has been a tradition that whenever we travel to Ireland to see family we have to listen to The Twits read by Simon Callow, possibly the best children’s audiobook ever! That plus Matilda gets us to Holyhead!

 

 

If our family holiday involves a lot of driving, we will pick an audiobook for the journey. Now that the kids are a bit older, the titles are getting more sophisticated. Last year we listened to Aldous Huxley’s Brave New World, which provoked a lot of in-car discussion!

I will always go for unabridged audiobooks as for me a book is about the words and the way an author puts beautiful sentences together, as well as the story. But if you don’t mind edited highlights, there are also radio broadcasts to enjoy: Radio 4’s Book of the Week and Book at Bedtime run for five 15-minute episodes a week so you can get these on the iPlayer or podcast if you want to listen to something shorter and for free.

So, a few options if you find yourself with time to spare on the move.

Happy listening!

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