Book review – “Gone Girl” by Gillian Flynn

I am not a big fan of thrillers – they aren’t usually my reading of choice – which is the only way I can explain how this book passed me by when it was first published eight years ago. I have also, in the past, eschewed big bulky paperbacks in favour of something a little less…popular! When I launched my 2020 Facebook reading challenge a few weeks ago, January’s theme was a major title from the last decade and Gone Girl was undoubtedly that. It spent several weeks at number one on the New York Times bestseller list, and sold over two million copies in its first year of publication alone. If you read any reviews of the book, you will see how difficult it is to write about without spoilers and that is something I too am going to find challenging here. I will simply start by saying – OH MY GOODNESS, WHAT A BOOK!!!

Gone Girl imgThis book grabbed me by the throat right from the outset; I listened to it on audio (fantastic performances from the actors Julia Whelan and Kirby Haborne, by the way) and simply could not ‘put it down’. I got a lot of exercise in January, because going for a walk became an excuse to listen to a few more minutes’ worth!

Our two main protagonists are Nick Dunne, an out of work writer from Missouri, and his wife Amy Elliot Dunne, from New York, the only child of two psychologists who made a fortune from a children’s book series, Amazing Amy, about a perfect little girl navigating her way in the world, making perfect decisions among imperfect other people. Amy, a psychology graduate like her parents, also chose a writing career though hers is more prosaic than Nick’s, she writes personality quizzes. They meet at a party, get together, get married and share an apartment in Brooklyn, bought for them by Amy’s parents. They have a seemingly perfect life until a number of events force them to move back to Nick’s hometown. First Nick and then Amy, lose their jobs, a result of the shake up in the publishing world brought about by the internet. Then, Nick’s mother becomes terminally ill with cancer and his twin sister Go (short for Margo), asks them to return to help take care of their mother and their father who suffers with Alzheimer’s and lives in a care home. Finally, Amy’s parents run into financial difficulty and ask Amy to give them the money from her Trust Fund. It also transpires that the house they had given the couple was heavily mortgaged and they can no longer afford the repayments, so it will have to be sold.

Nick and Amy have nothing to keep them in New York so they move back to Carthage, Missouri, rent a modern house on a ghost estate where most of the properties lie empty, unsold since the economic downturn of 2008. Nick invests most of the remaining money they have (Amy’s money) in a bar with his sister.

Although I have set the scene here, as readers we are not in fact given all this information from the outset; it is drip-fed to us throughout part one. One of the most astonishing elements of this book is its brilliant structure. Amy disappears from their home at the very start of the book, on the morning of their fifth wedding anniversary, in what at first seems to have been a violent bloody struggle. The chapters are narrated by Nick and Amy in turn; his chapters are reflections on the recent weeks, months and years of his life with Amy in the aftermath of her disappearance, and his dealings with the detectives investigating Amy’s disappearance, and her chapters are extracts from her diary, going back to the time the couple met. The police have not yet found the diary. In this first part we learn much about the couple’s history, but also about their respective feelings about their relationship and about each other. As a reader you get drawn into the complex workings of what was a difficult marriage for both of them, but in different ways, their respective efforts to make it better and how these fared. I found myself constantly torn between the two, first on her side, then his. It’s a roller-coaster! Towards the end of part one, the inconsistencies begin to emerge and it becomes clear that not everything is quite what it seems.

I can say little more than that without giving away the plot, and the twist is such a breathtaking thing that you really need to enjoy it! I thought the characters were brilliantly drawn, all the way from Nick and Amy down to the police officers involved in the case. The book is fantastic as a straight-up thriller, but also says a lot about sexual politics, both within relationships and in wider society. The author does not take sides, and no-one comes out of it particularly well.

I thoroughly enjoyed this book and highly recommend it, although chances are you’ve already read it! I’m keen to watch the film now, although I’m told, and I’ve read, that it’s not as good. They rarely are!

I would love to know what you thought of Gone Girl, if you have read it.

 

 

Audiobook review: “Ashes of London” by Andrew Taylor

Regular readers of this blog will know that I am a big fan of audiobooks. Having said that, it doesn’t work every time for me; the narrator is vital and I struggled listening to 1984 as I could not get beyond the fact that the reader was Andrew Winnicot…or Adam Macy from the The Archers, which I listen to avidly! Recently, I have enjoyed The Handmaid’s Tale on audio, I listened to all of Elena Ferrante’s Neapolitan series, with the sublime Hilary Huber, and I am currently listening to Gone Girl, the January book in my Facebook Reading Challenge, (which I am finding totally gripping, by the way).

Ashes of London imgA book I listened to at the end of last year was Ashes of London by Andrew Taylor. I borrowed it from the library when it was first published in 2017 but did not manage to get through it before I had to return it for someone else. It is a historical thriller set at the time of the Great Fire of London in September 1666 and is the first in Taylor’s Marwood & Lovett detective series. I have not yet read (or listened to) the second and third books in the series, both of which were published last year, but they sound intriguing.

James Marwood works as a junior reporter on a newssheet, situated at the centre of courtly London life. Marwood lives with his elderly and increasingly senile father, a former printer and ‘Fifth Monarchist’ (a Protestant sect which believed the monarchy would fall and Christ would return to earth to rule), whose followers were considered criminals after the triumph of the Monarchists in the English Civil Wars. Marwood is asked to report on the aftermath of the Great Fire in various parts of the city and the rebuilding projects, but he soon becomes embroiled in the case of a missing person, the niece of a gentleman, Cat Lovett.

Cat Lovett, is a young woman sent to live with her uncle and step-aunt in Holborn, after her father, a convicted regicide (plotter against the monarch), became a fugitive. She is due to be married to an odious dandy, and much older man, but then her step-aunt’s son rapes her. She fights back, mortally wounding him, and, realising the danger she is now in, decides to escape and take her chances on the streets of London, hoping eventually to track down her father. An elderly servant, who had known Cat from childhood, is presumed guilty of the attack on the son and is flogged to death.

When James Marwood and Cat Lovett’s paths cross, inadvertently and fleetingly, he finds he is drawn by personal curiosity into the search for her. He realises early on that all is perhaps not what it seems in the household with the uncle and step-aunt. He suspects foul play and when he is then sent to investigate the cases of two bodies dumped in the Thames, he comes to believe that all these events are linked.

What follows is a complex thriller with a multi-layered plot, strong characters and the weaving-in of comprehensive historical knowledge of the period. I learnt a lot! It all leads to a thrilling denouement – not ideal when you’re listening whilst driving! – in the half-built St Paul’s Cathedral. I absolutely loved this book and recommend it highly. I’m delighted to inform you that it is also available for free on Kindle Unlimited!

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I’m looking forward to reading or listening to the next two books in the series, The Fire Court and The King’s Evil.

PS The narrator on this one was great!

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Kids book review: “Red Nemesis (Young Bond)” by Steve Cole

When I was a kid, I watched all the James Bond movies, several times over, because my Dad loved them. So, I know the storylines well and have views about who is my favourite ‘Bond’ (Sean Connery, of course!). In recent years, the Bond movies have got darker, more erotic (rather than just sexy with a smile) and have greater psychological depth, more adult in other words. But there is something about the Bond marque which remains innocent, boyish and which has an appeal across the age groups, despite the inevitable multiple death toll! And it’s not just the baddies who die, which is awkward for younger viewers. However, I watched them all as a child and I think I’m okay.

Red Nemesis imgTo my shame I have never read any of the Fleming novels (my husband has and he likes them a lot), so I was delighted to pick up this book from the children’s section of my local library and if you have pre/young teens in your household, I think they might like it. Red Nemesis by Steve Cole, is the ninth novel in the ‘Young Bond’ series by Penguin Random House (under their imprint Red Fox). Five have been written by Charlie Higson (author of ‘The Enemy Novels’ – The Enemy, The Dead, The Fear, etc) and four so far by Steve Cole (famous for his Astrosaurs books). They are all closely linked to and published under the aegis of the Ian Fleming novels. In these books, we meet James Bond as a schoolboy. He already has connections with the British Secret Services, thanks to his father’s career in defence sales, and becomes involved in improbable missions and adventures. All part of the escapism! In Young Bond we get to see the life events that shape the man we know so well. (In my case through Sean, Roger, Pierce, Daniel, et al).

Red Nemesis is set in the summer of 1935 during James’s summer break from Fettes College, a smart public school in Scotland. He is about to go home with his Aunt Charmian; his parents are dead, having been killed in a skiing ‘accident’ when he was younger. The story opens a couple of years earlier in London with a mysterious Russian, Ivan Kalashnikov, deliberately breaking the legs of his daughter, Anya, in a car crash that was meant to look like an accident. Anya is a promising ballerina set for a glittering career on the international stage. Why would a father do this?

On the train back from Scotland, Charmian hands James a backpack which belonged to his father and which has been retrieved from the ice where he died. The contents are mysterious and include items which James senses are clues to an unsolved mystery in which his father may have been involved, in particular a cryptic postcard penned to his brother Max, James’s uncle and Charmian’s late husband. James also feels the contents of the backpack may bring him closer to the truth about his parents’ untimely deaths.

Following the clues, James goes to London. He first visits the Secret Intelligence Service to hand over copies of the documents in his father’s backpack to a former acquaintance of Max’s, the SIS agent Adam Elmhirst. He then goes to the Mechta Academy of Performing Arts, an international school near the SIS building. He masquerades as a prospective pupil, the son of a diplomat, pretending he has made an appointment to look around. He is given short shrift by the cold foreign authorities at the school but manages to break free of security. He conducts his own tour of the basement and finds a large stock of a powerful explosive. He is discovered and gets into a fight with a young man who is apparently a pupil. James wakes up in a cell, locked up for trespassing on the premises of the school without permission, until he is rescued by the aforementioned Elmhirst, who immediately invites James to accompany him to Moscow to help solve the mystery of the contents of the backpack, which Elmhirst says will lead them to uncover some malign Russian plot.

Most of the rest of the book is set in Moscow, as James and Elmhirst get into numerous scrapes. There are dramatic chases, villains, fights, plus of course, a bit of young love interest when James tracks down Anya Kalashnikov (he was clearly already powerfully attractive from quite a young age). Anya becomes James’s sidekick after her father is brutally killed; she realises she is not safe and has nothing to lose by getting involved with the mystery-solving activity.

There is violence, peril, quite a few deaths, unlikely villains, stereotypes and spies, but all of it in true James Bond fashion. It’s not as tongue-in-cheek as some of the earlier Bond films; there is an element of the troubled soul, the three-dimensional human we have come to see in the Daniel Craig incarnation of Bond (though not that dark), which is probably truer to the Fleming novels.

I have to say I thoroughly enjoyed this book – it has nail-biting action, problem-solving, and James feels like a well-developed character with fears, feelings and flaws as well as bravery, resilience and strong fighting instincts. There is quite a bit of violence and death, so I would recommend for 12-14 year olds. Alongside James, Anya provides a strong female character so I think both girls and boys would enjoy this. I did!

What do your kids think of the ‘Young Bond’ novels?

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Book review: “Sometimes I Lie” by Alice Feeney

I don’t read many thrillers. They’re not usually my ‘thing’. Sometimes I think it’s simply because the covers put me off! They seem invariably to have neon writing with a black background (as in fact, does this book) and sensational taglines designed to suck you in. The tagline here reads “I’m in a coma. My husband doesn’t love me anymore.” I’m afraid that, in my experience, books that promise much on the front cover deliver somewhat less between the pages. And, yes, that could indeed be true of life in general!

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So, I approached this book with some apprehension. I probably would not have chosen it myself, but it was suggested by my book club. That said, I was open-minded, having been equally sceptical about Disclaimer by Renee Knight (also neon writing on a black background), which was suggested by a book club I used to belong to, and which I thoroughly enjoyed. (You can read my review of that book here.)

The central character is Amber, a married woman in her mid-30s, who when we first meet her, on Boxing Day 2016, is lying in hospital in a coma. She is also our narrator. The chapters alternate between ‘Now’, ie Amber lying in her hospital bed, ‘Then’, looking back over the days of the previous week and the events which have brought Amber to this position, and ‘Before’, looking back at Amber’s childhood. It is clear that Amber has been involved in some sort of car accident, although the circumstances are mysterious. As the narrative progresses we are drip-fed information about the other characters in the story and the part they have each played in bringing about Amber’s near-death.

Amber works in radio on a popular morning show called Coffee Morning with the very unpleasant but very powerful Madeline Frost, who is nothing short of a bully towards everyone else involved in the show, but who is loved by her audience. Amber is married to Paul, a struggling author, whose movements in the pre-Christmas week are suspicious. She also has a sister, the rather too-perfect Claire, who is attractive, confident, and a mother of twins, where Amber is under-achieving, stuck in a career rut and apparently infertile. There is also the sense that the relationship between Amber and Claire is not all that it seems at first; increasingly we see Claire as controlling and rather too controlled. It is clear that this dynamic has had some sort of impact on Amber’s present situation. A further character enters the book part-way through, Edward, a former boyfriend of Amber’s who she bumps into in London one evening. There is the suggestion that perhaps Amber chose the wrong guy when she married Paul.

Thus the scene is set, with our vulnerable central character and a full complement of secondary figures, each of whom could have dunnit. It’s a complex plot, which at times I found difficult to follow; perhaps this is my problem with thrillers – complexity seems to be prized above all else. There is cleverness in the way some parts of it are handled, however, I also felt there was rather too much going on. For example, not wishing to give anything away, I felt the Edward sub-plot was superfluous, and Amber’s OCD was unnecessary and rather randomly included.

I did enjoy the book, it’s certainly a page-turner, but the ending left me vaguely dissatisfied. Perhaps it is fashionable to have ambiguous conclusions, or perhaps the author is planning a sequel, but in a thriller, a genre where questions are continuously posed, I want answers, I want loose ends tied up, and I don’t want to be left hanging.

It’s a decent beach read if you’re off on your holidays soon.