I posted last week with some suggestions for non-fiction books for children for Christmas. Today, I’ve got some fiction ideas for you. Here is my round-up of some of the best books around at the moment, which I recommend for children. I’ve given you an idea of the age range too. As a rule of thumb, the central character in a book is generally a year or two older than the age of the children the book is aimed at. Kids like reading about people who are slightly older than them.
Pax by Sara Pennypacker – suitable for 10-11 year olds
I reviewed this book here a few weeks ago. I loved it. Set in America, it concerns 12 year old Peter and a ‘pet’ fox he has raised from a cub. Peter is forced to release Pax into the wild when his father is called up to serve in the army. Peter’s mother is dead and he is sent to live with his grandfather. He runs away to search for Pax after realising what a terrible mistake he has made, and meets Vola, who lives on an isolated farm. Vola nurses Peter after he breaks his ankle and the two form an unlikely friendship which sets them both on a journey of self-discovery. Some challenging themes, but ultimately a heart-warming tale, with some lovely illustrations.
Memoirs of a Polar Bear by Yoko Tawada – suitable for 11-13 year olds
Perfect for pre-teens whose reading tastes and skills are maturing but who still love their animals. Narrated in three parts by three generations of a polar bear family who find themselves in different parts of the world: beginning with the matriarch in the Soviet Union, her daughter Tosca in East Germany, and her grandson, Knut, raised in Leipzig zoo. Very quirky and gently political. It is translated from the original Japanese so will also give children a taste of a quite different style of writing.
Lucky Button by Michael Morpurgo – suitable for 9-12 year olds
I love a book with illustrations and I love Michael Morpurgo. This entry-level Morpurgo is a perfect Christmas offering. It concerns Jonah Trelawney who is the victim of school bullies and a carer for his mother. an accidental encounter gives him a life-changing insight to life in a Foundling Hospital in the 18th century (the original Foundling Museum was the inspiration for the story). Lovers of Jacqueline Wilson’s Hetty Feather will enjoy this.
The Adventures of John Blake: Mystery of the Ghost Ship by Philip Pullman – suitable for 10-13 year olds
Pullman’s The Book of Dust, part of the Lyra trilogy, is possibly the biggest children’s literature event of the year. Fans will already have bought it, so I’m not going to mention it here. Instead, I draw your attention to this graphic novel by the same author, which may encourage more reluctant readers, particularly boys. Just because it has pictures, does not mean it is for younger ones, who may find the storyline complex and the themes quite dark. John Blake is a seafaring time traveller. He rescues a young girl from a shipwreck, but his efforts to return her to her own time place them both in grave danger.
The Disappearances by Emily Bain Murphy – suitable for 12-14 year olds
This debut has been very well-reviewed. It concerns Aila and her younger brother Miles who are sent to live in the rural town of Sterling, after their enigmatic mother, Juliet dies. The town carries a mysterious affliction: every seven years certain memories, experiences that people share in common, vanish. The locals believe that Aila’s dead mother, is somehow responsible and Aila must bear the brunt of their prejudice and hostility. A long book with some challenging themes which will suit keen readers who like a bit of depth.
Do You Speak Chocolate? by Cas Lester – suitable for 10-12 year olds
Friendship between girls is explored in this novel, which has been compared to Jacqueline Wilson. It is also a story about how friendship can transcend the bounds of language. Nadima is a new girl at school, recently arrived from Syria, and speaks no English. Jaz is a strong personality, and becomes friends with Nadima after the two share some confectionery. Their relationship does not always go smoothly and this book explores the ups and downs via themes of integration, community, and the things that bring us together.
Do you have any recommendations for children’s fiction this Christmas? I’d love to hear your suggestions.
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Barefoot Books World Atlas by Nick Crane & David Dean (£9.99). I love the values and ethos behind Barefoot Books. Multi-cultural and humanitarian themes are present in everything they publish and their books can be valuable tools in combatting exclusion in our world and teaching children about kindness. This world atlas focuses on the interaction between environment and the communities and cultures of the world.
Illumanatomy by Kate Davies and Carnovsky (£15.00). A superb large format book about the human body that goes into real detail. The illustrations are outstanding; when viewed with the special lenses provided you can see different parts of the body (skeleton, muscles, organs) and how they interact. Perfect for budding biologists!
EtchArt: Hidden Forest by AJ Wood, Mike Jolley & Dinara Mirtalipova (£9.99). This is rather like those books in the colouring trend except the images you create are shiny and sparkly. The child uses the etching tool provided to produce glorious forest-themed pictures (there is also a sea-themed one available). Lovely, and nice and solid.
Wreck this Journal by Keri Smith (£12.99). Yes, I know it’s not exactly a reading book (though there are plenty of words) there are writing and drawing opportunities. I actually love this series as I think they tap into teenagers’ anarchic tendencies, whilst also encouraging a degree of creativity. Here’s the 2017 offering and the cover is much nicer than previous editions. Good fun.
The Bastard of Istanbul is a curious book, which my fellow book club members found disappointing. At the heart of the novel is the Kazanci family, living in Istanbul. The household is exclusively female and comprises Asya, (the eponymous ‘Bastard’) her three aunts and her mother (whom she also calls ‘Auntie’), her grandmother and ‘Petite-Ma’ who I think is her great-grandmother (more of that later, it’s part of the problem with the book). There is an uncle, who moved to America as a young man and has never returned. All the men in the family are afflicted by early death. Mustafa, the prodigal son, is in his 30s.
I love Christmas, especially since having children, but now my kids are a little older (11, 13, 16) I find that I enjoy it more and more as we tend to ‘hunker down’ as a family. We do visits to and from our extended families before and after the 25th of December, but Christmas itself is spent rather quietly together, just the five of us. We have a great time hanging out together (the kids all make a real effort to get along!), watching films, playing games (poker was our favourite last year!), cooking and eating. As the children have got older, the gift-giving (or more accurately, the gift-receiving!) has become less important.
A book I am particularly fond of is Alison David’s 
I was really torn between Claire Tomalin, Anjelica Huston and Alan Cumming. I left it in the hands of the local library and it was Alan Cumming that became available first! I’m still waiting for Claire Tomalin, and that is probably the one I was keenest to read. I was attracted to Alan Cumming’s book, however, because its premise is not dissimilar to the book I am writing, namely family research and the uncovering of a long-held secret. There the similarity ends, however, as Alan’s book is much more about his relationship with his father.
For November, the challenge is to read a book set in or by a writer from the southern hemisphere – which is, broadly, South America, southern Africa and Australasia. As the nights draw in and it gets increasingly wintry I wanted to be reminded that in other parts of the world it is Summer! So, my choice this month is Isabel Allende’s Portrait in Sepia, a book I picked up in my local Oxfam bookshop and which has been sitting on my ‘to read’ pile for far too long. Allende is such a fine writer and I’ve read a number of her books over the years. It’s great to have an excuse to dive into this one and experience the sensuousness of her writing and the world she evokes, as the last leaves fall from the trees here and nature seems to go into hibernation.
I read A Clockwork Orange on my husband’s recommendation, straight after he’d completed it – it’s one of his favourite films, which we have watched many times, but neither of us had read the book. It’s quite short, but also quite hard-going as it is narrated by the central character, Alex, who speaks in ‘nadsat’ a kind of teenage vocabulary of the future, based loosely on Slav languages. I read it with a glossary (though Burgess intended that it should not be), but after while I found I did not consult it, and it flowed better just to read it and understand the sense, if not every word.
The cover is lovely and there are a handful of illustrations in the book which are truly beautiful and very evocative. The apparent subject matter (animals) and the fact that it has some illustrations might put off some of the target readership (10-11 year olds, I would say), particularly the more advanced readers among them, who might think it is better suited to younger ones. The themes, however, are much more mature than you might think and may in fact be upsetting to more sensitive 9-10 year olds, say. It is perfect, therefore, for older primary school kids who are perhaps more reluctant readers who may find some of those thick volumes a bit daunting. At 276 pages, with a few pictures and nicely spaced typeface, this is a book where pages will be turned quite quickly; in my experience, this is a surprisingly important factor in many children’s enjoyment of a book!
I have been reading a lot of fictionalised biography to help me and one book I read recently I found profoundly moving. Your Father’s Room by French writer Michel Deon is part fiction, part memoir, and looks back to 1920s Paris and Monte Carlo. Edouard, or Teddy, is the only child of a civil servant and his socialite wife. The family moves to Monte Carlo with the father’s job and there is a fascinating insight to life in the south of France at that time, the characters connected to the family and the nature of the relationship between Teddy’s parents. If this is an account in part of the author’s childhood then much of Teddy’s observations will have been imagined by Deon. Perhaps like me he is taking fragments of memory, partial facts and knitting them together to tell a story. It is very engaging even though it is not clear what is truth and what is fiction. How much of any of our family history is a story anyway, ‘facts’ that have been embellished (or concealed) over the years?
It’s a tough one to review without giving too much away, and the comments on the jacket don’t say very much about the story either, only that it is “exquisite”, “compelling” and “forcefully moving”. The central character is Linda (also Madeline or Mattie to her parents), who is an only child living with her parents in small town Minnesota. To say they live in a rural environment is an under-statement; they live in a cabin in the woods, which they seem to have built themselves, with their dogs. It seems they were formerly part of a small commune, but the other residents have gradually moved away as the cooperative spirit broke down. Linda’s parents are rather remote and she is allowed to roam the area freely, to canoe on the lake as and when she pleases, and to walk many miles in all weathers.
Julia's books 