This was April’s choice for my book club and one of the members described it as the best book we have read – she consumed it in virtually one sitting in the middle of the night when she was wide awake with jet lag! A fine endorsement indeed. It really is a marvellous book and, as I so often say on this blog, totally unfair that one so young should exhibit this much talent in a debut novel! It has also been shortlisted for the Baileys Women’s Prize for Fiction this year (winner to be annonced on 7 June), so it’s hot.
The blurb on the jacket is cryptic:
“There are things even love can’t do…if the burden is too much and stays too long, even love bends, cracks, comes close to breaking and sometimes does break. But even when it’s in a thousand pieces around your feet, that doesn’t mean it’s no longer love.”
It’s hard to provide a review without giving away too much, because the twists and turns of the plot are a joy. It’s also a very tough read at times, so be prepared for some challenging parts.
The first chapter is set in 2008 but only makes sense once you have finished the book, so do come back to it. The book starts proper in 1985 when we first meet Yejide and Akin, a young married couple living in Ilesa in Nigeria. They are a thoroughly modern couple enjoying a happy middle class life, he a successful banker, she a beautician with her own business. Their relationship is placed under severe strain, however, because they are infertile. They themselves are very much in love and seem quite happy with their lot, but their respective families have high expectations of children. Thus they come up against powerful cultural forces; both are children of polygamous households and this contrasts forcefully with their much more enlightened outlook.
There is superstition and witchcraft here too. Quite early on, under unbearable pressure, Yejide turns to traditional quackery to conceive and ends up developing what can only be described as a mental illness where she develops a phantom pregnancy that lasts nearly eighteen months. Akin, on the other hand, is under pressure from his own side to take a second wife, as it is considered the priority is to produce a child not to have a happy marriage. The tussle between modern and traditional ways of thinking create mistrust and betrayal in Akin and Yejide’s relationship where previously there was only love and passion.
This is all played out against the backdrop of social and political unrest in Nigeria in the 1980s. I was hoping this would play a bigger part in the novel having enjoyed so profoundly Half of a Yellow Sun (Chimimande Ngozi Adiche) a few years ago, but it’s not that kind of book. The political upheaval going on in the background is there more as a metaphor for transition, what happens when society is forced to evolve out of its traditions. It also helps with the plot later on.
The pace of this book is fast, but it loses nothing in quality for being so. It’s a brilliant plot, jaw-dropping even. The writing is breathtaking and at times deeply moving. So, I must say no more, only go and read it and enjoy!
Have you read this book? If so, what did you think of it?
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What is so immediately intriguing about the title of the novel, of course, is that Holland is very, very flat. But In the Dutch Mountains imagines a world where the Netherlands extends much further south of its modern borders to northern Spain and the Pyrenees (hence the Dutch mountains). The narrator is himself a Spaniard, a civil servant who not only relates the story, but also philosophises on the processes of writing and story-telling: a story within a story. The main characters in the tale are Kai and Lucia, a slightly other-worldly circus couple, remarkable for their physical perfection, who are relieved of their jobs (because times have moved on and audience tastes have changed) and find themsleves travelling south to look for work. Kai is kidnapped and Lucia sets out on a journey to find him, accompanied by an old woman she meets on the way who agrees to drive her to find her lover.
I’m off on a short holiday to the Netherlands so I’m planning to take some reading with me, of course, and have decided on another book from my
Nina is twenty when we meet her in the early 1980s. She lives with Mary-Kay Wilmers, editor of the London Review of Books, and her two young sons, Sam and Will, to whom she is a nanny. They live at 55 Gloucester Crescent NW1, an area that was also home to other literary types, among them Alan Bennett and Claire Tomalin, who also make appearances in the book, particularly ‘AB’ who is a great friend of ‘MK’.
I’ve been an admirer of Patti Smith for a number of years now. I’m a bit young to have been a fan of hers when she first broke onto the music scene in the mid-1970s. I became aware of her much later when I picked up a sale copy of her debut album Horses. I was also aware of Robert Mapplethorpe, the late artist-photographer who was her lover and then close friend when they were both very young. Mapplethorpe died of AIDS in 1989 and it must have been in the 1990s that I saw an exhibition of his work in London (I had an interest in photography at the time). Later on again I learned about the connection between the two and how Patti had been, if you like, Mapplethorpe’s ‘muse’ when he was first discovering his art.


So, the task for March on my
Patti Smith is a fascinating woman who has led a fascinating life. I have been meaning to read this book for years (it was published in 2010), so when I came across it in the Strand Bookshop whilst on my trip to, where else, New York last summer, it had to be bought! (It’s a very New York book.)