I posted a blog last week encouraging you all to give a book a home this Christmas. A well-chosen book is NEVER a bad gift idea. Even if the gift receiver does not in the end like the book they will appreciate you buying it for them, especially if you write something inside about why you chose it. It will also give the two of you something to talk about. It’s the gift that keeps on giving!
Kids can be more tricky, as we know! Unless you know what authors they like, or what sort of reading material they are into, it can be a risk. And for a reluctant reader, receipt of a book may come as a disappointment. When it comes to encouraging children to read, my advice is always to let them choose, but that can be difficult at Christmas, if you are buying for nieces and nephews, for example. Non-fiction is always a good choice in this scenario as you will be able to find a book on almost any subject, targeted at the age range you are looking for. I’ve done a bit of research for you and here are some that have caught my eye.
For younger ones:
Paper Monsters by Oscar Sabini (£14.95). This is a gorgeous gift book. The idea is the child makes a collage on a blank sheet and then uses the monster templates to cut round. There is a similar book Paper Zoo which is just animals.
Barefoot Books World Atlas by Nick Crane & David Dean (£9.99). I love the values and ethos behind Barefoot Books. Multi-cultural and humanitarian themes are present in everything they publish and their books can be valuable tools in combatting exclusion in our world and teaching children about kindness. This world atlas focuses on the interaction between environment and the communities and cultures of the world.
For 10-13 year olds:
Illumanatomy by Kate Davies and Carnovsky (£15.00). A superb large format book about the human body that goes into real detail. The illustrations are outstanding; when viewed with the special lenses provided you can see different parts of the body (skeleton, muscles, organs) and how they interact. Perfect for budding biologists!
EtchArt: Hidden Forest by AJ Wood, Mike Jolley & Dinara Mirtalipova (£9.99). This is rather like those books in the colouring trend except the images you create are shiny and sparkly. The child uses the etching tool provided to produce glorious forest-themed pictures (there is also a sea-themed one available). Lovely, and nice and solid.
Older teens:
Notes from the Upside Down: Inside the World of Stranger Things by Guy Adams (£12.99). My teenagers love this show and Season 2 has been hotly awaited in our household! Yes, I know it’s a companion to a TV series, but it’s potentially entry-level Stephen King, which is not necessarily a bad thing.
Wreck this Journal by Keri Smith (£12.99). Yes, I know it’s not exactly a reading book (though there are plenty of words) there are writing and drawing opportunities. I actually love this series as I think they tap into teenagers’ anarchic tendencies, whilst also encouraging a degree of creativity. Here’s the 2017 offering and the cover is much nicer than previous editions. Good fun.
If you have any non-fiction suggestions I’d love to hear them.
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The Bastard of Istanbul is a curious book, which my fellow book club members found disappointing. At the heart of the novel is the Kazanci family, living in Istanbul. The household is exclusively female and comprises Asya, (the eponymous ‘Bastard’) her three aunts and her mother (whom she also calls ‘Auntie’), her grandmother and ‘Petite-Ma’ who I think is her great-grandmother (more of that later, it’s part of the problem with the book). There is an uncle, who moved to America as a young man and has never returned. All the men in the family are afflicted by early death. Mustafa, the prodigal son, is in his 30s.
I love Christmas, especially since having children, but now my kids are a little older (11, 13, 16) I find that I enjoy it more and more as we tend to ‘hunker down’ as a family. We do visits to and from our extended families before and after the 25th of December, but Christmas itself is spent rather quietly together, just the five of us. We have a great time hanging out together (the kids all make a real effort to get along!), watching films, playing games (poker was our favourite last year!), cooking and eating. As the children have got older, the gift-giving (or more accurately, the gift-receiving!) has become less important.
A book I am particularly fond of is Alison David’s 
I was really torn between Claire Tomalin, Anjelica Huston and Alan Cumming. I left it in the hands of the local library and it was Alan Cumming that became available first! I’m still waiting for Claire Tomalin, and that is probably the one I was keenest to read. I was attracted to Alan Cumming’s book, however, because its premise is not dissimilar to the book I am writing, namely family research and the uncovering of a long-held secret. There the similarity ends, however, as Alan’s book is much more about his relationship with his father.
For November, the challenge is to read a book set in or by a writer from the southern hemisphere – which is, broadly, South America, southern Africa and Australasia. As the nights draw in and it gets increasingly wintry I wanted to be reminded that in other parts of the world it is Summer! So, my choice this month is Isabel Allende’s Portrait in Sepia, a book I picked up in my local Oxfam bookshop and which has been sitting on my ‘to read’ pile for far too long. Allende is such a fine writer and I’ve read a number of her books over the years. It’s great to have an excuse to dive into this one and experience the sensuousness of her writing and the world she evokes, as the last leaves fall from the trees here and nature seems to go into hibernation.
I read A Clockwork Orange on my husband’s recommendation, straight after he’d completed it – it’s one of his favourite films, which we have watched many times, but neither of us had read the book. It’s quite short, but also quite hard-going as it is narrated by the central character, Alex, who speaks in ‘nadsat’ a kind of teenage vocabulary of the future, based loosely on Slav languages. I read it with a glossary (though Burgess intended that it should not be), but after while I found I did not consult it, and it flowed better just to read it and understand the sense, if not every word.
The cover is lovely and there are a handful of illustrations in the book which are truly beautiful and very evocative. The apparent subject matter (animals) and the fact that it has some illustrations might put off some of the target readership (10-11 year olds, I would say), particularly the more advanced readers among them, who might think it is better suited to younger ones. The themes, however, are much more mature than you might think and may in fact be upsetting to more sensitive 9-10 year olds, say. It is perfect, therefore, for older primary school kids who are perhaps more reluctant readers who may find some of those thick volumes a bit daunting. At 276 pages, with a few pictures and nicely spaced typeface, this is a book where pages will be turned quite quickly; in my experience, this is a surprisingly important factor in many children’s enjoyment of a book!
I have been reading a lot of fictionalised biography to help me and one book I read recently I found profoundly moving. Your Father’s Room by French writer Michel Deon is part fiction, part memoir, and looks back to 1920s Paris and Monte Carlo. Edouard, or Teddy, is the only child of a civil servant and his socialite wife. The family moves to Monte Carlo with the father’s job and there is a fascinating insight to life in the south of France at that time, the characters connected to the family and the nature of the relationship between Teddy’s parents. If this is an account in part of the author’s childhood then much of Teddy’s observations will have been imagined by Deon. Perhaps like me he is taking fragments of memory, partial facts and knitting them together to tell a story. It is very engaging even though it is not clear what is truth and what is fiction. How much of any of our family history is a story anyway, ‘facts’ that have been embellished (or concealed) over the years?
It’s a tough one to review without giving too much away, and the comments on the jacket don’t say very much about the story either, only that it is “exquisite”, “compelling” and “forcefully moving”. The central character is Linda (also Madeline or Mattie to her parents), who is an only child living with her parents in small town Minnesota. To say they live in a rural environment is an under-statement; they live in a cabin in the woods, which they seem to have built themselves, with their dogs. It seems they were formerly part of a small commune, but the other residents have gradually moved away as the cooperative spirit broke down. Linda’s parents are rather remote and she is allowed to roam the area freely, to canoe on the lake as and when she pleases, and to walk many miles in all weathers.
Julia's books 