This book was July’s choice for my Facebook Reading Challenge 2019, the theme of which last month was contemporary crime fiction. I picked Cath Staincliffe because I have met her and she’s very nice (and very successful!) and I have read a couple of her other books which I have thoroughly enjoyed, even though crime fiction is not usually my thing. Unlike much of her other work (and the last book of hers that I read – The Girl in the Green Dress), this is not strictly crime fiction, although a crime is committed. To that extent it is something of a departure for this author, I think, although the dedication at the front of the book to “my mothers”, Evelyn Cullen and Margaret Staincliffe, both of whom died in 2017, gives a clue as to what might have motivated this book, which was published in 2018.
The centre of the story is the relationship between two women, Bel and Lydia, who meet at a New Year’s party in 1985, when they are both sixth-formers although at different schools in Yorkshire. They are very different people – Lydia is reserved, generally quite sensible, and from a secure and ordinary family. Bel is wilder, her family rather more bohemian and she has a difficult relationship with her parents. Bel grew up in France and then London and it is her father’s job that has brought them to northern England, where she is something of an outsider. Bel and Lydia are drawn to one another, despite their very different personalities; for Lydia, Bel represents spontenaiety, excitement, danger even. For Bel, Lydia represents security, a steady point in a turning world.
Their lives begin to diverge after university: Lydia works in the scientific field, in a hospital laboratory, enjoys a successful career in which she is respected, and eventually meets the love of her life, Mac, an Irishman who runs a tattoo parlour. Lydia flits from one job to the next, travels the world, and never holds down either a long-term job or a long-term relationship. She seems to flee from commitment. Although she is never as diligent, thoughtful or kind a friend to Bel as Bel is to her, she somehow always seems to return to her.
Some years into their relationship Lydia and Mac decide the time is right to have children, but they find they cannot conceive. After three failed IVF attempts they decide to apply for adoption. In the meantime, Bel, in her usual fashion, finds herself unexpectedly pregnant by a man who wants nothing to do with the baby. Bel gives birth to Freya and the contrast between her indifference to the child, her inability to cope and her post-natal depression, and Lydia’s anguish at her and Mac’s infertility is starkly portrayed. Lydia and Mac’s journey through the adoption process is equally traumatic, but eventually they are given a little girl to adopt, Chloe. She is about the same age as Freya.
This is where the story really begins: Chloe, it turns out, has had a very difficult start, with parents who neglected her. This absence of attachment in her first two years of life has caused damage which Lydia and Mac, despite their very best efforts, will never be able to repair. Chloe’s life becomes a series of dramas, problems, misdemeanours and eventually crimes. In contrast, Freya, who has a stormy relationship with Bel, becomes a bright, high achieving, outgoing teenager. Like the differences between Bel and Lydia, the contrast between their two daughters is stark.
I don’t want to give away the plot, although it is arguably not difficult to work out what is going to happen, but, as readers, we watch with horror as events unfold. Chloe gets increasingly out of control and Lydia and Mac become ever more desperate as they try and fail to bring their vulnerable daughter back from the precipice, time after time.
I enjoyed the book, I found it very compelling. Staincliffe has a writing style that is deceptively simple, but actually draws you effortlessly into the world of the characters. A lot of the novel is spent on building up the history of the friendship between the two central women, which I must admit, at first made me feel slightly frustrated as I just wanted to get to the main plot. By the end, however, it was clear that this was part of the author’s building of the narrative. The relationship IS the story; the two girls, the adoption story, yes these are also key plot lines, but it is as much about the vulnerability of mothers, about single mothers left alone and especially about couples who adopt (usually post-IVF disappointment) and are unprepared for the challenges, as it is about the plight of ‘looked after’ children.
The author’s afterword, where she writes about her own experience of being adopted as a baby after her young Irish mother became pregnant outside marriage, makes clear what has driven her desire to write this book. Her story had a happy ending, but for too many adopted children today, that is not the case.
It is a heartbreaking novel that will give you an insight into world about which most of us know very little. A difficult read but one that is definitely worth it.
How do you cope when a difficult story doesn’t have the ‘happy ending’?
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