Book review: “Death on the Nile” by Agatha Christie

This is my second Agatha Christie this year. Having never in the past felt a particular desire to read her work, I have to say that I am completely won over! I chose this book for August in my Facebook reading challenge, which happened also to coincide with my summer holiday. When I stop and think, there is something a little odd about choosing books about death and misery for the kind of escapist material I usually seek for holiday reading, but there is a kind of unreality about the two books I have read, a kind of nostalgia for a bygone era. I do also love the sense of place that Christie evokes; I found this to be true also of Murder on the Orient Express, which I read in January, although in this novel, there are some anachronistic references to the Egyptians which make a modern reader wince slightly.

Death on the Nile imgIn some ways, there is not a great deal to say about Death on the Nile that you couldn’t say about any other Christie novel, I suspect: there is a situation, in this case, a Nile cruise, being undertaken by 10-15 characters, all for different reasons. Conflicts and tensions are set up amongst the different characters, mysterious aspects of their personality or behaviour are noted, one of their number dies and then there is a process of detection to work out whodunnit. I did largely guess the correct outcome in the case of this novel, although I didn’t with Orient Express.

Both the Christie novels I have read are Poirot novels (these make up a third of Christie’s impressive oeuvre) and he is, of course, a marvellous central character – quirky, consistent, charming, and with a brilliant mind. David Suchet played Poirot to great acclaim in the wonderful UK television series, and although I am familiar with them I have to confess I never actually watched them! Suchet was in my mind, however, as I was reading the book.

I found the book unputdownable. I was eager for each new chapter, each new revelation; you can argue until the cows come home about whether this is “great literature” or something more “popular” but you can’t ask for much more than that, in my view. Wonderful characterisation, brilliant plotting, vivid imagination and storytelling that keeps you gripped to the end.

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Quite a back catalogue!

Reading these two books this year has definitely made me want to read more Christie. I find the novels quite quick reads, just as well since there are nearly 70 of them! I feel the need now to start with the first Poirot novels, to see how his character begins and how the author develops it over time. I also fancy like to binge-watching all those Poirot television dramas – there must be a channel somewhere showing them! A project for when the nights start drawing in, perhaps.

 

 

 

Christie is such a clever writer and one who clearly understood her readership and gave them what they wanted. Yes, I suppose they are rather formulaic, but when the world feels rather unpredictable there is no harm in getting what you expect from a book!

Recommended.

What appeals to you about Agatha Christie?

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Book review: “Murder on the Orient Express” by Agatha Christie

I am not a big reader of crime fiction, but I read two over the Christmas holidays, as I feel this has been something of a gap in my education. I read Murder on the Orient Express by Agatha Christie, first published in 1934, and The Girl in the Green Dress by Cath Staincliffe who gave an excellent talk at the Northern Lights Writers Conference which I attended last year. Separated in terms of their publication by over 80 years the two titles are so different they could hardly be said to be part of the same genre but I don’t know enough about crime fiction to understand the path that links the two. I enjoyed both, but for very different reasons. I’ll start by reviewing the older of the two books.

Murder on the Orient Express img  To my shame, I have not read anything by Agatha Christie before, although I have stayed at the Old Swan Hotel in Harrogate, to which Agatha famously disappeared for nearly two weeks in 1926 after a row with her husband! She is quite extraordinary when you look at the stats: said to be the best-selling author of all time, her books have sold around two billion copies (yes two billion!) worldwide, second only to Shakespeare and the Bible. She wrote 72 novels, 14 short story collections, and one play, The Mousetrap, the longest-running in the world. Miss Marple and Hercule Poirot are perhaps two of the best-known literary characters of all time, and her work has been adapted for film and television countless times. She is truly a literary giant.

Murder on the Orient Express was released as a film once again last year, directed by and starring Kenneth Branagh, and a clutch of other huge names including Johnny Depp, Judi Dench and Penelope Cruz, although it has not been well-received critically. The release of the film prompted my book club to give this title a go. We subsequently watched the 1974 film adaptation starring Albert Finney as Poirot, and an equally stellar cast including Lauren Bacall, Ingrid Bergman and Sean Connery. The film was very close to the book and we thoroughly enjoyed it. It was true escapism.

The book, also, was true escapism, though I’m glad I read it before watching the film. The structure is linear and to us would seem quite old-fashioned, but it’s a joy. It is split into three distinct parts: the facts, which sets the scene on the train, and gives us the background to the tragic Armstrong child abduction and killing case in America five years earlier. In part two Poirot hears evidence from each of the characters on the train, one of whom MUST have committed the crime, and the final part is Poirot’s analysis and conclusion, a set-piece beautifully played out in the film.

The plot is genius (I don’t want to reveal any spoilers, though I think most people who know anything about the book will know the ending – this will not detract from your enjoyment), but the way that Poirot makes his intellectual leaps is at times, totally contrived. For example, I am still not clear how he could have made the connection with the Armstrong case on such an insignificant piece of evidence. This matters not a jot, however, because it is Poirot’s cross-examinations, his exposition of ‘the facts’ and his closing revelatory monologue, which provide the real pleasure for the reader. The writing is also joyous, laced with irony, brilliant characterisation and the evocation of place….sublime! On this latter point this was the real escapism for me. I have always fantasised about travelling on the Orient Express in the golden age of steam (as long as I can travel fist class!) and this book took me right there. The opening scene of the book is set in Aleppo, which was rather poignant.

I’ll definitely be reading more Agatha Christie. This was quite a quick read, in just a couple of sittings, because it flows so beautifully and once you start it is hard to put down. Highly recommended.

If you are a fan of Christie, which of her books would you recommend I read next?

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